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Sailaja Krishnamurti

Biographic Data

ID572272
NAMESailaja Krishnamurti
GIVEN NAMESSailaja
FAMILY NAMEKrishnamurti
SIGNATUREKRISHNAMURTI S
AFFILIATIONSYork University
ORCID0000-0003-3671-6935
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS3
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Gendered impunity

    Sailaja Krishnamurti•ARTICLE•Sikh Formations•2022

    In this short essay I read Jaspreet Singh's Helium through Julietta Singh's concept of the body as archive. It is a book about impunity and failed responsibility, but this is deeply gendered. It is the women in the novel who carry trauma in their bodies

  • Peering Inside the White Container

    Sailaja Krishnamurti•ARTICLE•Journal of Feminist Studies in…•2022

    Peering Inside The White ContainerFeminism and Antiracism in the Work of JFSR Sailaja Krishnamurti (bio) As a new board member, I welcome this opportunity to respond to Judith Plaskow’s essay, “Race, Racism, and the JFSR,” part of a series of actions that Feminist Studies in Religion (FSR) has undertaken as a response to growing concern about anti-Black racism and carceral violence in the United States. When I was invited to join the board in 202…

  • Bring about the change we want to see”

    Ayesha Vemuri, Sailaja Krishnamurti•ARTICLE•Feminist Media Studies•2022•References: 6

    In this paper we offer a critical analysis of the media discourse around an anti-sexual violence comic book, Priya’s Shakti (2013), which tells the story of a victim of gang rape who becomes an unlikely “superhero” in a crusade to end sexual violence. The comic was created by an Indian American filmmaker, Ram Devineni, in response to the horrific gang rape and murder of a young woman in New Delhi in 2012 (the Nirbhaya case). Positioning a rape vi…

  • Race, representation, and Hindu–Christian encounters in contemporary North America

    Sailaja Krishnamurti•CHAPTER•Routledge Handbook of Hindu-Christi…•2020

    Hindu–Christian encounters in North America have been shaped by complex and conflicting national narratives about race, ethnicity, and cultural pluralism, as well as by intersecting Hindu social relations of caste, gender, and class. This chapter explores how these dynamics have shaped the development of temples and organizations as spaces for Hindu self-representation and advocacy in the wider community. It then provides a brief survey of some r…

  • Weaving the story, pulling at the strings

    Sailaja Krishnamurti•ARTICLE•South Asian Popular Culture•2019•Cited by: 1

    This paper examines two graphic novels by women based on Hindu mythology: Samhita Arni’s Sita’s Ramayana and Amruta Patil’s Adi Parva: The Churning of the Ocean. These texts use a range of storytelling techniques and visual elements to disrupt conventional understandings of male-centred mythological narratives. Sita’s Ramayana (Tara Books 2011) is illustrated by Moyna Chitrakar and written by Samhita Arni. The book situates Sita as an empathetic …

  • Reflections on Indian Manhood

    Sailaja Krishnamurti•ARTICLE•Visual Anthropology•2016

    Mardistan (Macholand): Reflections on Indian Manhood. Harjant Singh Gill, director. Produced by PSBT (The Public Service Broadcasting Trust, India), 2014; color, 28 mins.; in Hindi and Punjabi with

  • Uncles of the nation

    Sailaja Krishnamurti•ARTICLE•South Asian History and Culture•2014•Cited by: 2•References: 3

    Nationalist imagery is often expressed through the metaphor of the family: the nation is mother or father; the nation’s people are its children. But ‘uncle’ figures are also often part of the familial metaphor of the nation. The uncle represents a trope of masculinity that is defined differently than the ‘father’. Uncles are ‘avuncular’ figures – they are warm, friendly and playful. In nationalist discourse, avuncular uncle figures soften or mask…

  • Queue-jumpers, terrorists, breeders

    Sailaja Krishnamurti•ARTICLE•South Asian Diaspora•2013

    The 2010 arrival of the MV Sun Sea on the BC coast sparked a wave of heated anti-migrant sentiment in Canadian popular media which cast the 492 Sri Lankan Tamils on board as 'illegitimate' refugee claimants. While Canada has historically seen itself as the safe haven and protector of human rights for those with 'legitimate' claims, the Sun Sea response reflects a shift in attitudes about refugees and immigration in popular discourse and Canadian …

  • Uncles of the nation

    Sailaja Krishnamurti•ARTICLE•South Asian History and Culture•2014•Cited by: 2•References: 3

    Nationalist imagery is often expressed through the metaphor of the family: the nation is mother or father; the nation’s people are its children. But ‘uncle’ figures are also often part of the familial metaphor of the nation. The uncle represents a trope of masculinity that is defined differently than the ‘father’. Uncles are ‘avuncular’ figures – they are warm, friendly and playful. In nationalist discourse, avuncular uncle figures soften or mask…

  • Weaving the story, pulling at the strings

    Sailaja Krishnamurti•ARTICLE•South Asian Popular Culture•2019•Cited by: 1

    This paper examines two graphic novels by women based on Hindu mythology: Samhita Arni’s Sita’s Ramayana and Amruta Patil’s Adi Parva: The Churning of the Ocean. These texts use a range of storytelling techniques and visual elements to disrupt conventional understandings of male-centred mythological narratives. Sita’s Ramayana (Tara Books 2011) is illustrated by Moyna Chitrakar and written by Samhita Arni. The book situates Sita as an empathetic …

  • Queue-jumpers, terrorists, breeders

    Sailaja Krishnamurti•ARTICLE•South Asian Diaspora•2013

    The 2010 arrival of the MV Sun Sea on the BC coast sparked a wave of heated anti-migrant sentiment in Canadian popular media which cast the 492 Sri Lankan Tamils on board as 'illegitimate' refugee claimants. While Canada has historically seen itself as the safe haven and protector of human rights for those with 'legitimate' claims, the Sun Sea response reflects a shift in attitudes about refugees and immigration in popular discourse and Canadian …

  • Uncles of the nation

    Sailaja Krishnamurti•ARTICLE•South Asian History and Culture•2014•Cited by: 2•References: 3

    Nationalist imagery is often expressed through the metaphor of the family: the nation is mother or father; the nation’s people are its children. But ‘uncle’ figures are also often part of the familial metaphor of the nation. The uncle represents a trope of masculinity that is defined differently than the ‘father’. Uncles are ‘avuncular’ figures – they are warm, friendly and playful. In nationalist discourse, avuncular uncle figures soften or mask…

  • Reflections on Indian Manhood

    Sailaja Krishnamurti•ARTICLE•Visual Anthropology•2016

    Mardistan (Macholand): Reflections on Indian Manhood. Harjant Singh Gill, director. Produced by PSBT (The Public Service Broadcasting Trust, India), 2014; color, 28 mins.; in Hindi and Punjabi with

  • Weaving the story, pulling at the strings

    Sailaja Krishnamurti•ARTICLE•South Asian Popular Culture•2019•Cited by: 1

    This paper examines two graphic novels by women based on Hindu mythology: Samhita Arni’s Sita’s Ramayana and Amruta Patil’s Adi Parva: The Churning of the Ocean. These texts use a range of storytelling techniques and visual elements to disrupt conventional understandings of male-centred mythological narratives. Sita’s Ramayana (Tara Books 2011) is illustrated by Moyna Chitrakar and written by Samhita Arni. The book situates Sita as an empathetic …

  • Race, representation, and Hindu–Christian encounters in contemporary North America

    Sailaja Krishnamurti•CHAPTER•Routledge Handbook of Hindu-Christi…•2020

    Hindu–Christian encounters in North America have been shaped by complex and conflicting national narratives about race, ethnicity, and cultural pluralism, as well as by intersecting Hindu social relations of caste, gender, and class. This chapter explores how these dynamics have shaped the development of temples and organizations as spaces for Hindu self-representation and advocacy in the wider community. It then provides a brief survey of some r…

  • Gendered impunity

    Sailaja Krishnamurti•ARTICLE•Sikh Formations•2022

    In this short essay I read Jaspreet Singh's Helium through Julietta Singh's concept of the body as archive. It is a book about impunity and failed responsibility, but this is deeply gendered. It is the women in the novel who carry trauma in their bodies

  • Peering Inside the White Container

    Sailaja Krishnamurti•ARTICLE•Journal of Feminist Studies in…•2022

    Peering Inside The White ContainerFeminism and Antiracism in the Work of JFSR Sailaja Krishnamurti (bio) As a new board member, I welcome this opportunity to respond to Judith Plaskow’s essay, “Race, Racism, and the JFSR,” part of a series of actions that Feminist Studies in Religion (FSR) has undertaken as a response to growing concern about anti-Black racism and carceral violence in the United States. When I was invited to join the board in 202…

  • Bring about the change we want to see”

    Ayesha Vemuri, Sailaja Krishnamurti•ARTICLE•Feminist Media Studies•2022•References: 6

    In this paper we offer a critical analysis of the media discourse around an anti-sexual violence comic book, Priya’s Shakti (2013), which tells the story of a victim of gang rape who becomes an unlikely “superhero” in a crusade to end sexual violence. The comic was created by an Indian American filmmaker, Ram Devineni, in response to the horrific gang rape and murder of a young woman in New Delhi in 2012 (the Nirbhaya case). Positioning a rape vi…

Law (7 works) · Political science (7 works) · Sociology (7 works) · Gender Studies (5 works) · Law (5 works) · Gender Studies (4 works) · History (4 works) · Media studies (4 works) · Politics (4 works) · Religious studies (4 works)

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