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Patricia J Graham

Biographic Data

ID5747183
NAMEPatricia J Graham
GIVEN NAMESPatricia J
FAMILY NAMEGraham
SIGNATUREGRAHAM P J
AFFILIATIONSUniversity of Kansas
VERIFIEDNo
TOTAL WORKS22
TOTAL CITATIONS0
AUTHOR COUNT22
EDITOR COUNT0
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Craft Culture in Early Modern Japan: Materials, Makers, and Mastery, by Christine M.E. Guth

    Open Access•Patricia J Graham•ARTICLE•The English Historical Review•2023

    Journal Article Craft Culture in Early Modern Japan: Materials, Makers, and Mastery, by Christine M.E. Guth Get access Craft Culture in Early Modern Japan: Materials, Makers, and Mastery, by Christine M.E. Guth (Oakland, CA: University of California Press, 2021; pp. 264. £39). Patricia J Graham Patricia J Graham University of Kansas, Lawrence, KS, USA [email protected] Search for other works by this author on: Oxford Academic Google Sc…

  • The Importance of Imports

    Patricia J Graham•BOOK•Zen and Material Culture•2017

    This chapter explores the cultural identity of Ōbaku Zen, which played a crucial role in the sixteenth century as a vehicle for importing Chinese culture. This was manifested in Manpukuji’s initial trove of material culture associated with the temple’s founder, Ingen Ryūki (Ch. Yinyuan Longqi, 1592–1684). It also touches upon the reception and legacy of Ingen’s material objects to demonstrate how naturalized into Japanese life Ōbaku’s presence be…

  • Faith and Power in Japanese Buddhist Art, 1600–2005

    Patricia J Graham•BOOK•Faith and Power in Japanese…•2017

    Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and othe…

  • Langdon Warner’s vision for the Japanese collection at the Nelson-Atkins Museum of Art, 1930–1935

    Patricia J Graham•ARTICLE•Journal of the History of…•2016

    Langdon Warner (1881–1955), one of the most influential historians of Asian art of the twentieth century and one of World War ii ’s ‘Monuments Men’, significantly helped shape and sustain the American public’s understanding of East Asia and especially of Japan, from the 1920s through the early post-war period. This essay explores his personal vision for the collection and display of Japanese arts as manifested in the collection at the Nelson-Atki…

  • With a Single Glance: Buddhist Icon and Early Mikkyō Vision (review)

    Patricia J Graham•ARTICLE•Journal of Japanese Studies•2012

    Reviewed by: With a Single Glance: Buddhist Icon and Early Mikkyō Vision Patricia J. Graham (bio) With a Single Glance: Buddhist Icon and Early Mikkyō Vision. By Cyn thea J. Bogel. University of Washington Press, Seattle, 2009. xi, 476 pages. $75.00. In this hefty, beautifully illustrated volume, Cynthea Bogel takes on a broad subject of great significance for anyone engaged in the study of Japanese Buddhism and its visual culture, the creation o…

  • Portraits of Chōgen: The Transformation of Buddhist art in Early Medieval Japan – By John M. Rosenfield

    Open Access•Patricia J Graham•ARTICLE•Religious Studies Review•2011

  • The Visual Culture of Japanese Buddhism from the Early Modern Period to the Present

    Open Access•Patricia Graham, Patricia J Graham•ARTICLE•Religion Compass•2011•References: 13

    Following the introduction of Buddhism to Japan in the sixth century, the faith quickly became a defining feature of Japanese civilization, in large part because of the diverse and abundant visual culture it engendered that both reflected and shaped its religious practice. Although Japanese Buddhism remains a vital living tradition, until the last twenty years, its visual culture created after the 16th century has received little attention by sch…

  • Emplacing a Pilgrimage: The Ōyama Cult and Regional Religion in Early Modern Japan (review)

    Patricia J Graham•ARTICLE•Journal of Japanese Studies•2009

    Reviewed by: Emplacing a Pilgrimage: The Ōyama Cult and Regional Religion in Early Modern Japan Patricia J. Graham (bio) Emplacing a Pilgrimage: The Ōyama Cult and Regional Religion in Early Modern Japan. By Barbara Ambros. Harvard University Asia Center, Cambridge, Mass., 2008. xvi, 330 pages. $39.95. The densely wooded mountain of Ōyama in the Tanzawa-Ōyama Quasi National Park is a popular hiking destination whose summit offers clear views of M…

  • Maruyama Ōkyo

    Patricia J Graham, Kit Brooks•CHAPTER•2003

  • Kishi Ganku

    Patricia J Graham, Kit Brooks•CHAPTER•2003

  • Manpukuji

    Patricia J Graham•CHAPTER•2003

  • Osaka

    Patricia J Graham, Mimi Hall Yiengpruksawan et al.•CHAPTER•2003

  • Mori Sosen

    Patricia J Graham•CHAPTER•2003

  • Tomioka Tessai

    Patricia J Graham, Kit Brooks•CHAPTER•2003

  • Japan: Coins, kites, tattoos, and other arts

    Joe Cribb, Patricia J Graham et al.•CHAPTER•2003

  • "Patricia J. Graham. Review of "Japanese Mandalas: "Representations of Sacred Geography" by Elizabeth ten Grotenhuis

    Open Access•Patricia Graham, Patricia J Graham•ARTICLE•CAA Reviews•1999

  • Tea of the Sages: The Art of Sencha

    Christine M E Guth, Patricia J Graham•ARTICLE•Monumenta Nipponica•1999

    The Japanese tea ceremony is generally identified with chanoyu and its bowls of whipped, powdered green tea served in surroundings influenced by the tenets of Zen Buddhism. This is a study of the alternative tea tradition of sencha, at which gatherings steeped green leaf tea is prepared in an atmosphere indebted to the humanistic values of the Chinese sages and the materialistic culture of elite Chinese society during the Ming and Qing dynasties.…

  • A Celebration of Art

    Patricia J Graham, Penelope Mason•ARTICLE•Monumenta Nipponica•1994

    Analyse de l'ouvrage de P. Mason « History of Japanese art » consacre a l'histoire de l'art japonais de la prehistoire a 1945 (periodes jōmon et yayoi, asuka, hakuhō et nara, heian, feodale, momoyama, tokugawa, et meiji)

  • Two Artists of the Edo Period

    Patricia J Graham, R L Wilson et al.•ARTICLE•Monumenta Nipponica•1993

    E ARLY modern art of the Edo period has only recently become a focus for in-depth analytical inquiry by art historians both in Japan and abroad. Even as recently as the late 1970s, there was in the U.S. only a handful of students who chose to work on Edo-period topics, and little critical writing on the era's art existed in any language. Quite recently, however, a great deal of excellent work has been done by historians, literature specialists, a…

  • A Heterodox Painting of "Shussan Shaka" in Late Tokugawa Japan: Part II

    Patricia J Graham•ARTICLE•Artibus Asiae•1992

  • A Heterodox Painting of Shussan Shaka in Late Tokugawa Japan: Part I

    Patricia J Graham•ARTICLE•Artibus Asiae•1991

  • Use of the Smith Chart with Complex Characteristic Impedance

    Open Access•Patricia J Graham, R J Distler•ARTICLE•IEEE Transactions on Education•1968

    The Smith chart has long been recognized as a useful classroom aid in the study of transmission lines and waveguides. It could also be used for more general n-port network calculations, except that normalizing with respect to a complex characteristic impedance can lead to left half-plane normalized impedances and, consequently, points outside the standard Smith chart even for passive terminations. A simple transformation is presented which permit…

No prominent works on this page.

  • Use of the Smith Chart with Complex Characteristic Impedance

    Open Access•Patricia J Graham, R J Distler•ARTICLE•IEEE Transactions on Education•1968

    The Smith chart has long been recognized as a useful classroom aid in the study of transmission lines and waveguides. It could also be used for more general n-port network calculations, except that normalizing with respect to a complex characteristic impedance can lead to left half-plane normalized impedances and, consequently, points outside the standard Smith chart even for passive terminations. A simple transformation is presented which permit…

  • A Heterodox Painting of Shussan Shaka in Late Tokugawa Japan: Part I

    Patricia J Graham•ARTICLE•Artibus Asiae•1991

  • A Heterodox Painting of "Shussan Shaka" in Late Tokugawa Japan: Part II

    Patricia J Graham•ARTICLE•Artibus Asiae•1992

  • Two Artists of the Edo Period

    Patricia J Graham, R L Wilson et al.•ARTICLE•Monumenta Nipponica•1993

    E ARLY modern art of the Edo period has only recently become a focus for in-depth analytical inquiry by art historians both in Japan and abroad. Even as recently as the late 1970s, there was in the U.S. only a handful of students who chose to work on Edo-period topics, and little critical writing on the era's art existed in any language. Quite recently, however, a great deal of excellent work has been done by historians, literature specialists, a…

  • A Celebration of Art

    Patricia J Graham, Penelope Mason•ARTICLE•Monumenta Nipponica•1994

    Analyse de l'ouvrage de P. Mason « History of Japanese art » consacre a l'histoire de l'art japonais de la prehistoire a 1945 (periodes jōmon et yayoi, asuka, hakuhō et nara, heian, feodale, momoyama, tokugawa, et meiji)

  • "Patricia J. Graham. Review of "Japanese Mandalas: "Representations of Sacred Geography" by Elizabeth ten Grotenhuis

    Open Access•Patricia Graham, Patricia J Graham•ARTICLE•CAA Reviews•1999

  • Tea of the Sages: The Art of Sencha

    Christine M E Guth, Patricia J Graham•ARTICLE•Monumenta Nipponica•1999

    The Japanese tea ceremony is generally identified with chanoyu and its bowls of whipped, powdered green tea served in surroundings influenced by the tenets of Zen Buddhism. This is a study of the alternative tea tradition of sencha, at which gatherings steeped green leaf tea is prepared in an atmosphere indebted to the humanistic values of the Chinese sages and the materialistic culture of elite Chinese society during the Ming and Qing dynasties.…

  • Maruyama Ōkyo

    Patricia J Graham, Kit Brooks•CHAPTER•2003

  • Kishi Ganku

    Patricia J Graham, Kit Brooks•CHAPTER•2003

  • Manpukuji

    Patricia J Graham•CHAPTER•2003

  • Osaka

    Patricia J Graham, Mimi Hall Yiengpruksawan et al.•CHAPTER•2003

  • Mori Sosen

    Patricia J Graham•CHAPTER•2003

  • Tomioka Tessai

    Patricia J Graham, Kit Brooks•CHAPTER•2003

  • Japan: Coins, kites, tattoos, and other arts

    Joe Cribb, Patricia J Graham et al.•CHAPTER•2003

  • Emplacing a Pilgrimage: The Ōyama Cult and Regional Religion in Early Modern Japan (review)

    Patricia J Graham•ARTICLE•Journal of Japanese Studies•2009

    Reviewed by: Emplacing a Pilgrimage: The Ōyama Cult and Regional Religion in Early Modern Japan Patricia J. Graham (bio) Emplacing a Pilgrimage: The Ōyama Cult and Regional Religion in Early Modern Japan. By Barbara Ambros. Harvard University Asia Center, Cambridge, Mass., 2008. xvi, 330 pages. $39.95. The densely wooded mountain of Ōyama in the Tanzawa-Ōyama Quasi National Park is a popular hiking destination whose summit offers clear views of M…

  • Portraits of Chōgen: The Transformation of Buddhist art in Early Medieval Japan – By John M. Rosenfield

    Open Access•Patricia J Graham•ARTICLE•Religious Studies Review•2011

  • The Visual Culture of Japanese Buddhism from the Early Modern Period to the Present

    Open Access•Patricia Graham, Patricia J Graham•ARTICLE•Religion Compass•2011•References: 13

    Following the introduction of Buddhism to Japan in the sixth century, the faith quickly became a defining feature of Japanese civilization, in large part because of the diverse and abundant visual culture it engendered that both reflected and shaped its religious practice. Although Japanese Buddhism remains a vital living tradition, until the last twenty years, its visual culture created after the 16th century has received little attention by sch…

  • With a Single Glance: Buddhist Icon and Early Mikkyō Vision (review)

    Patricia J Graham•ARTICLE•Journal of Japanese Studies•2012

    Reviewed by: With a Single Glance: Buddhist Icon and Early Mikkyō Vision Patricia J. Graham (bio) With a Single Glance: Buddhist Icon and Early Mikkyō Vision. By Cyn thea J. Bogel. University of Washington Press, Seattle, 2009. xi, 476 pages. $75.00. In this hefty, beautifully illustrated volume, Cynthea Bogel takes on a broad subject of great significance for anyone engaged in the study of Japanese Buddhism and its visual culture, the creation o…

  • Langdon Warner’s vision for the Japanese collection at the Nelson-Atkins Museum of Art, 1930–1935

    Patricia J Graham•ARTICLE•Journal of the History of…•2016

    Langdon Warner (1881–1955), one of the most influential historians of Asian art of the twentieth century and one of World War ii ’s ‘Monuments Men’, significantly helped shape and sustain the American public’s understanding of East Asia and especially of Japan, from the 1920s through the early post-war period. This essay explores his personal vision for the collection and display of Japanese arts as manifested in the collection at the Nelson-Atki…

  • The Importance of Imports

    Patricia J Graham•BOOK•Zen and Material Culture•2017

    This chapter explores the cultural identity of Ōbaku Zen, which played a crucial role in the sixteenth century as a vehicle for importing Chinese culture. This was manifested in Manpukuji’s initial trove of material culture associated with the temple’s founder, Ingen Ryūki (Ch. Yinyuan Longqi, 1592–1684). It also touches upon the reception and legacy of Ingen’s material objects to demonstrate how naturalized into Japanese life Ōbaku’s presence be…

  • Faith and Power in Japanese Buddhist Art, 1600–2005

    Patricia J Graham•BOOK•Faith and Power in Japanese…•2017

    Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and othe…

  • Craft Culture in Early Modern Japan: Materials, Makers, and Mastery, by Christine M.E. Guth

    Open Access•Patricia J Graham•ARTICLE•The English Historical Review•2023

    Journal Article Craft Culture in Early Modern Japan: Materials, Makers, and Mastery, by Christine M.E. Guth Get access Craft Culture in Early Modern Japan: Materials, Makers, and Mastery, by Christine M.E. Guth (Oakland, CA: University of California Press, 2021; pp. 264. £39). Patricia J Graham Patricia J Graham University of Kansas, Lawrence, KS, USA [email protected] Search for other works by this author on: Oxford Academic Google Sc…

Art (14 works) · History (14 works) · Japanese History and Culture (14 works) · Art history (9 works) · Chinese history and philosophy (9 works) · Computer Science (8 works) · Aesthetics (6 works) · Archaeology (5 works) · History (5 works) · Buddhism (4 works)

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