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Irena Kristeva

Biographic Data

ID5747756
NAMEIrena Kristeva
GIVEN NAMESIrena
FAMILY NAMEKristeva
SIGNATUREKRISTEVA I
AFFILIATIONSSofia University "St. Kliment Ohridski"
ORCID0000-0002-4513-5414
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Muslim Women Today

    Irena Kristeva, Kristina Kirova•ARTICLE•Balkanistic Forum•2026

    The study counterposes Islamic law and Islamic feminism. First, we focus on some Qur’anic texts concerning women’s status in Islam. Then we look at the shift in the perception of women’s rights brought by the Arab Awakening. Finally, we analyse the current discourses that unfold around the religious world-view of Muslim women and their emancipa- tion. For this purpose, we problematize, on the one hand, works that examine the application of Sharia…

  • La metamorfosi in movimento

    Open Access•Irena Kristeva•ARTICLE•Revue Romane Langue et…•2025•References: 2

    The taste for myth of Pierre Klossowski, Pascal Quignard and Roberto Calasso is expressed, among other things, in their common passion for Ovid’s Metamorphoses . In this article, we are going to analyse the ephemeral relationships established by the metamorphoses of Diana-Artemis: guardian of chastity, formidable seductress, sovereign of the hunt. Thus, we will be trying to emphasise the specific perceptions of the goddess: an involuntary temptre…

  • Traduire le concept

    Open Access•Irena Kristeva, Z Petrova•ARTICLE•Transilvania•2023

    This article addresses the translation challenges posed by humanities as far as the rendition of conceptual language is concerned. We begin by outlining the characteristics of humanities in contrast to natural sciences and literature, emphasising the primary role of concepts and their function as carriers of explicit and implicit intertextual references. We then proceed by juxtaposing some key concepts used in Mircea Eliade’s essay The Sacred and…

  • Traduire, un processus infini

    Open Access•Irena Kristeva•ARTICLE•French Cultural Studies•2022

    On the basis of the problematization of the relationships between translatability and untranslatability, tradition and translation, we try to clear the impact of cultural context on the translator's choices. This impact is illustrated through three French translations of the opening stanza of the famous Hamlet monologue (III, 1), those of Voltaire, François-Victor Hugo and Yves Bonnefoy. The adopted perspective focuses on the philosophical dimens…

  • La perle et le rubis

    Open Access•Irena Kristeva•ARTICLE•Transilvania•2022

    The article is based on the hypothesis that the poetic intensity of Nezâmi’s Haft Peykar stems from the entanglement of the Imaginary, the Symbolic and the Real. Our goal is to prove that this romantic epic unveils beauty through its reflection. Thus, first we pose on the structural and thematic implications of the Imaginal. Then, we seek to elucidate the symbolic meaning of the legend told by the Slavonic princess. Finally, we try to demonstrate…

  • Formalisation sémiotique de la traduction

    Open Access•Irena Kristeva•ARTICLE•Semiotica•2019•References: 2

    Cet article examine la formalisation sémiotique de la traduction, proposée par Alexandre Ljudskanov, à travers la confrontation de son modèle avec celui de l’École de Leipzig. Alors que les allemands Kade et Neubert ne quittent pas le champ de la Translationslinguistik, le traductologue bulgare s’applique à mettre en œuvre une sémiotique du processus traductif. En partant de la prémisse que toute information n’existe que sous forme de code, il dé…

  • Traduire en transparence

    Open Access•Irena Kristeva•ARTICLE•Meta Journal des traducteurs•2019•References: 2

    En 1969, Philippe Jaccottet traduit pour la revue Aquila le poème Dunja de Giuseppe Ungaretti. L’étude tente de relever la singularité de cette traduction, en jetant de la lumière sur la génétique de sa rédaction : autrement dit, de pénétrer le côté invisible du processus traductif auquel collaborent l’auteur et le traducteur. À partir de la clarification terminologique de la notion de transparence, elle s’applique à élucider les stratégies du tr…

  • Dimitar Vesselinov, Anna Angelova Речник на френските думи в българския език

    Open Access•Irena Kristeva•ARTICLE•Revue des études slaves•2018

    « Les langues différentes sont comme autant de synonymes ; chacune exprime la notion de manière quelque peu différente, avec telle ou telle connotation, à un degré supérieur ou inférieur sur l’échelle des perceptions ». La langue conserve l’expérience historique d’une communauté et représente son image du monde. Les emprunts aux langues étrangères contribuent à élargir la vision du monde et à enrichir le fonds lexical de toute langue-culture. C’e…

No prominent works on this page.

  • Dimitar Vesselinov, Anna Angelova Речник на френските думи в българския език

    Open Access•Irena Kristeva•ARTICLE•Revue des études slaves•2018

    « Les langues différentes sont comme autant de synonymes ; chacune exprime la notion de manière quelque peu différente, avec telle ou telle connotation, à un degré supérieur ou inférieur sur l’échelle des perceptions ». La langue conserve l’expérience historique d’une communauté et représente son image du monde. Les emprunts aux langues étrangères contribuent à élargir la vision du monde et à enrichir le fonds lexical de toute langue-culture. C’e…

  • Formalisation sémiotique de la traduction

    Open Access•Irena Kristeva•ARTICLE•Semiotica•2019•References: 2

    Cet article examine la formalisation sémiotique de la traduction, proposée par Alexandre Ljudskanov, à travers la confrontation de son modèle avec celui de l’École de Leipzig. Alors que les allemands Kade et Neubert ne quittent pas le champ de la Translationslinguistik, le traductologue bulgare s’applique à mettre en œuvre une sémiotique du processus traductif. En partant de la prémisse que toute information n’existe que sous forme de code, il dé…

  • Traduire en transparence

    Open Access•Irena Kristeva•ARTICLE•Meta Journal des traducteurs•2019•References: 2

    En 1969, Philippe Jaccottet traduit pour la revue Aquila le poème Dunja de Giuseppe Ungaretti. L’étude tente de relever la singularité de cette traduction, en jetant de la lumière sur la génétique de sa rédaction : autrement dit, de pénétrer le côté invisible du processus traductif auquel collaborent l’auteur et le traducteur. À partir de la clarification terminologique de la notion de transparence, elle s’applique à élucider les stratégies du tr…

  • Traduire, un processus infini

    Open Access•Irena Kristeva•ARTICLE•French Cultural Studies•2022

    On the basis of the problematization of the relationships between translatability and untranslatability, tradition and translation, we try to clear the impact of cultural context on the translator's choices. This impact is illustrated through three French translations of the opening stanza of the famous Hamlet monologue (III, 1), those of Voltaire, François-Victor Hugo and Yves Bonnefoy. The adopted perspective focuses on the philosophical dimens…

  • La perle et le rubis

    Open Access•Irena Kristeva•ARTICLE•Transilvania•2022

    The article is based on the hypothesis that the poetic intensity of Nezâmi’s Haft Peykar stems from the entanglement of the Imaginary, the Symbolic and the Real. Our goal is to prove that this romantic epic unveils beauty through its reflection. Thus, first we pose on the structural and thematic implications of the Imaginal. Then, we seek to elucidate the symbolic meaning of the legend told by the Slavonic princess. Finally, we try to demonstrate…

  • Traduire le concept

    Open Access•Irena Kristeva, Z Petrova•ARTICLE•Transilvania•2023

    This article addresses the translation challenges posed by humanities as far as the rendition of conceptual language is concerned. We begin by outlining the characteristics of humanities in contrast to natural sciences and literature, emphasising the primary role of concepts and their function as carriers of explicit and implicit intertextual references. We then proceed by juxtaposing some key concepts used in Mircea Eliade’s essay The Sacred and…

  • La metamorfosi in movimento

    Open Access•Irena Kristeva•ARTICLE•Revue Romane Langue et…•2025•References: 2

    The taste for myth of Pierre Klossowski, Pascal Quignard and Roberto Calasso is expressed, among other things, in their common passion for Ovid’s Metamorphoses . In this article, we are going to analyse the ephemeral relationships established by the metamorphoses of Diana-Artemis: guardian of chastity, formidable seductress, sovereign of the hunt. Thus, we will be trying to emphasise the specific perceptions of the goddess: an involuntary temptre…

  • Muslim Women Today

    Irena Kristeva, Kristina Kirova•ARTICLE•Balkanistic Forum•2026

    The study counterposes Islamic law and Islamic feminism. First, we focus on some Qur’anic texts concerning women’s status in Islam. Then we look at the shift in the perception of women’s rights brought by the Arab Awakening. Finally, we analyse the current discourses that unfold around the religious world-view of Muslim women and their emancipa- tion. For this purpose, we problematize, on the one hand, works that examine the application of Sharia…

Philosophy (6 works) · Humanities (5 works) · Art (3 works) · Linguistics and Discourse Analysis (3 works) · Philosophy (3 works) · Translation Studies and Practices (3 works) · Beauty (2 works) · Epistemology (2 works) · Linguistics (2 works) · linguistics and terminology studies (2 works)

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