I Peter Ukpokodu
Biographic Data
| ID | 5751352 |
|---|---|
| NAME | I Peter Ukpokodu |
| GIVEN NAMES | I Peter |
| FAMILY NAME | Ukpokodu |
| SIGNATURE | UKPOKODU I P |
| AFFILIATIONS | University of Kansas |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2000 |
| H-INDEX | 0 |
African American Males in Dance, Music, Theater, and Film
The history of African American males in the entertainment industry begins with the African background and extends through the transatlantic slave trade and to the various aspects of the black presence in the Americas. African American males have contributed enormously to the American cultural wealth in dance, music, theater, and film. Minstrelsy, the cakewalk, the Charleston, the lindy hop, the twist, the break dance, rap, jazz, blues, spiritual…
Lest One Good Custom Should Corrupt the World
Taking a look at Western and African theatres through the ages, the paper examines the beginnings of theatrical canons and the attitude of conservative scholars to new theatrical forms. It draws particular attention to Plato, Hegel, Brockett, and early colonial theatre in Africa, on the one hand, and the innovative theatrical form of the Zambuko-Izibuko of Zimbabwe in which gender, race, production methods and general non-conformity militate agai…
The Marxist Phenomenon in African Theatre
Plays, Possession, and Rock-and-Roll
This is the publisher's version, also available electronically from http://www.jstor.org/stable/1146214?seq=1#page_scan_tab_contents
No prominent works on this page.
Plays, Possession, and Rock-and-Roll
This is the publisher's version, also available electronically from http://www.jstor.org/stable/1146214?seq=1#page_scan_tab_contents
The Marxist Phenomenon in African Theatre
Lest One Good Custom Should Corrupt the World
Taking a look at Western and African theatres through the ages, the paper examines the beginnings of theatrical canons and the attitude of conservative scholars to new theatrical forms. It draws particular attention to Plato, Hegel, Brockett, and early colonial theatre in Africa, on the one hand, and the innovative theatrical form of the Zambuko-Izibuko of Zimbabwe in which gender, race, production methods and general non-conformity militate agai…
African American Males in Dance, Music, Theater, and Film
The history of African American males in the entertainment industry begins with the African background and extends through the transatlantic slave trade and to the various aspects of the black presence in the Americas. African American males have contributed enormously to the American cultural wealth in dance, music, theater, and film. Minstrelsy, the cakewalk, the Charleston, the lindy hop, the twist, the break dance, rap, jazz, blues, spiritual…
Art (4 works) · History (4 works) · Law (3 works) · Literature (3 works) · Philosophy (3 works) · Political science (3 works) · Theater, Performance, and Music History (3 works) · Theatre and Performance Studies (3 works) · Epistemology (2 works) · Gender Studies (2 works)