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EMMA REISZ

Biographic Data

ID5755959
NAMEEMMA REISZ
GIVEN NAMESEMMA
FAMILY NAMEREISZ
SIGNATUREREISZ E
AFFILIATIONSQueen's University Belfast
ORCID0000-0002-7366-5092
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS2
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Collecting ambiguity

    Open Access•Briony Widdis, EMMA REISZ•ARTICLE•ICOFOM Study Series•2025

    This paper considers material culture as a prism through which to understand lived experiences of colonialism and empire in Northern Ireland and suggests that examining connections to meaningful objects both inside and outside museums provides a powerful tool for considering how empire has been understood and made personal. We consider privately held possessions, symbols in the landscape and the public materiality of empire as represented in muse…

  • Photoanthropocene

    Open Access•EMMA REISZ•ARTICLE•Curator The Museum Journal•2024

    Photography—what Barthes called “the living image of a dead thing”—is often overlooked in discussions of cultural heritage decolonization. This paper focuses on a historical photograph attributed to the Hong Kong commercial photographer Lai Fong 黎芳, also known as Afong, that documents the aftermath of the Tianjin massacre of 1870. A photographic print of the image is held in the Robert Hart collection, a little‐known collection of historical phot…

  • Projecting the Road

    EMMA REISZ•ARTICLE•The Chinese Historical Review•2018•Cited by: 1

    This article examines photography of the Sino-Burmese border at the turn of the twentieth century. Focusing on the road between Tengyue (Tengchong) in Yunnan and Bhamo in Burma, the article considers a photographic series by Albert Pichon of the Chinese Imperial Maritime Customs to explore how the frontier was perceived and understood in the context of imperial expansion, infrastructural transformation and foreign-mediated globalization. The Mari…

  • New Lenses on China

    Aglaia De Angeli, EMMA REISZ•ARTICLE•The Chinese Historical Review•2018•References: 3

    Photography was from its beginnings not only a global medium, but a medium of globalization. On 19 August 1839, when the Academie des Sciences in Paris announced the details of Louis Daguerre’s pho

  • Postcolonial Urbanism

    EMMA REISZ, Ryan Bishop et al.•BOOK•Postcolonial Urbanism•2013

    In the market-driven cities of contemporary Singapore and Malaysia, gardens are usually understood by urban geographers as semiotic voids. Gardens are seen as urban lungs where air can circulate, necessary to the survival of the city as a whole, but deficient in internal structure and divorced from the city’s fundamental economic functions—they are located within the physical space of the city, but outside its conceptual space. 1 This view was bo…

  • Curiosity and Rubber in the French Atlantic

    EMMA REISZ•ARTICLE•Atlantic Studies•2007•References: 14

    This article argues that the networks and culture of French Atlantic science played a decisive role in introducing rubber from the Americas to the scholars and engineers of Europe. Though known to the earliest European travellers in Central and South America, rubber aroused no interest among scholars until Charles-Marie de la Condamine encountered it in 1736. Nevertheless, French scientific connections to South America were characterized by their…

  • Recovering post-colonial tropicalities from a “fervid inflorescence” of metaphor

    Open Access•EMMA REISZ, E G Reisz•ARTICLE•Studies in History and Philosophy…•2004•Cited by: 1•References: 36

  • Projecting the Road

    EMMA REISZ•ARTICLE•The Chinese Historical Review•2018•Cited by: 1

    This article examines photography of the Sino-Burmese border at the turn of the twentieth century. Focusing on the road between Tengyue (Tengchong) in Yunnan and Bhamo in Burma, the article considers a photographic series by Albert Pichon of the Chinese Imperial Maritime Customs to explore how the frontier was perceived and understood in the context of imperial expansion, infrastructural transformation and foreign-mediated globalization. The Mari…

  • Recovering post-colonial tropicalities from a “fervid inflorescence” of metaphor

    Open Access•EMMA REISZ, E G Reisz•ARTICLE•Studies in History and Philosophy…•2004•Cited by: 1•References: 36

  • Recovering post-colonial tropicalities from a “fervid inflorescence” of metaphor

    Open Access•EMMA REISZ, E G Reisz•ARTICLE•Studies in History and Philosophy…•2004•Cited by: 1•References: 36

  • Curiosity and Rubber in the French Atlantic

    EMMA REISZ•ARTICLE•Atlantic Studies•2007•References: 14

    This article argues that the networks and culture of French Atlantic science played a decisive role in introducing rubber from the Americas to the scholars and engineers of Europe. Though known to the earliest European travellers in Central and South America, rubber aroused no interest among scholars until Charles-Marie de la Condamine encountered it in 1736. Nevertheless, French scientific connections to South America were characterized by their…

  • Postcolonial Urbanism

    EMMA REISZ, Ryan Bishop et al.•BOOK•Postcolonial Urbanism•2013

    In the market-driven cities of contemporary Singapore and Malaysia, gardens are usually understood by urban geographers as semiotic voids. Gardens are seen as urban lungs where air can circulate, necessary to the survival of the city as a whole, but deficient in internal structure and divorced from the city’s fundamental economic functions—they are located within the physical space of the city, but outside its conceptual space. 1 This view was bo…

  • Projecting the Road

    EMMA REISZ•ARTICLE•The Chinese Historical Review•2018•Cited by: 1

    This article examines photography of the Sino-Burmese border at the turn of the twentieth century. Focusing on the road between Tengyue (Tengchong) in Yunnan and Bhamo in Burma, the article considers a photographic series by Albert Pichon of the Chinese Imperial Maritime Customs to explore how the frontier was perceived and understood in the context of imperial expansion, infrastructural transformation and foreign-mediated globalization. The Mari…

  • New Lenses on China

    Aglaia De Angeli, EMMA REISZ•ARTICLE•The Chinese Historical Review•2018•References: 3

    Photography was from its beginnings not only a global medium, but a medium of globalization. On 19 August 1839, when the Academie des Sciences in Paris announced the details of Louis Daguerre’s pho

  • Photoanthropocene

    Open Access•EMMA REISZ•ARTICLE•Curator The Museum Journal•2024

    Photography—what Barthes called “the living image of a dead thing”—is often overlooked in discussions of cultural heritage decolonization. This paper focuses on a historical photograph attributed to the Hong Kong commercial photographer Lai Fong 黎芳, also known as Afong, that documents the aftermath of the Tianjin massacre of 1870. A photographic print of the image is held in the Robert Hart collection, a little‐known collection of historical phot…

  • Collecting ambiguity

    Open Access•Briony Widdis, EMMA REISZ•ARTICLE•ICOFOM Study Series•2025

    This paper considers material culture as a prism through which to understand lived experiences of colonialism and empire in Northern Ireland and suggests that examining connections to meaningful objects both inside and outside museums provides a powerful tool for considering how empire has been understood and made personal. We consider privately held possessions, symbols in the landscape and the public materiality of empire as represented in muse…

Archaeology (6 works) · History (5 works) · Art (4 works) · Geography (3 works) · Historical Studies and Socio-cultural Analysis (3 works) · History (3 works) · Philosophy (3 works) · Photography (3 works) · Visual arts (3 works) · Art history (2 works)

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