D Rabie
Biographic Data
| ID | 57614 |
|---|---|
| NAME | D Rabie |
| GIVEN NAMES | D |
| FAMILY NAME | Rabie |
| SIGNATURE | RABIE D |
| AFFILIATIONS | University of Arizona Tucson Arizona USA |
| ORCID | 0000-0001-8865-8584 |
| VERIFIED | Yes |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
The Abu Dhabi adhan
Amid its superdiverse population, the call to prayer, the adhan, identifies the UAE as an Arab, Muslim nation state while forming discrete ethno-class publics around its numerous urban mosque calls. I conceptualize the adhan as a soundmark, which functions as a vital sonic place-maker and orients listeners' attendant actions through a series of scaled chronotopes. I posit two intersecting umbrella chronotopes, masjid and jāmi', which frame how ea…
The Abu Dhabi adhan
Amid its superdiverse population, the call to prayer, the adhan, identifies the UAE as an Arab, Muslim nation state while forming discrete ethno-class publics around its numerous urban mosque calls. I conceptualize the adhan as a soundmark, which functions as a vital sonic place-maker and orients listeners' attendant actions through a series of scaled chronotopes. I posit two intersecting umbrella chronotopes, masjid and jāmi', which frame how ea…
The Abu Dhabi adhan
Amid its superdiverse population, the call to prayer, the adhan, identifies the UAE as an Arab, Muslim nation state while forming discrete ethno-class publics around its numerous urban mosque calls. I conceptualize the adhan as a soundmark, which functions as a vital sonic place-maker and orients listeners' attendant actions through a series of scaled chronotopes. I posit two intersecting umbrella chronotopes, masjid and jāmi', which frame how ea…
Public Spaces through Art (1 works)