Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Gerry Milligan

Biographic Data

ID5766904
NAMEGerry Milligan
GIVEN NAMESGerry
FAMILY NAMEMilligan
SIGNATUREMILLIGAN G
AFFILIATIONSCollege of Staten Island
ORCID0009-0007-3553-698X
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Ruggiero, Melissa, and Effeminate Enchantment in the Garden of Alcina

    Gerry Milligan•ARTICLE•Italian Studies•2024

    In a celebrated episode of Ariosto's Orlando furioso, Ruggiero luxuriates in the garden of the sorceress Alcina. A second sorceress, Melissa, travels to the garden and describes Ruggiero as effeminate, corrupt, and ill. She offers herself as the doctor who will cure the knight and drag him out of softness and into the violence of an epic destiny. She shames the knight into exchanging his soft dress for armour and leaving the garden. This transfor…

  • Moral Combat: Women, Gender, and War in Italian Renaissance Literature

    Gerry Milligan, Frank Lacopo•ARTICLE•Renaissance and Reformation•2018

    The Italian sixteenth century offers the first sustained discussion of women's militarism since antiquity. Across a variety of genres, male and female writers raised questions about women's right and ability to fight in combat. Treatise literature engaged scientific, religious, and cultural discourses about women's virtues, while epic poetry and biographical literature famously featured examples of women as soldiers, commanders, observers, and vi…

  • Behaving like a Man: Performed Masculinities in Gl'ingannati

    Open Access•Gerry Milligan•ARTICLE•Forum Italicum A Journal of…•2007•References: 4

    This essay focuses specifically on masculine performance in the Gl 'ingannati (1532) and views the comedy's sexual play as imbued with a political discourse. The tension and disorder so precious to comedy are, in Gl 'ingannati, borne precisely from the political and sexual anxieties of the recently invaded Italy in the sack of 1527. The social disorder caused by the sack is paralleled by the sexual ‘disorder’ of the raped and sodomized protagonis…

  • Luigi Tansillo and Lyric Poetry in Sixteenth-Century Naples

    Gerry Milligan•ARTICLE•Sixteenth Century Journal•2006

  • The Medici Women: Gender and Power in Renaissance Florence

    Gerry Milligan•ARTICLE•Sixteenth Century Journal•2005

No prominent works on this page.

  • The Medici Women: Gender and Power in Renaissance Florence

    Gerry Milligan•ARTICLE•Sixteenth Century Journal•2005

  • Luigi Tansillo and Lyric Poetry in Sixteenth-Century Naples

    Gerry Milligan•ARTICLE•Sixteenth Century Journal•2006

  • Behaving like a Man: Performed Masculinities in Gl'ingannati

    Open Access•Gerry Milligan•ARTICLE•Forum Italicum A Journal of…•2007•References: 4

    This essay focuses specifically on masculine performance in the Gl 'ingannati (1532) and views the comedy's sexual play as imbued with a political discourse. The tension and disorder so precious to comedy are, in Gl 'ingannati, borne precisely from the political and sexual anxieties of the recently invaded Italy in the sack of 1527. The social disorder caused by the sack is paralleled by the sexual ‘disorder’ of the raped and sodomized protagonis…

  • Moral Combat: Women, Gender, and War in Italian Renaissance Literature

    Gerry Milligan, Frank Lacopo•ARTICLE•Renaissance and Reformation•2018

    The Italian sixteenth century offers the first sustained discussion of women's militarism since antiquity. Across a variety of genres, male and female writers raised questions about women's right and ability to fight in combat. Treatise literature engaged scientific, religious, and cultural discourses about women's virtues, while epic poetry and biographical literature famously featured examples of women as soldiers, commanders, observers, and vi…

  • Ruggiero, Melissa, and Effeminate Enchantment in the Garden of Alcina

    Gerry Milligan•ARTICLE•Italian Studies•2024

    In a celebrated episode of Ariosto's Orlando furioso, Ruggiero luxuriates in the garden of the sorceress Alcina. A second sorceress, Melissa, travels to the garden and describes Ruggiero as effeminate, corrupt, and ill. She offers herself as the doctor who will cure the knight and drag him out of softness and into the violence of an epic destiny. She shames the knight into exchanging his soft dress for armour and leaving the garden. This transfor…

Art (4 works) · Art history (4 works) · History (3 works) · History (3 works) · Literature (3 works) · Psychology (3 works) · Renaissance and Early Modern Studies (3 works) · Sociology (3 works) · Gender Studies (2 works) · Gender Studies (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae