Gregory L Lucente
Biographic Data
| ID | 5767335 |
|---|---|
| NAME | Gregory L Lucente |
| GIVEN NAMES | Gregory L |
| FAMILY NAME | Lucente |
| SIGNATURE | LUCENTE G L |
| AFFILIATIONS | University of Michigan |
| VERIFIED | No |
| TOTAL WORKS | 32 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 32 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 1999 |
| H-INDEX | 1 |
Because We Are Gods’
(1999). ‘Because We Are Gods’: The Identity of Sicily and the Culture of Dependency in Verga's House by the Medlar Tree, Lampedusa's The Leopard, and Coppola's The Godfather (I-III) Italian Culture: Vol. 17, No. 1, pp. 1-7
Dante’s Vision and the Circle of Knowledge
Cuadernos sobre Vico 3 (1993)
Verga e il teatro europeo. Prove d'autore
Gabriele D’Annunzio
Cuadernos sobre Vico
Phenomenological Hermeneutics and the Study of Literature
Presentation
Presentation
Michelangelo's Nose
An Interview with Paolo Volponi
Writing Joyce
Ugo Betti
Beautiful Fables
Yesterday, Today, Tomorrow
Vico, Hercules, and the Lion
The Content of the Form
The Uses and the Ends of Discourse in I Promessi Sposi
Questions of language, particularly of its worldly use and abuse, are of major concern in I Promessi Sposi.1 These questions begin with the book's introduction and continue, though in constantly varying forms and contexts, throughout the novel. In the introduction the narrator states his reasons for reworking the story, which he claims to have found in an anonymous seventeenth-century manuscript, and begins to explain the procedures he has adopte…
The World at Play in Boccaccio's Decameron
Italian Literary Icons
Figural Language in the Novel
Novels affirm the power of fiction to portray the horizons of knowledge and to dramatize the ways that the truths of human existence are created and preserved. Professor Saldivar shows that deconstructive readings of novels remind us that we do not apprehend the world directly but through interpretive codes.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-o…
The Narrative of Realism and Myth
Incontro con Carmelo Samona
The Narrative of Realism and Myth. Verga, Lawrence, Faulkner, Pavese
Scrivere o fare…o altro
Lampedusa's Il Gattopardo
Interpretation du roman: le conflit non resolu entre fonction referentielle et figurale du langage| dans le deroulement du recit description et critique coexistent. Les procedes: les schemas de relation entre les personnages (et les classes sociales), l'ironie et la confusion des plans allegoriques, etc
"The Ideology of Form in Verga's "La Lupa
Verga's La appeared as the second novella in Vita dei campi (1880), six years after the publication of Nedda, the bozzetto siciliano 'which had inaugurated verismo's Sicilian stil novo.' It is true that the novella's natural descriptions are generalized and very brief, betraying the scissors which drew D. H. Lawrence's objections.2 Moreover, the language has been homogenized into the standard forms of the recently unified kingdom, purged of the l…
D'Annunzio's Il fuoco and Joyce's Portrait of the Artist
Vico's Notion of "Divine Providence" and the Limits of Human Knowledge, Freedom, and Will
The notion of divine providence is central to Giambattista Vico's account of the progression of human history in the Scienza nuova (1744). However, as many writers have pointed out (most recently James C. Morrison), this notion is one of the more problematical and elusive aspects of a system of thought justly renowned for its complexity.' Part of the reason for the problems in understanding Vico's conception of providence has been acknowledged fo…
Critical Treatments of Verga and Verismo
distortion is probably inevitable in the presentation and assessment of such critical developments. Nonetheless, tracing the dominant features of several of the recent treatments of Verga's work-at least in their broad outlines-is not only possible but also instructive. Taken in its entirety, such a study has implications both for the relation between criticism and its literary object and for that between criticism and its social environment. Dur…
Ugo Foscolo
Signs and Science in Italo Calvino's Cosmicomiche
Scrivere o fare…o altro
Figural Language in the Novel
Novels affirm the power of fiction to portray the horizons of knowledge and to dramatize the ways that the truths of human existence are created and preserved. Professor Saldivar shows that deconstructive readings of novels remind us that we do not apprehend the world directly but through interpretive codes.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-o…
The Narrative of Realism and Myth
Incontro con Carmelo Samona
The Narrative of Realism and Myth. Verga, Lawrence, Faulkner, Pavese
The Uses and the Ends of Discourse in I Promessi Sposi
Questions of language, particularly of its worldly use and abuse, are of major concern in I Promessi Sposi.1 These questions begin with the book's introduction and continue, though in constantly varying forms and contexts, throughout the novel. In the introduction the narrator states his reasons for reworking the story, which he claims to have found in an anonymous seventeenth-century manuscript, and begins to explain the procedures he has adopte…
The World at Play in Boccaccio's Decameron
Italian Literary Icons
Vico, Hercules, and the Lion
The Content of the Form
Beautiful Fables
Yesterday, Today, Tomorrow
Writing Joyce
Ugo Betti
Phenomenological Hermeneutics and the Study of Literature
Presentation
Presentation
Michelangelo's Nose
Art (22 works) · Literature (12 works) · Philosophy (11 works) · Italian Literature and Culture (10 works) · History (9 works) · Italian Fascism and Post-war Society (8 works) · Art history (5 works) · Giambattista Vico and Joyce (5 works) · Epistemology (4 works) · Linguistic Studies and Language Acquisition (4 works)