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Cinzia Sartini Blum

Biographic Data

ID5767373
NAMECinzia Sartini Blum
GIVEN NAMESCinzia Sartini
FAMILY NAMEBlum
SIGNATUREBLUM C S
AFFILIATIONSUniversity of Iowa
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS1
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Rhetorical Strategies and Gender in Marinetti's Futurist Manifesto

    Cinzia Sartini Blum, Cinzia Blum•ARTICLE•Italica•2023

    Though the importance of Filippo Tommaso Marinetti's contributions to avant-garde aesthetics has been a subject of controversy since the very beginnings of the Futurist movement, critics generally acknowledge the innovation of what Marinetti himself called “l'arte di far manifesti.” Most recently, in a remarkable study on the “language of rupture” of the avant-garde movements prior to World War I, Marjorie Perloff locates the originality of the F…

  • Grounding the Fantastic

    Open Access•Cinzia Sartini Blum, Cinzia Blum•ARTICLE•California Italian Studies•2022

    This essay focuses on the story “Uno spirito in un lampone” to highlight I. U. Tarchetti’s contribution to the fantastic as a means of exploring the nightmares that haunt modern progress. Adopting a method of inquiry inspired by ecocritical principles and aimed at grounding the text in its own complex context, the author addresses two main questions: What are the cultural and social productions, conditions, and issues that inspire Tarchetti’s wor…

  • Rewriting the Journey in Contemporary Italian Literature

    Cinzia Sartini Blum•BOOK•Rewriting the Journey in…•2016

  • Deathly Love

    Cinzia Sartini Blum•ARTICLE•Italian Culture•2016•References: 4

    This paper examines three stories in Tarchetti’s Amore nell’arte as case studies of the conjunction of art, love, and death, which plays a central role in the decadent imagination. In advancing the idea that art is superior to life, these texts couple the artistic ideal with a propensity toward necrophilic excess of love. Departing from the critical tendency to view such excess as evidence of an anticonventional stance, I explore how Tarchetti’s …

  • Filippo Tommaso Marinetti

    Cinzia Sartini Blum•ARTICLE•Journal of Modern Italian Studies•2016•Cited by: 1

    Recent investigations of Futurism have benefited from methodologies emerging from the field of cultural studies, namely textual and historiographic analyses combined with inter-references to social

  • Fascist Modernities

    Open Access•Cinzia Sartini Blum•REVIEW•South Central Review•2002

    Ruth Ben-Ghiat's innovative cultural history of Mussolini's dictatorship is a provocative discussion of the meanings of modernity in interwar Italy. Eloquent, pathbreaking, and deft in its use of a broad range of materials, this work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the contemporary European crisis as well as long-standing problems of the national past. Ben-Ghiat shows that-…

  • Beyond “the End of the Journey”

    Cinzia Sartini Blum•ARTICLE•Italian Culture•2002

  • Beyond “the End of the Journey”

    Cinzia Sartini Blum•ARTICLE•Italian Culture•2002•References: 1

  • La Futurista

    Lisa Panzera, Cinzia Sartini Blum et al.•ARTICLE•Woman s Art Journal•2000

  • Severini futurista

    Open Access•Cinzia Sartini Blum, Anne Coffin Hanson•ARTICLE•South Central Review•1999

  • Fascist Temples and Theaters of the Masses

    Open Access•Cinzia Sartini Blum•ARTICLE•South Central Review•1997

  • The Futurist Re-Fashioning of the Universe

    Open Access•Cinzia Sartini Blum•ARTICLE•South Central Review•1996

  • Marinetti and the Italian Futurists

    Cinzia Sartini Blum, Lawrence Rainey et al.•ARTICLE•Italica•1996

  • Pillars of Virtue, Yokes of Oppression

    Open Access•Cinzia Sartini Blum•ARTICLE•Forum Italicum A Journal of…•1994

  • Filippo Tommaso Marinetti

    Cinzia Sartini Blum•ARTICLE•Journal of Modern Italian Studies•2016•Cited by: 1

    Recent investigations of Futurism have benefited from methodologies emerging from the field of cultural studies, namely textual and historiographic analyses combined with inter-references to social

  • Pillars of Virtue, Yokes of Oppression

    Open Access•Cinzia Sartini Blum•ARTICLE•Forum Italicum A Journal of…•1994

  • The Futurist Re-Fashioning of the Universe

    Open Access•Cinzia Sartini Blum•ARTICLE•South Central Review•1996

  • Marinetti and the Italian Futurists

    Cinzia Sartini Blum, Lawrence Rainey et al.•ARTICLE•Italica•1996

  • Fascist Temples and Theaters of the Masses

    Open Access•Cinzia Sartini Blum•ARTICLE•South Central Review•1997

  • Severini futurista

    Open Access•Cinzia Sartini Blum, Anne Coffin Hanson•ARTICLE•South Central Review•1999

  • La Futurista

    Lisa Panzera, Cinzia Sartini Blum et al.•ARTICLE•Woman s Art Journal•2000

  • Fascist Modernities

    Open Access•Cinzia Sartini Blum•REVIEW•South Central Review•2002

    Ruth Ben-Ghiat's innovative cultural history of Mussolini's dictatorship is a provocative discussion of the meanings of modernity in interwar Italy. Eloquent, pathbreaking, and deft in its use of a broad range of materials, this work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the contemporary European crisis as well as long-standing problems of the national past. Ben-Ghiat shows that-…

  • Beyond “the End of the Journey”

    Cinzia Sartini Blum•ARTICLE•Italian Culture•2002

  • Beyond “the End of the Journey”

    Cinzia Sartini Blum•ARTICLE•Italian Culture•2002•References: 1

  • Rewriting the Journey in Contemporary Italian Literature

    Cinzia Sartini Blum•BOOK•Rewriting the Journey in…•2016

  • Deathly Love

    Cinzia Sartini Blum•ARTICLE•Italian Culture•2016•References: 4

    This paper examines three stories in Tarchetti’s Amore nell’arte as case studies of the conjunction of art, love, and death, which plays a central role in the decadent imagination. In advancing the idea that art is superior to life, these texts couple the artistic ideal with a propensity toward necrophilic excess of love. Departing from the critical tendency to view such excess as evidence of an anticonventional stance, I explore how Tarchetti’s …

  • Filippo Tommaso Marinetti

    Cinzia Sartini Blum•ARTICLE•Journal of Modern Italian Studies•2016•Cited by: 1

    Recent investigations of Futurism have benefited from methodologies emerging from the field of cultural studies, namely textual and historiographic analyses combined with inter-references to social

  • Grounding the Fantastic

    Open Access•Cinzia Sartini Blum, Cinzia Blum•ARTICLE•California Italian Studies•2022

    This essay focuses on the story “Uno spirito in un lampone” to highlight I. U. Tarchetti’s contribution to the fantastic as a means of exploring the nightmares that haunt modern progress. Adopting a method of inquiry inspired by ecocritical principles and aimed at grounding the text in its own complex context, the author addresses two main questions: What are the cultural and social productions, conditions, and issues that inspire Tarchetti’s wor…

  • Rhetorical Strategies and Gender in Marinetti's Futurist Manifesto

    Cinzia Sartini Blum, Cinzia Blum•ARTICLE•Italica•2023

    Though the importance of Filippo Tommaso Marinetti's contributions to avant-garde aesthetics has been a subject of controversy since the very beginnings of the Futurist movement, critics generally acknowledge the innovation of what Marinetti himself called “l'arte di far manifesti.” Most recently, in a remarkable study on the “language of rupture” of the avant-garde movements prior to World War I, Marjorie Perloff locates the originality of the F…

Italian Fascism and Post-war Society (9 works) · Art (8 works) · Italian Literature and Culture (8 works) · History (5 works) · Law (5 works) · Art history (4 works) · Computer Science (4 works) · Literature (4 works) · Philosophy (4 works) · Political science (4 works)

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