Sarah S V Cantor
Biographic Data
| ID | 5767690 |
|---|---|
| NAME | Sarah S V Cantor |
| GIVEN NAMES | Sarah S V |
| FAMILY NAME | Cantor |
| SIGNATURE | CANTOR S S V |
| AFFILIATIONS | Classical and Modern Languages and Literatures, Texas Tech University, USA |
| ORCID | 0000-0001-9250-4705 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Epic Halves, Epic Doubles: Calvino, Tasso, and the Self-Reflecting Enemy
Italo Calvino’s avowed preference for the Orlando furioso does not preclude him from relying on the Gerusalemme liberata to bolster the epic features of his trilogy I nostri antenati , particularly in the novel Il visconte dimezzato (1952). This article does not establish this intertextual relationship with an eye to exploring how the 16th-century author has influenced Calvino, but instead follows Lucia Re’s line of thought in her article “Ariost…
Gender, Homeland, and Homecoming in Sarrocchi's Scanderbeide
This article considers the gendering of Scanderbeg, the protagonist of Margherita Sarrocchi's 1623 historical epic, the Scanderbeide, arguing that his tendency to femininity is part of an overall project to rework traditional gender roles in the poem. Scanderbeg's femininity is most visible through his conversion to Christianity, which echoes that of Tasso's Clorinda and precipitates the war that will position him as defender of the city of Croia…
No prominent works on this page.
Epic Halves, Epic Doubles: Calvino, Tasso, and the Self-Reflecting Enemy
Italo Calvino’s avowed preference for the Orlando furioso does not preclude him from relying on the Gerusalemme liberata to bolster the epic features of his trilogy I nostri antenati , particularly in the novel Il visconte dimezzato (1952). This article does not establish this intertextual relationship with an eye to exploring how the 16th-century author has influenced Calvino, but instead follows Lucia Re’s line of thought in her article “Ariost…
Gender, Homeland, and Homecoming in Sarrocchi's Scanderbeide
This article considers the gendering of Scanderbeg, the protagonist of Margherita Sarrocchi's 1623 historical epic, the Scanderbeide, arguing that his tendency to femininity is part of an overall project to rework traditional gender roles in the poem. Scanderbeg's femininity is most visible through his conversion to Christianity, which echoes that of Tasso's Clorinda and precipitates the war that will position him as defender of the city of Croia…
Art (2 works) · History (2 works) · Literature (2 works) · Ancient history (1 works) · Art history (1 works) · EPIC (1 works) · Femininity (1 works) · Gender Studies (1 works) · Gender Studies (1 works) · Historical, Literary, and Cultural Studies (1 works)