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Frederic Spotts

Biographic Data

ID5768907
NAMEFrederic Spotts
GIVEN NAMESFrederic
FAMILY NAMESpotts
SIGNATURESPOTTS F
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS32
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2004
H-INDEX2
  • Hitler and the Power of Aesthetics

    John Dreijmanis, Frederic Spotts•ARTICLE•German Studies Review•2004

  • Hitler and the Power of Aesthetics

    Stanley Hoffmann, Frederic Spotts•ARTICLE•Foreign Affairs•2003•Cited by: 17

    Hitler's aim was the Aryan super-state, but it was to be expressed as much in Nazi art as in politics. Culture was not only the end, to which power should aspire, but the means of achieving it. This reassessment of Hitler's aims and motivations examines his perverse obsessions and shows how his artistry - expressed in spectacles, festivities, parades, rallies and political dramas, as well as in architecture, painting and music - destroyed any sen…

  • Bayreuth

    Lutz Koepnick, Frederic Spotts•ARTICLE•The German Quarterly•1998

    The operatic festival Richard Wagner founded in 1876 is the oldest and most famous in the world. It is also the most controversial, for it became the cultural showcase of the Third Reich. In this prize-winning and generously-illustrated book - the first to provide a frank and fully rounded history of Bayreuth - Frederic Spotts describes the festival's performances and productions, the Wagner family who have run it, its debasement into 'Hitler's c…

  • Wagner

    David B Dennis, Paul Lawrence Rose et al.•ARTICLE•German Studies Review•1997

  • Italy

    Open Access•Frederic Spotts, Theodor Wieser•BOOK•Italy•1986

    Italy is the world's sixth economic power, lies in a key geopolitical position, and was a founding member of NATO and the European Community. Yet of all the major European states Italy is the least understood and studied. This book provides the only up-to-date survey of the Italian political scene during the forty years since World War II. It describes the inner-dynamics of the political parties, the day-to-day functioning of the governing instit…

  • Italy

    William Diebold, Frederic Spotts et al.•ARTICLE•Foreign Affairs•1986•Cited by: 15

  • Kirche zwischen Monarchie und Republik

    Frederic Spotts•ARTICLE•The Journal of Modern History•1979

  • Hitler and the Power of Aesthetics

    Stanley Hoffmann, Frederic Spotts•ARTICLE•Foreign Affairs•2003•Cited by: 17

    Hitler's aim was the Aryan super-state, but it was to be expressed as much in Nazi art as in politics. Culture was not only the end, to which power should aspire, but the means of achieving it. This reassessment of Hitler's aims and motivations examines his perverse obsessions and shows how his artistry - expressed in spectacles, festivities, parades, rallies and political dramas, as well as in architecture, painting and music - destroyed any sen…

  • Italy

    William Diebold, Frederic Spotts et al.•ARTICLE•Foreign Affairs•1986•Cited by: 15

  • Kirche zwischen Monarchie und Republik

    Frederic Spotts•ARTICLE•The Journal of Modern History•1979

  • Italy

    Open Access•Frederic Spotts, Theodor Wieser•BOOK•Italy•1986

    Italy is the world's sixth economic power, lies in a key geopolitical position, and was a founding member of NATO and the European Community. Yet of all the major European states Italy is the least understood and studied. This book provides the only up-to-date survey of the Italian political scene during the forty years since World War II. It describes the inner-dynamics of the political parties, the day-to-day functioning of the governing instit…

  • Italy

    William Diebold, Frederic Spotts et al.•ARTICLE•Foreign Affairs•1986•Cited by: 15

  • Wagner

    David B Dennis, Paul Lawrence Rose et al.•ARTICLE•German Studies Review•1997

  • Bayreuth

    Lutz Koepnick, Frederic Spotts•ARTICLE•The German Quarterly•1998

    The operatic festival Richard Wagner founded in 1876 is the oldest and most famous in the world. It is also the most controversial, for it became the cultural showcase of the Third Reich. In this prize-winning and generously-illustrated book - the first to provide a frank and fully rounded history of Bayreuth - Frederic Spotts describes the festival's performances and productions, the Wagner family who have run it, its debasement into 'Hitler's c…

  • Hitler and the Power of Aesthetics

    Stanley Hoffmann, Frederic Spotts•ARTICLE•Foreign Affairs•2003•Cited by: 17

    Hitler's aim was the Aryan super-state, but it was to be expressed as much in Nazi art as in politics. Culture was not only the end, to which power should aspire, but the means of achieving it. This reassessment of Hitler's aims and motivations examines his perverse obsessions and shows how his artistry - expressed in spectacles, festivities, parades, rallies and political dramas, as well as in architecture, painting and music - destroyed any sen…

  • Hitler and the Power of Aesthetics

    John Dreijmanis, Frederic Spotts•ARTICLE•German Studies Review•2004

History (4 works) · Italian Fascism and Post-war Society (4 works) · Political science (4 works) · Art (3 works) · Law (3 works) · Political economy (3 works) · Politics (3 works) · Sociology (3 works) · Aesthetics (2 works) · Democracy (2 works)

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