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Adam Watt

Biographic Data

ID5771929
NAMEAdam Watt
GIVEN NAMESAdam
FAMILY NAMEWatt
SIGNATUREWATT A
AFFILIATIONSUniversity of Exeter
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Dans le manicome du crâne et nulle part ailleurs

    Open Access•Adam Watt•ARTICLE•Contemporary French and…•2022

    Beckett’s late “closed space” works are characterized by the experience of confinement. This article revisits Mal vu mal dit (1981), focusing on two dimensions of the text that have characterized experiences of the current pandemic: confinement and confusion. I explore these notions and their productive co-existence in the text: firstly, the experience of the enclosed, disturbing spaces of the cabin that are repeatedly described, as well as the m…

  • The Cambridge History of the Novel in French

    Open Access•Adam Watt•EDITOR•BOOK•Cambridge History of the Novel in…•2021

    This History is the first in a century to trace the development and impact of the novel in French from its beginnings to the present. Leading specialists explore how novelists writing in French have responded to the diverse personal, economic, socio-political, cultural-artistic and environmental factors that shaped their worlds. From the novel's medieval precursors to the impact of the internet, the History provides fresh accounts of canonical an…

  • Cambridge History of the Novel in French

    Adam Watt•BOOK•Cambridge History of the Novel in…•2021

  • Marcel Proust

    Open Access•Adam Watts, Adam Watt•ARTICLE•French Studies•2018

  • Portraits by the Artists as Young Men

    Adam Watts, Adam Watt•ARTICLE•French Studies•2017

    Marcel Proust and Paul Valéry have received very little comparative critical attention. My article undertakes the first comparative analysis of works written and published by Proust and Valéry just four years apart when both were in their early twenties: Valéry's prose 'Glose sur quelques peintures' (1891), which focuses on portraits by Cristofano Allori and Francisco de Zurbarán, and Proust's 'Portraits de peintres' (1895), verse poems in which …

  • Poetry as Creative Critique

    Adam Watt•ARTICLE•Contemporary French and…•2016•References: 1

    During Proust's lifetime his character and his work prompted emulation and pastiche and inspired writing both serious and playful. His way with words led his school-friends to coin the verb proustifier, communicating the verbosity and garrulous flattery that characterized even the teenage Proust. He fell out with his friend the diplomat and writer Paul Morand when the latter published his “Ode à Marcel Proust” in October 1919, which poked fun at …

  • Swann at 100 / Swann a 100 ANS

    Adam Watt•EDITOR•BOOK•Swann at 100 / Swann a 100 ANS•2015

  • Proust, the One, and the Many

    Adam Watt•ARTICLE•Modern & Contemporary France•2013

    Proust, the One, and the Many: Identity and Difference in À la recherche du temps perdu ." Modern & Contemporary France, 21(2), pp. 245–246

  • The weather in Proust

    Adam Watts, Adam Watt•ARTICLE•Journal of Gender Studies•2013•References: 2

  • The sign of the swan in Proust's A la recherche du temps perdu

    Adam Watt•ARTICLE•French Studies•2005

    This article takes as its starting point Proust and Mallarmé's shared conception of the associative ‘music’ which connects words when considered as signs in literature. It examines the inscription of this in A la recherche du temps perdu , concentrating on the homophonic signifiers ‘cygne’, ‘signe’, ‘Swann’ and the English ‘swan’. By demonstrating the complexity of swan references in the novel, following the work of Gilles Deleuze, this article s…

No prominent works on this page.

  • The sign of the swan in Proust's A la recherche du temps perdu

    Adam Watt•ARTICLE•French Studies•2005

    This article takes as its starting point Proust and Mallarmé's shared conception of the associative ‘music’ which connects words when considered as signs in literature. It examines the inscription of this in A la recherche du temps perdu , concentrating on the homophonic signifiers ‘cygne’, ‘signe’, ‘Swann’ and the English ‘swan’. By demonstrating the complexity of swan references in the novel, following the work of Gilles Deleuze, this article s…

  • Proust, the One, and the Many

    Adam Watt•ARTICLE•Modern & Contemporary France•2013

    Proust, the One, and the Many: Identity and Difference in À la recherche du temps perdu ." Modern & Contemporary France, 21(2), pp. 245–246

  • The weather in Proust

    Adam Watts, Adam Watt•ARTICLE•Journal of Gender Studies•2013•References: 2

  • Swann at 100 / Swann a 100 ANS

    Adam Watt•EDITOR•BOOK•Swann at 100 / Swann a 100 ANS•2015

  • Poetry as Creative Critique

    Adam Watt•ARTICLE•Contemporary French and…•2016•References: 1

    During Proust's lifetime his character and his work prompted emulation and pastiche and inspired writing both serious and playful. His way with words led his school-friends to coin the verb proustifier, communicating the verbosity and garrulous flattery that characterized even the teenage Proust. He fell out with his friend the diplomat and writer Paul Morand when the latter published his “Ode à Marcel Proust” in October 1919, which poked fun at …

  • Portraits by the Artists as Young Men

    Adam Watts, Adam Watt•ARTICLE•French Studies•2017

    Marcel Proust and Paul Valéry have received very little comparative critical attention. My article undertakes the first comparative analysis of works written and published by Proust and Valéry just four years apart when both were in their early twenties: Valéry's prose 'Glose sur quelques peintures' (1891), which focuses on portraits by Cristofano Allori and Francisco de Zurbarán, and Proust's 'Portraits de peintres' (1895), verse poems in which …

  • Marcel Proust

    Open Access•Adam Watts, Adam Watt•ARTICLE•French Studies•2018

  • The Cambridge History of the Novel in French

    Open Access•Adam Watt•EDITOR•BOOK•Cambridge History of the Novel in…•2021

    This History is the first in a century to trace the development and impact of the novel in French from its beginnings to the present. Leading specialists explore how novelists writing in French have responded to the diverse personal, economic, socio-political, cultural-artistic and environmental factors that shaped their worlds. From the novel's medieval precursors to the impact of the internet, the History provides fresh accounts of canonical an…

  • Cambridge History of the Novel in French

    Adam Watt•BOOK•Cambridge History of the Novel in…•2021

  • Dans le manicome du crâne et nulle part ailleurs

    Open Access•Adam Watt•ARTICLE•Contemporary French and…•2022

    Beckett’s late “closed space” works are characterized by the experience of confinement. This article revisits Mal vu mal dit (1981), focusing on two dimensions of the text that have characterized experiences of the current pandemic: confinement and confusion. I explore these notions and their productive co-existence in the text: firstly, the experience of the enclosed, disturbing spaces of the cabin that are repeatedly described, as well as the m…

Art (8 works) · French Literature and Criticism (5 works) · Literature (5 works) · Aesthetics (4 works) · French Literature and Critical Theory (4 works) · Philosophy (4 works) · Philosophy (4 works) · Art history (3 works) · Linguistics (3 works) · Poetry (3 works)

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