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Kristine Ibsen

Biographic Data

ID577206
NAMEKristine Ibsen
GIVEN NAMESKristine
FAMILY NAMEIbsen
SIGNATUREIBSEN K
AFFILIATIONSUniversity of Notre Dame
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS15
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2006
H-INDEX2
  • Spectacle and Spectator in Édouard Manet's Execution of Maximilian

    Kristine Ibsen•ARTICLE•Oxford Art Journal•2006

    ‘Learning to see means unlearning to recognise.’ Jean-François Lyotard

  • Dissecting the exquisite cadaver: On collections and colonialism in Fernando del Paso's Noticias del Imperio

    Kristine Ibsen•ARTICLE•Bulletin of Spanish Studies•2003

    BSS Subject Index: COLONIALISM [AS LITERARY/CULTURAL THEME]NOTICIAS DEL IMPERIO [F. DEL PASO]PASO, FERNANDO DEL (b. 1935)

  • Women's Spiritual Autobiography in Colonial Spanish America

    Melvin S Arrington, Kristine Ibsen•ARTICLE•Hispania•2003•Cited by: 6

    Explores the written confessions, or spiritual autobiographies, of religious women & nuns in the 17th & 18th centuries in colonial Spanish America & considers what they reveal about the social & political position of cloistered women at that time

  • Acercamientos a Carmen Boullosa: "Actas del Simposio "Conjugarse en infinitivo

    Kristine Ibsen, Barbara Dröscher et al.•ARTICLE•Hispanic Review•2002•Cited by: 1

  • Women's Spiritual Autobiography in Colonial Spanish America

    Valérie Benoist, Kristine Ibsen•ARTICLE•Hispanic Review•2001•Cited by: 2

  • A Wild Country Out in the Garden: The Spiritual Journals of a Colonial Mexican Nun

    Kristine Ibsen•ARTICLE•Hispanic American Historical Review•2001

  • Women's Spiritual Autobiography in Colonial Spanish America

    Open Access•Eliana Cazaubon-Hermann, Kristine Ibsen•ARTICLE•Chasqui•2000•Cited by: 5

  • The Hiding Places of My Power: Sebastiana Josefa de la Santisima Trinidad and the Hagiographic Representation of the Body in Colonial Spanish America

    Kristine Ibsen•ARTICLE•Colonial Latin American Review•1998•References: 3

    (1998). The Hiding Places of My Power: Sebastiana Josefa de la Santisima Trinidad and the Hagiographic Representation of the Body in Colonial Spanish America. Colonial Latin American Review: Vol. 7, No. 2, pp. 251-270

  • Honor thy Father: Women's Autobiographical Writing as Confessional Discourse in Colonial Spanish America

    Kristine Ibsen•ARTICLE•a/b Auto/Biography Studies•1998

  • Entrevistas: Bárbara Jacobs / Carmen Boullosa

    Open Access•Kristine Ibsen, Bárbara Jacobs et al.•ARTICLE•Chasqui•1995

  • On Recipes, Reading and Revolution: Postboom Parody in Como agua para chocolate

    Kristine Ibsen•ARTICLE•Hispanic Review•1995•Cited by: 1•References: 3

    ), ESPITE its popularity with the reading public, r. initial critical reaction to Laura Esquivel's Como agua para chocolate (1989) has often tended to K D dismiss the work as, at best, a poor imitation of a. the male canon. Probably the most extreme reI action thus far has been Antonio Marquet's

  • Women's Spiritual Autobiography in Colonial Spanish America

    Melvin S Arrington, Kristine Ibsen•ARTICLE•Hispania•2003•Cited by: 6

    Explores the written confessions, or spiritual autobiographies, of religious women & nuns in the 17th & 18th centuries in colonial Spanish America & considers what they reveal about the social & political position of cloistered women at that time

  • Women's Spiritual Autobiography in Colonial Spanish America

    Open Access•Eliana Cazaubon-Hermann, Kristine Ibsen•ARTICLE•Chasqui•2000•Cited by: 5

  • Women's Spiritual Autobiography in Colonial Spanish America

    Valérie Benoist, Kristine Ibsen•ARTICLE•Hispanic Review•2001•Cited by: 2

  • Acercamientos a Carmen Boullosa: "Actas del Simposio "Conjugarse en infinitivo

    Kristine Ibsen, Barbara Dröscher et al.•ARTICLE•Hispanic Review•2002•Cited by: 1

  • On Recipes, Reading and Revolution: Postboom Parody in Como agua para chocolate

    Kristine Ibsen•ARTICLE•Hispanic Review•1995•Cited by: 1•References: 3

    ), ESPITE its popularity with the reading public, r. initial critical reaction to Laura Esquivel's Como agua para chocolate (1989) has often tended to K D dismiss the work as, at best, a poor imitation of a. the male canon. Probably the most extreme reI action thus far has been Antonio Marquet's

  • Entrevistas: Bárbara Jacobs / Carmen Boullosa

    Open Access•Kristine Ibsen, Bárbara Jacobs et al.•ARTICLE•Chasqui•1995

  • On Recipes, Reading and Revolution: Postboom Parody in Como agua para chocolate

    Kristine Ibsen•ARTICLE•Hispanic Review•1995•Cited by: 1•References: 3

    ), ESPITE its popularity with the reading public, r. initial critical reaction to Laura Esquivel's Como agua para chocolate (1989) has often tended to K D dismiss the work as, at best, a poor imitation of a. the male canon. Probably the most extreme reI action thus far has been Antonio Marquet's

  • The Hiding Places of My Power: Sebastiana Josefa de la Santisima Trinidad and the Hagiographic Representation of the Body in Colonial Spanish America

    Kristine Ibsen•ARTICLE•Colonial Latin American Review•1998•References: 3

    (1998). The Hiding Places of My Power: Sebastiana Josefa de la Santisima Trinidad and the Hagiographic Representation of the Body in Colonial Spanish America. Colonial Latin American Review: Vol. 7, No. 2, pp. 251-270

  • Honor thy Father: Women's Autobiographical Writing as Confessional Discourse in Colonial Spanish America

    Kristine Ibsen•ARTICLE•a/b Auto/Biography Studies•1998

  • Women's Spiritual Autobiography in Colonial Spanish America

    Open Access•Eliana Cazaubon-Hermann, Kristine Ibsen•ARTICLE•Chasqui•2000•Cited by: 5

  • Women's Spiritual Autobiography in Colonial Spanish America

    Valérie Benoist, Kristine Ibsen•ARTICLE•Hispanic Review•2001•Cited by: 2

  • A Wild Country Out in the Garden: The Spiritual Journals of a Colonial Mexican Nun

    Kristine Ibsen•ARTICLE•Hispanic American Historical Review•2001

  • Acercamientos a Carmen Boullosa: "Actas del Simposio "Conjugarse en infinitivo

    Kristine Ibsen, Barbara Dröscher et al.•ARTICLE•Hispanic Review•2002•Cited by: 1

  • Dissecting the exquisite cadaver: On collections and colonialism in Fernando del Paso's Noticias del Imperio

    Kristine Ibsen•ARTICLE•Bulletin of Spanish Studies•2003

    BSS Subject Index: COLONIALISM [AS LITERARY/CULTURAL THEME]NOTICIAS DEL IMPERIO [F. DEL PASO]PASO, FERNANDO DEL (b. 1935)

  • Women's Spiritual Autobiography in Colonial Spanish America

    Melvin S Arrington, Kristine Ibsen•ARTICLE•Hispania•2003•Cited by: 6

    Explores the written confessions, or spiritual autobiographies, of religious women & nuns in the 17th & 18th centuries in colonial Spanish America & considers what they reveal about the social & political position of cloistered women at that time

  • Spectacle and Spectator in Édouard Manet's Execution of Maximilian

    Kristine Ibsen•ARTICLE•Oxford Art Journal•2006

    ‘Learning to see means unlearning to recognise.’ Jean-François Lyotard

Art (9 works) · History (8 works) · Colonialism (7 works) · History (7 works) · Archaeology (6 works) · Early Modern Women Writers (6 works) · Latin American history and culture (5 works) · Literature (4 works) · Sociology (4 works) · Art history (3 works)

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