Fabien Arribert-Narce
Biographic Data
| ID | 5772362 |
|---|---|
| NAME | Fabien Arribert-Narce |
| GIVEN NAMES | Fabien |
| FAMILY NAME | Arribert-Narce |
| SIGNATURE | ARRIBERT-NARCE F |
| AFFILIATIONS | University of Edinburgh |
| ORCID | 0000-0001-6393-3682 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Michaël Ferrier Inter-Media
Informed by his practice of music, drawing, photography and calligraphy, and depicting various experiences of border crossing between cultures, languages and media, Micha el Ferrier's eclectic writings are characterised by an aesthetic hybridity that defies generic classifications. In line with his critique of the primacy of the visual in contemporary societies, his versatile prose frequently uses synaesthesia and refers to numerous art forms suc…
Writing the World with Michaël Ferrier
Writing the World with Micha€ el FerrierPour comprendre la France, il est n ecessaire de passer par d'autres pays.Il faut aller voir ailleurs pour comprendre ce qu'est la France.-Micha€ el Ferrier, M emoires d'outre-merWhen there is enough out-of-placeness in the world, nothing is out of place.-Don DeLillo, Mao II Micha€ el Ferrier describes himself, in an academic context, as "a French writer, novelist and essayist."But for anyone who has read h…
Vers l’émergence d’un quotidien pluriel, à la croisée des genres et disciplines
Comme Maurice Blanchot l’a suggéré dans une formule restée célèbre, le « quotidien » est « ce qu’il y a de plus difficile à découvrir » ; dans le même texte de 1962 faisant écho à la parution un an plus tôt du deuxième tome de la Critique de la vie quotidienne d’Henri Lefebvre (« Fondements d’une sociologie de la quotidienneté »), Blanchot précise non seulement que le quotidien nous « échappe » dès lors qu’on cherche à le circonscrire – étant par…
Entretien avec Michaël Ferrier
Écrivain et professeur de littérature installé de longue date à Tokyo, Michaël Ferrier occupe une position unique dans le champ des lettres françaises de par sa connaissance intime de la langue et la culture japonaises, dont il a magnifiquement fait l’éloge dans ses trois premiers romans, Kizu, la lézarde (Arléa, 2004), Tokyo, petits portraits de l’aube (Gallimard, 2004) et Sympathie pour le fantôme (Gallimard, 2010). Fort de son expérience de ch…
Annie Ernaux’s ‘Photojournal’ in Écrire la vie
In Ecrire la vie (2011), an anthology of her major works to date, Annie Ernaux published for the first time about eighty images of herself and her family; these pictures are inserted in an opening ‘photojournal’, and combined with extracts from the author’s private diary, thus giving direct access to her past life and to the idiosyncrasies of her self. Readers/viewers are compelled to confront the texts and images and to construct their own readi…
Narrating Fukushima
This essay examines two unclassifiable texts—interweaving the genres of the essay, novel, poetry, and life writing—published in Japanese and in French in the aftermath of the triple disaster that hit Japan on 11 March 2011. These post-Fukushima hybrid works by Hideo Furukawa and Michaël Ferrier attempt to narrativize this unprecedented conjunction of natural and man-made catastrophes—which combined the unfathomable damage caused by the tsunami an…
Images du Japon dans la littérature française (1970-2015)
This article examines the fascination for the everyday that characterizes the work of many French and Francophone writers, film-makers and artists interested in Japan—focusing on this country and its refined art and culture in their productions—since the Second World War, especially after 1970. This fascination coincided with—and partly contributed to—the interdisciplinary development of “everyday studies” in France and other Western countries, w…
A Human Periplum
Narrating Fukushima
This essay examines two unclassifiable texts—interweaving the genres of the essay, novel, poetry, and life writing—published in Japanese and in French in the aftermath of the triple disaster that hit Japan on 11 March 2011. These post-Fukushima hybrid works by Hideo Furukawa and Michaël Ferrier attempt to narrativize this unprecedented conjunction of natural and man-made catastrophes—which combined the unfathomable damage caused by the tsunami an…
A Human Periplum
Images du Japon dans la littérature française (1970-2015)
This article examines the fascination for the everyday that characterizes the work of many French and Francophone writers, film-makers and artists interested in Japan—focusing on this country and its refined art and culture in their productions—since the Second World War, especially after 1970. This fascination coincided with—and partly contributed to—the interdisciplinary development of “everyday studies” in France and other Western countries, w…
Narrating Fukushima
This essay examines two unclassifiable texts—interweaving the genres of the essay, novel, poetry, and life writing—published in Japanese and in French in the aftermath of the triple disaster that hit Japan on 11 March 2011. These post-Fukushima hybrid works by Hideo Furukawa and Michaël Ferrier attempt to narrativize this unprecedented conjunction of natural and man-made catastrophes—which combined the unfathomable damage caused by the tsunami an…
Vers l’émergence d’un quotidien pluriel, à la croisée des genres et disciplines
Comme Maurice Blanchot l’a suggéré dans une formule restée célèbre, le « quotidien » est « ce qu’il y a de plus difficile à découvrir » ; dans le même texte de 1962 faisant écho à la parution un an plus tôt du deuxième tome de la Critique de la vie quotidienne d’Henri Lefebvre (« Fondements d’une sociologie de la quotidienneté »), Blanchot précise non seulement que le quotidien nous « échappe » dès lors qu’on cherche à le circonscrire – étant par…
Entretien avec Michaël Ferrier
Écrivain et professeur de littérature installé de longue date à Tokyo, Michaël Ferrier occupe une position unique dans le champ des lettres françaises de par sa connaissance intime de la langue et la culture japonaises, dont il a magnifiquement fait l’éloge dans ses trois premiers romans, Kizu, la lézarde (Arléa, 2004), Tokyo, petits portraits de l’aube (Gallimard, 2004) et Sympathie pour le fantôme (Gallimard, 2010). Fort de son expérience de ch…
Annie Ernaux’s ‘Photojournal’ in Écrire la vie
In Ecrire la vie (2011), an anthology of her major works to date, Annie Ernaux published for the first time about eighty images of herself and her family; these pictures are inserted in an opening ‘photojournal’, and combined with extracts from the author’s private diary, thus giving direct access to her past life and to the idiosyncrasies of her self. Readers/viewers are compelled to confront the texts and images and to construct their own readi…
Michaël Ferrier Inter-Media
Informed by his practice of music, drawing, photography and calligraphy, and depicting various experiences of border crossing between cultures, languages and media, Micha el Ferrier's eclectic writings are characterised by an aesthetic hybridity that defies generic classifications. In line with his critique of the primacy of the visual in contemporary societies, his versatile prose frequently uses synaesthesia and refers to numerous art forms suc…
Writing the World with Michaël Ferrier
Writing the World with Micha€ el FerrierPour comprendre la France, il est n ecessaire de passer par d'autres pays.Il faut aller voir ailleurs pour comprendre ce qu'est la France.-Micha€ el Ferrier, M emoires d'outre-merWhen there is enough out-of-placeness in the world, nothing is out of place.-Don DeLillo, Mao II Micha€ el Ferrier describes himself, in an academic context, as "a French writer, novelist and essayist."But for anyone who has read h…
Art (7 works) · Literature (5 works) · History (4 works) · Art history (3 works) · French Literature and Critical Theory (3 works) · History (3 works) · Aesthetics (2 works) · Humanities (2 works) · Narrative (2 works) · Philosophy (2 works)