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Christophe Cave

Biographic Data

ID5772601
NAMEChristophe Cave
GIVEN NAMESChristophe
FAMILY NAMECave
SIGNATURECAVE C
AFFILIATIONSLyon
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1927
LATEST PUBLICATION YEAR2005
H-INDEX1
  • Candide; ou, l'optimisme

    Christophe Cave•ARTICLE•French Studies•2005

  • Le rire des anti-philosophes

    Open Access•Christophe Cave•ARTICLE•Dix-huitième siècle•2000•Cited by: 1

    Anti-philosophical laughter. How was the question of laughter posed by the "anti-philosophes" ? By representing the laughter of their adversaries - seen as a homogeneous group - as a sign of social rupture, destruction of relationships, the expression of an opposition between good and bad laughter based on the axiological distinction between cheerfulness and wit (or mockery or disturbing outbursts). This laughter is also presented as a sign of th…

  • III.— The Roof-bosses in Canterbury Cathedral

    Open Access•C J P Cave, Christophe Cave•ARTICLE•Archaeologia•1935

    The heraldry of the bosses in the cloisters at Canterbury has been very fully dealt with by our Fellow Mr. Ralph Griffin in Archaeologia , lxvi, 447 ff.; under his direction photographs were taken of every severy and of a great number of the separate bosses, both the heraldic and the non-heraldic. About 120 out of some 800 were reproduced in Archaeologia and a complete set of the prints is in our library. The heraldic bosses in the Chichele porch…

  • IV.— A Thirteenth-Century Choir of Angels in the North Transept of Westminster Abbey and the Adjacent Figures of Two Kings

    Open Access•C J P Cave, Christophe Cave et al.•ARTICLE•Archaeologia•1935

    On the soffits of the lancet windows in the north transept of Westminster Abbey there are medallions, four in each window, enclosing demi-figures of angels which bear musical instruments and other objects. The date is about 1250. It is impossible to see these carvings in the ordinary way as the soffits receive no light from the windows and they are about 58 ft. above the floor level. After dark when the Abbey is lit up it is just possible to see …

  • VII.— The Bosses on the Vault of the Quire of Winchester Cathedral

    Open Access•C J P Cave, Christophe Cave•ARTICLE•Archaeologia•1927

    The internal vaulted roof of the presbytery of Winchester Cathedral is ornamented with a series of ninety-seven carved wooden bosses (pl. xxvi). They are not only interesting in themselves, but they are thought to throw some light on the date of the roof itself. In any case they are worthy of careful study

  • Le rire des anti-philosophes

    Open Access•Christophe Cave•ARTICLE•Dix-huitième siècle•2000•Cited by: 1

    Anti-philosophical laughter. How was the question of laughter posed by the "anti-philosophes" ? By representing the laughter of their adversaries - seen as a homogeneous group - as a sign of social rupture, destruction of relationships, the expression of an opposition between good and bad laughter based on the axiological distinction between cheerfulness and wit (or mockery or disturbing outbursts). This laughter is also presented as a sign of th…

  • VII.— The Bosses on the Vault of the Quire of Winchester Cathedral

    Open Access•C J P Cave, Christophe Cave•ARTICLE•Archaeologia•1927

    The internal vaulted roof of the presbytery of Winchester Cathedral is ornamented with a series of ninety-seven carved wooden bosses (pl. xxvi). They are not only interesting in themselves, but they are thought to throw some light on the date of the roof itself. In any case they are worthy of careful study

  • III.— The Roof-bosses in Canterbury Cathedral

    Open Access•C J P Cave, Christophe Cave•ARTICLE•Archaeologia•1935

    The heraldry of the bosses in the cloisters at Canterbury has been very fully dealt with by our Fellow Mr. Ralph Griffin in Archaeologia , lxvi, 447 ff.; under his direction photographs were taken of every severy and of a great number of the separate bosses, both the heraldic and the non-heraldic. About 120 out of some 800 were reproduced in Archaeologia and a complete set of the prints is in our library. The heraldic bosses in the Chichele porch…

  • IV.— A Thirteenth-Century Choir of Angels in the North Transept of Westminster Abbey and the Adjacent Figures of Two Kings

    Open Access•C J P Cave, Christophe Cave et al.•ARTICLE•Archaeologia•1935

    On the soffits of the lancet windows in the north transept of Westminster Abbey there are medallions, four in each window, enclosing demi-figures of angels which bear musical instruments and other objects. The date is about 1250. It is impossible to see these carvings in the ordinary way as the soffits receive no light from the windows and they are about 58 ft. above the floor level. After dark when the Abbey is lit up it is just possible to see …

  • Le rire des anti-philosophes

    Open Access•Christophe Cave•ARTICLE•Dix-huitième siècle•2000•Cited by: 1

    Anti-philosophical laughter. How was the question of laughter posed by the "anti-philosophes" ? By representing the laughter of their adversaries - seen as a homogeneous group - as a sign of social rupture, destruction of relationships, the expression of an opposition between good and bad laughter based on the axiological distinction between cheerfulness and wit (or mockery or disturbing outbursts). This laughter is also presented as a sign of th…

  • Candide; ou, l'optimisme

    Christophe Cave•ARTICLE•French Studies•2005

Art (5 works) · Archaeology (3 works) · History (3 works) · Visual arts (3 works) · Art history (2 works) · Historical and Literary Analyses (2 works) · Historical Architecture and Urbanism (2 works) · Medieval Literature and History (2 works) · Absurdity (1 work) · Aesthetics (1 work)

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