Haniyeh B Pasandi
Biographic Data
| ID | 5772781 |
|---|---|
| NAME | Haniyeh B Pasandi |
| GIVEN NAMES | Haniyeh B |
| FAMILY NAME | Pasandi |
| SIGNATURE | PASANDI H B |
| AFFILIATIONS | University of Maryland, Baltimore County |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Evolution of Maghrebi Women Cinema
This article gives an overview of postcolonial cinema in the Maghreb while focusing on the two Maghrebi filmmakers, Meryem Benm’Barek-Alosï and Maryam Touzani, whose films take a more daring stance on the problem of filles-mères (unmarried mothers) and childbearing out of wedlock in the Moroccan society. This article examines the development of Moudawana (family law) in Morocco, its effects on women's lives, and the concept of shame in Maghrebi c…
New Narratives of Trauma in Graphic Novels
The past three decades saw the emergence of a new trend of graphic novels that depict individual and collective trauma and violence. This article briefly explores the historical and cultural conditions that favored the appearance of trauma narratives in the graphic novel. It also studies one of the many re-figurations of Sara Baartman in the graphic novel, Vénus Noire (2010) by Renaud Pennelle and Abdellatif Kechiche and explores how the graphic …
No prominent works on this page.
New Narratives of Trauma in Graphic Novels
The past three decades saw the emergence of a new trend of graphic novels that depict individual and collective trauma and violence. This article briefly explores the historical and cultural conditions that favored the appearance of trauma narratives in the graphic novel. It also studies one of the many re-figurations of Sara Baartman in the graphic novel, Vénus Noire (2010) by Renaud Pennelle and Abdellatif Kechiche and explores how the graphic …
Evolution of Maghrebi Women Cinema
This article gives an overview of postcolonial cinema in the Maghreb while focusing on the two Maghrebi filmmakers, Meryem Benm’Barek-Alosï and Maryam Touzani, whose films take a more daring stance on the problem of filles-mères (unmarried mothers) and childbearing out of wedlock in the Moroccan society. This article examines the development of Moudawana (family law) in Morocco, its effects on women's lives, and the concept of shame in Maghrebi c…
Art (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Sociology (2 works) · African history and culture studies (1 work) · Anthropology (1 work) · Art history (1 work) · Comics and Graphic Narratives (1 work) · Digital Storytelling and Education (1 work) · Diverse academic research themes (1 work)