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Dubravka Djurić

Biographic Data

ID5774851
NAMEDubravka Djurić
GIVEN NAMESDubravka
FAMILY NAMEDjurić
SIGNATUREDJURIĆ D
AFFILIATIONSSingidunum University
ORCID0000-0002-3677-9015
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Neofeminism in late-Yugoslav society

    Open Access•Dubravka Djurić, Aleksandra Izgarjan•ARTICLE•Glasnik Etnografskog instituta•2024

    The paper analyzes the development of neofeminism in Yugoslavia as a socialist and non-aligned country with self-management as the dominant mode of social organization. We set out to examine to what extent this social and political background influenced the appearance of neofeminism in the early 1960s, its development, transformations and branching out into different forms and eventual decline in the late 1980s. It is our contention that in the l…

  • Experimental Poetry in Yugoslav and Post-Yugoslav Literary Spaces

    Dubravka Djurić•ARTICLE•boundary 2•2024•References: 11

    From historical perspectives, this article points to the interactions between official politics, official literary culture, and radical poetry in socialist Yugoslavia and postsocialist post-Yugoslav cultures. The complexity of parallel political and poetically antagonistically opposed poetry formations and the role of feminism are discussed within this constantly changing social and political environment. At the same time, connections and interac…

  • The Border of My Body

    Open Access•Dubravka Djurić•ARTICLE•Borders in Globalization Review•2022

    With my husband Miško Šuvaković, I spent October 1998 in Ljubljana, Slovenia. It was a time when Serbia expected a NATO intervention, which happened in the spring the following year. I was intensively reading the selection of Slovenian poetry translated into Serbo-Croatian by the Slovenian-Bosnian poet, Josip Osti. As someone raised as a Yugoslavian by nationality, the wars in Yugoslavia were a personal drama. Inspired by Osti’s translations and …

  • The feminist avant-garde and feminaissance in american poetry and the visual arts

    Open Access•Dubravka Djurić•ARTICLE•Glasnik Etnografskog instituta•2021

    In this article, I will discuss the appearance and meaning of the terms feminist avant/garde and feminaissance. I will point to the differences in the mediums of these two fields of cultural production (verbal art and visual art). I am interested in the way these terms help us to construe histories but also impact the contemporary production of radical feminist practices. The notion of the feminist avant-garde was introduced by the American criti…

  • Metaphors of the future and the power of images in the British TV drama Spooks

    Open Access•Aleksandra Izgarjan, Dubravka Djurić•ARTICLE•Futures•2016•Cited by: 1•References: 7

  • Metaphors of the future and the power of images in the British TV drama Spooks

    Open Access•Aleksandra Izgarjan, Dubravka Djurić•ARTICLE•Futures•2016•Cited by: 1•References: 7

  • Metaphors of the future and the power of images in the British TV drama Spooks

    Open Access•Aleksandra Izgarjan, Dubravka Djurić•ARTICLE•Futures•2016•Cited by: 1•References: 7

  • The feminist avant-garde and feminaissance in american poetry and the visual arts

    Open Access•Dubravka Djurić•ARTICLE•Glasnik Etnografskog instituta•2021

    In this article, I will discuss the appearance and meaning of the terms feminist avant/garde and feminaissance. I will point to the differences in the mediums of these two fields of cultural production (verbal art and visual art). I am interested in the way these terms help us to construe histories but also impact the contemporary production of radical feminist practices. The notion of the feminist avant-garde was introduced by the American criti…

  • The Border of My Body

    Open Access•Dubravka Djurić•ARTICLE•Borders in Globalization Review•2022

    With my husband Miško Šuvaković, I spent October 1998 in Ljubljana, Slovenia. It was a time when Serbia expected a NATO intervention, which happened in the spring the following year. I was intensively reading the selection of Slovenian poetry translated into Serbo-Croatian by the Slovenian-Bosnian poet, Josip Osti. As someone raised as a Yugoslavian by nationality, the wars in Yugoslavia were a personal drama. Inspired by Osti’s translations and …

  • Neofeminism in late-Yugoslav society

    Open Access•Dubravka Djurić, Aleksandra Izgarjan•ARTICLE•Glasnik Etnografskog instituta•2024

    The paper analyzes the development of neofeminism in Yugoslavia as a socialist and non-aligned country with self-management as the dominant mode of social organization. We set out to examine to what extent this social and political background influenced the appearance of neofeminism in the early 1960s, its development, transformations and branching out into different forms and eventual decline in the late 1980s. It is our contention that in the l…

  • Experimental Poetry in Yugoslav and Post-Yugoslav Literary Spaces

    Dubravka Djurić•ARTICLE•boundary 2•2024•References: 11

    From historical perspectives, this article points to the interactions between official politics, official literary culture, and radical poetry in socialist Yugoslavia and postsocialist post-Yugoslav cultures. The complexity of parallel political and poetically antagonistically opposed poetry formations and the role of feminism are discussed within this constantly changing social and political environment. At the same time, connections and interac…

Law (4 works) · Literature (4 works) · Political science (4 works) · Politics (4 works) · Art (3 works) · History (3 works) · Poetry (3 works) · Sociology (3 works) · Drama (2 works) · Eastern European Communism and Reforms (2 works)

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