Lyn Marven
Biographic Data
| ID | 5777575 |
|---|---|
| NAME | Lyn Marven |
| GIVEN NAMES | Lyn |
| FAMILY NAME | Marven |
| SIGNATURE | MARVEN L |
| AFFILIATIONS | University of Liverpool |
| ORCID | 0000-0003-3600-564X |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
The constant failure to articulate the world in words’: An interview with Roman Ehrlich
Herta Müller: Politics and Aesthetics
Herta Müller was little known outside German Studies before the award of the Nobel Prize for Literature in 2009, not least because very few of her works had been translated into English. Since then the situation has improved slowly: new translations have appeared, but there are still surprisingly few English-language critical volumes. Bettina Brandt and Valentina Glajar’s volume is one of only two standalone publications on the author to appear s…
Déjà vu
Souvenirs de Berlin-Est”: History, Photos, and Form in Texts by Daniela Dahn, Irina Liebmann, and Sophie Calle
Women in Wheelchairs: Space, Performance and Hysteria in Libuše Moníková’s Pavane für eine verstorbenen Infantin and Ines Eck’s Steppenwolfidyllen
Libuše Moníková’s Pavane für eine verstorbene Infantin and Ines Eck’s Steppenwolfidyllen both have as their first‐person narrator a woman who chooses to present herself as wheelchair‐bound. This article examines how the notion of a female identity and voice is played out in two modes of discourse which converge on the image of the wheelchair, namely the spatial and the performative. The wheelchair demarcates personal space and acts as a prop for …
No prominent works on this page.
Women in Wheelchairs: Space, Performance and Hysteria in Libuše Moníková’s Pavane für eine verstorbenen Infantin and Ines Eck’s Steppenwolfidyllen
Libuše Moníková’s Pavane für eine verstorbene Infantin and Ines Eck’s Steppenwolfidyllen both have as their first‐person narrator a woman who chooses to present herself as wheelchair‐bound. This article examines how the notion of a female identity and voice is played out in two modes of discourse which converge on the image of the wheelchair, namely the spatial and the performative. The wheelchair demarcates personal space and acts as a prop for …
Souvenirs de Berlin-Est”: History, Photos, and Form in Texts by Daniela Dahn, Irina Liebmann, and Sophie Calle
Déjà vu
Herta Müller: Politics and Aesthetics
Herta Müller was little known outside German Studies before the award of the Nobel Prize for Literature in 2009, not least because very few of her works had been translated into English. Since then the situation has improved slowly: new translations have appeared, but there are still surprisingly few English-language critical volumes. Bettina Brandt and Valentina Glajar’s volume is one of only two standalone publications on the author to appear s…
The constant failure to articulate the world in words’: An interview with Roman Ehrlich
Psychology (4 works) · Art (3 works) · Art history (2 works) · Computer Science (2 works) · History (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Aesthetics (1 works)