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Christiane Schönfeld

Biographic Data

ID5777714
NAMEChristiane Schönfeld
GIVEN NAMESChristiane
FAMILY NAMESchönfeld
SIGNATURESCHÖNFELD C
AFFILIATIONSMary Immaculate College Limerick
ORCID0000-0003-0668-4098
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Introduction: Ernst Toller in Exile

    Open Access•Christiane Schönfeld, Lisa Marie Anderson•ARTICLE•German Life and Letters•2022

  • Ernst Toller's Film Projects

    Open Access•Christiane Schönfeld•ARTICLE•German Life and Letters•2022

    This article examines Ernst Toller's ambivalent relationship to film as a medium and to cinema as a place of mass entertainment. It focuses particularly on Toller's own film projects and his hope for cinema as an effective contributor to the public sphere, while tracing his time in Hollywood as an exile from Nazi Germany. Toller had two film scenarios in his luggage when he moved to New York – ‘Betsy James’ (later entitled ‘Lola Montez’ and, fina…

  • An Updated Chronology of Ernst Toller's Life and Works

    Open Access•Irene Zanol, Lisa Marie Anderson et al.•ARTICLE•German Life and Letters•2022

  • Commodities of Desire: The Prostitute in Modern German Literature

    Todd C Hanlin, Christiane Schönfeld•ARTICLE•German Studies Review•2002

    Schonfeld, Christiane, ed. Commodities of Desire: The Prostitute in Modern German Literature. Rochester, NY: Camden House, 2000. 270 pp. $59.00 hardcover. Commodities of Desire consists often essays that document and analyze the prostitute figure in German literature and film from approximately 1890 to 1930. The essays emphasize how literary and filmic texts exist as part of contemporary social, cultural, political, and legal contexts, displaying…

  • Dialektik und Utopie: Die Prostituierte im deutschen Expressionismus

    Dorothee Ostmeier, Christiane Schönfeld•ARTICLE•The German Quarterly•1997

  • The Urbanization of the Body: Prostitutes, Dialectics, and Utopia in German Expressionism

    Christiane Schönfeld•ARTICLE•German Studies Review•1997

    When Heinrich Heine saw Eugene Delacroix's famous revolutionary painting Le 28juillet: la Liberte guidant le peuple at a major art exhibition in Paris in 1831, he stood in awe before it, touched by the Heiligkeit des Sujets.1 A holiness, conveyed by a half-naked woman, which for Heine embodied eine seltsame Mischung von Phryne, Poissarde und Freiheitsg6ttin.2 Generically related to the peripatetic female philosophers, Delacroix's liberte leading …

  • Dialektik und Utopie: Die Prostituierte im deutschen Expressionismus

    Todd C Hanlin, Christiane Schönfeld•ARTICLE•German Studies Review•1997

No prominent works on this page.

  • Dialektik und Utopie: Die Prostituierte im deutschen Expressionismus

    Dorothee Ostmeier, Christiane Schönfeld•ARTICLE•The German Quarterly•1997

  • The Urbanization of the Body: Prostitutes, Dialectics, and Utopia in German Expressionism

    Christiane Schönfeld•ARTICLE•German Studies Review•1997

    When Heinrich Heine saw Eugene Delacroix's famous revolutionary painting Le 28juillet: la Liberte guidant le peuple at a major art exhibition in Paris in 1831, he stood in awe before it, touched by the Heiligkeit des Sujets.1 A holiness, conveyed by a half-naked woman, which for Heine embodied eine seltsame Mischung von Phryne, Poissarde und Freiheitsg6ttin.2 Generically related to the peripatetic female philosophers, Delacroix's liberte leading …

  • Dialektik und Utopie: Die Prostituierte im deutschen Expressionismus

    Todd C Hanlin, Christiane Schönfeld•ARTICLE•German Studies Review•1997

  • Commodities of Desire: The Prostitute in Modern German Literature

    Todd C Hanlin, Christiane Schönfeld•ARTICLE•German Studies Review•2002

    Schonfeld, Christiane, ed. Commodities of Desire: The Prostitute in Modern German Literature. Rochester, NY: Camden House, 2000. 270 pp. $59.00 hardcover. Commodities of Desire consists often essays that document and analyze the prostitute figure in German literature and film from approximately 1890 to 1930. The essays emphasize how literary and filmic texts exist as part of contemporary social, cultural, political, and legal contexts, displaying…

  • Introduction: Ernst Toller in Exile

    Open Access•Christiane Schönfeld, Lisa Marie Anderson•ARTICLE•German Life and Letters•2022

  • Ernst Toller's Film Projects

    Open Access•Christiane Schönfeld•ARTICLE•German Life and Letters•2022

    This article examines Ernst Toller's ambivalent relationship to film as a medium and to cinema as a place of mass entertainment. It focuses particularly on Toller's own film projects and his hope for cinema as an effective contributor to the public sphere, while tracing his time in Hollywood as an exile from Nazi Germany. Toller had two film scenarios in his luggage when he moved to New York – ‘Betsy James’ (later entitled ‘Lola Montez’ and, fina…

  • An Updated Chronology of Ernst Toller's Life and Works

    Open Access•Irene Zanol, Lisa Marie Anderson et al.•ARTICLE•German Life and Letters•2022

Art (5 works) · German (5 works) · Philosophy (5 works) · Art history (4 works) · History (4 works) · History (4 works) · Philosophy (4 works) · Archaeology (3 works) · European history and politics (3 works) · Classics (2 works)

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