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Lee B Jennings

Biographic Data

ID5777763
NAMELee B Jennings
GIVEN NAMESLee B
FAMILY NAMEJennings
SIGNATUREJENNINGS L B
AFFILIATIONSUniversity of Illinois Chicago
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS0
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1957
LATEST PUBLICATION YEAR1986
H-INDEX0
  • Blood of the Android

    Lee B Jennings•ARTICLE•Seminar A Journal of Germanic…•1986

    Hoffmann's Der Sandmann is above all an essay on vision – on realityperception, imagination, and the interplay between the two. Hoffmann, as author-narrator in his lengthy interpolation about his difficulties in writing the story, calls attention to a common problem: communicating colorful inner experience in terms that will not render it prosaic and rob it of its color. 1 Though Hoffmann stresses the common nature of the experience, it is one th…

  • The Model of the Self in Gottfried Keller's Prose

    Lee B Jennings•ARTICLE•The German Quarterly•1983

  • Keller's Epiphanies

    Lee B Jennings•ARTICLE•The German Quarterly•1982

    In study of the epiphany in the modern novel, Morris Beja, drawing on remarks of James Joyce, defines the term as follows: a sudden manifestation, whether from some object, scene, event, or memorable phase of the mind-the being out of proportion to the significance or strictly logical relevance of whatever produces it.' The spiritual manifestation is often of quasi-religious nature and approaches the mystic illumination in the feeling of inherent…

  • Schnitzler's Traumnovelle — Meat or Poison

    Lee B Jennings•ARTICLE•Seminar A Journal of Germanic…•1981

    The term `decadent' as applied to Schnitzler's work serves one useful purpose: it relates this work to the socio-historical background out of which it grew and to the trends of thought prevailing at that time and place. Yet the term has its drawbacks. First, the concept of `decadence' usually applied is a narrow one, developed by literary scholars (largely on the basis of Schnitzler's work, a dubiously circular procedure) and perpetuating itself …

  • Morikes Verhaltnis zu seinen Zeitgenossen

    Lee B Jennings, Kenzo Miyashita•ARTICLE•The German Quarterly•1974

  • The Drama of Christian Friedrich Grabbe

    Lee B Jennings, Lee Jennings et al.•ARTICLE•The German Quarterly•1972

  • The Ambiguous Explosion

    Lee B Jennings•ARTICLE•The German Quarterly•1970

  • Classroom Translation

    Lee B Jennings•ARTICLE•The German Quarterly•1967

    We are familiar with the pitfalls of the old-fashioned reading and translation course. Aside from being dull and not preparing persons to communicate with native speakers of the target language, should they one day find it necessary to do so, it stressed a special skill (translation) which is not directly related to the spoken response situation by means of which syntactic patterns are early inculcated in the native speaker and by means of which …

  • Friedrich Ludwig Zacharias Werner

    Lee B Jennings, Gerard Kozielek•ARTICLE•The German Quarterly•1966

  • A History of the German Novelle

    Lee B Jennings, Eric Bennett et al.•ARTICLE•The German Quarterly•1965

  • The Dance of Life and Death in Heine and Immermann

    Open Access•Lee B Jennings•ARTICLE•German Life and Letters•1965

  • Shadows from the Void” in Theodor Storm’s Novellen

    Lee B Jennings•ARTICLE•The Germanic Review Literature…•1962

    (1962). “Shadows from the Void” in Theodor Storm’s Novellen. The Germanic Review: Literature, Culture, Theory: Vol. 37, No. 3, pp. 174-189

  • Aus unserer Zeit

    Lee B Jennings, Ian C Loram et al.•ARTICLE•The German Quarterly•1957

No prominent works on this page.

  • Aus unserer Zeit

    Lee B Jennings, Ian C Loram et al.•ARTICLE•The German Quarterly•1957

  • Shadows from the Void” in Theodor Storm’s Novellen

    Lee B Jennings•ARTICLE•The Germanic Review Literature…•1962

    (1962). “Shadows from the Void” in Theodor Storm’s Novellen. The Germanic Review: Literature, Culture, Theory: Vol. 37, No. 3, pp. 174-189

  • A History of the German Novelle

    Lee B Jennings, Eric Bennett et al.•ARTICLE•The German Quarterly•1965

  • The Dance of Life and Death in Heine and Immermann

    Open Access•Lee B Jennings•ARTICLE•German Life and Letters•1965

  • Friedrich Ludwig Zacharias Werner

    Lee B Jennings, Gerard Kozielek•ARTICLE•The German Quarterly•1966

  • Classroom Translation

    Lee B Jennings•ARTICLE•The German Quarterly•1967

    We are familiar with the pitfalls of the old-fashioned reading and translation course. Aside from being dull and not preparing persons to communicate with native speakers of the target language, should they one day find it necessary to do so, it stressed a special skill (translation) which is not directly related to the spoken response situation by means of which syntactic patterns are early inculcated in the native speaker and by means of which …

  • The Ambiguous Explosion

    Lee B Jennings•ARTICLE•The German Quarterly•1970

  • The Drama of Christian Friedrich Grabbe

    Lee B Jennings, Lee Jennings et al.•ARTICLE•The German Quarterly•1972

  • Morikes Verhaltnis zu seinen Zeitgenossen

    Lee B Jennings, Kenzo Miyashita•ARTICLE•The German Quarterly•1974

  • Schnitzler's Traumnovelle — Meat or Poison

    Lee B Jennings•ARTICLE•Seminar A Journal of Germanic…•1981

    The term `decadent' as applied to Schnitzler's work serves one useful purpose: it relates this work to the socio-historical background out of which it grew and to the trends of thought prevailing at that time and place. Yet the term has its drawbacks. First, the concept of `decadence' usually applied is a narrow one, developed by literary scholars (largely on the basis of Schnitzler's work, a dubiously circular procedure) and perpetuating itself …

  • Keller's Epiphanies

    Lee B Jennings•ARTICLE•The German Quarterly•1982

    In study of the epiphany in the modern novel, Morris Beja, drawing on remarks of James Joyce, defines the term as follows: a sudden manifestation, whether from some object, scene, event, or memorable phase of the mind-the being out of proportion to the significance or strictly logical relevance of whatever produces it.' The spiritual manifestation is often of quasi-religious nature and approaches the mystic illumination in the feeling of inherent…

  • The Model of the Self in Gottfried Keller's Prose

    Lee B Jennings•ARTICLE•The German Quarterly•1983

  • Blood of the Android

    Lee B Jennings•ARTICLE•Seminar A Journal of Germanic…•1986

    Hoffmann's Der Sandmann is above all an essay on vision – on realityperception, imagination, and the interplay between the two. Hoffmann, as author-narrator in his lengthy interpolation about his difficulties in writing the story, calls attention to a common problem: communicating colorful inner experience in terms that will not render it prosaic and rob it of its color. 1 Though Hoffmann stresses the common nature of the experience, it is one th…

Art (11 works) · German Literature and Culture Studies (11 works) · Philosophy (9 works) · History (6 works) · Literature (4 works) · Historical, Literary, and Cultural Studies (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Epistemology (2 works) · German (2 works)

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