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Martin Travers

Biographic Data

ID5777950
NAMEMartin Travers
GIVEN NAMESMartin
FAMILY NAMETravers
SIGNATURETRAVERS M
AFFILIATIONSGriffith University
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2015
H-INDEX0
  • The Happening of Ereignis

    Martin Travers•ARTICLE•Seminar A Journal of Germanic…•2015•References: 1

    There is general agreement among scholars that Martin Heidegger’s philosophy underwent a major “Turn” (Kehre) after the publication of his seminal work Sein und Zeit (1927) and that the driving concept in this process was the notion of Ereignis. Heidegger elaborated this concept in two books written between 1936 and 1942: Beiträge zur Philosophie (Vom Ereignis) and Das Ereignis. As one commentator has observed, it appears evident that Heidegger b…

  • Gottfried Benn's Statische Gedichte (1948) and the Final ‘Turn’ towards the Poetic in the Work of Martin Heidegger

    Open Access•Martin Travers•ARTICLE•German Life and Letters•2010

    In 1949, Martin Heidegger published a collection of essays under the title Holzwege , which effectively represented his second and final ‘turn’ towards the establishment of the poetic as the central term in his philosophy. This paper contends that a major factor in Heidegger's development in this direction was the philosopher's discovery of the poetry of Gottfried Benn, whose Statische Gedichte had appeared just one year earlier. Focusing upon He…

  • Critics of Modernity. The Literature of the Conservative Revolution in Germany, 1890-1933

    Rainer Hering, Martin Travers•ARTICLE•German Studies Review•2003

  • European literature from romanticism to postmodernism

    Martin Travers•BOOK•European Literature from…•2001

    Part IV: The Literature of Political Engagement Part V: Postmodernism Bibliography Index

  • Selbstgefühl, Todesschicksal’, and the end of ‘Parteidichtung’

    Open Access•Martin Travers•ARTICLE•German Life and Letters•2001

    The ‘Parteidichtung’ published in the Third Reich is commonly viewed as formally rigid and thematically trite political propaganda. Such a judgement accurately describes the work produced by poets such as Heinrich Anacker, Baldur von Schirach and Hans Baumann, a group of writers known as the ‘Junge Mannschaft’. Theirs was a functional poetry, written to be narrated, sung, or chanted on private and public occasions, with the aim of mobilising read…

  • Fascism and aesthetic self‐fashioning

    Martin Travers•ARTICLE•Renaissance and Modern Studies•1999•References: 3

  • Thomas Mann

    George Bridges, Martin Travers•ARTICLE•The German Quarterly•1995

No prominent works on this page.

  • Thomas Mann

    George Bridges, Martin Travers•ARTICLE•The German Quarterly•1995

  • Fascism and aesthetic self‐fashioning

    Martin Travers•ARTICLE•Renaissance and Modern Studies•1999•References: 3

  • European literature from romanticism to postmodernism

    Martin Travers•BOOK•European Literature from…•2001

    Part IV: The Literature of Political Engagement Part V: Postmodernism Bibliography Index

  • Selbstgefühl, Todesschicksal’, and the end of ‘Parteidichtung’

    Open Access•Martin Travers•ARTICLE•German Life and Letters•2001

    The ‘Parteidichtung’ published in the Third Reich is commonly viewed as formally rigid and thematically trite political propaganda. Such a judgement accurately describes the work produced by poets such as Heinrich Anacker, Baldur von Schirach and Hans Baumann, a group of writers known as the ‘Junge Mannschaft’. Theirs was a functional poetry, written to be narrated, sung, or chanted on private and public occasions, with the aim of mobilising read…

  • Critics of Modernity. The Literature of the Conservative Revolution in Germany, 1890-1933

    Rainer Hering, Martin Travers•ARTICLE•German Studies Review•2003

  • Gottfried Benn's Statische Gedichte (1948) and the Final ‘Turn’ towards the Poetic in the Work of Martin Heidegger

    Open Access•Martin Travers•ARTICLE•German Life and Letters•2010

    In 1949, Martin Heidegger published a collection of essays under the title Holzwege , which effectively represented his second and final ‘turn’ towards the establishment of the poetic as the central term in his philosophy. This paper contends that a major factor in Heidegger's development in this direction was the philosopher's discovery of the poetry of Gottfried Benn, whose Statische Gedichte had appeared just one year earlier. Focusing upon He…

  • The Happening of Ereignis

    Martin Travers•ARTICLE•Seminar A Journal of Germanic…•2015•References: 1

    There is general agreement among scholars that Martin Heidegger’s philosophy underwent a major “Turn” (Kehre) after the publication of his seminal work Sein und Zeit (1927) and that the driving concept in this process was the notion of Ereignis. Heidegger elaborated this concept in two books written between 1936 and 1942: Beiträge zur Philosophie (Vom Ereignis) and Das Ereignis. As one commentator has observed, it appears evident that Heidegger b…

Art (6 works) · Philosophy (5 works) · Aesthetics (4 works) · Art history (4 works) · German Literature and Culture Studies (4 works) · History (4 works) · Literature (4 works) · Philosophy (4 works) · Epistemology (3 works) · History (3 works)

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