Joanne Leal
Biographic Data
| ID | 5778207 |
|---|---|
| NAME | Joanne Leal |
| GIVEN NAMES | Joanne |
| FAMILY NAME | Leal |
| SIGNATURE | LEAL J |
| AFFILIATIONS | Birkbeck, University of London |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 0 |
American Cinema and the Construction of Masculinity in Film in the Federal Republic after 1945
Since 1945, film in the Federal Republic has maintained an ambivalent relationship to American cinema and its embedded ideologies and nowhere is this more evident than in (West) German film's representations of masculinity. This article focuses on three historical moments when political and social shifts resulted in a problematising of male identities in the Federal Republic: the mid‐1950s, the early 1970s and the late 1990s. Cinema responded to …
The End of Fiction: Botho Strauß's Kongreß. Die Kette der Demütigungen and Fragmente der Undeutlichkeit
Journal synopsis: Founded in 1965, Seminar is one of the leading journals today for the study of Germanic literature, media and culture. It seeks to publish the highest-quality scholarship on a range of fields including philology, philosophy, aesthetics, media studies, visual culture, gender studies, and transnationalism in so far as they relate to German-language material or other languages in a German-cultural context
The Politics of ‘Innerlichkeit’: Karin Struck's Klassenuebe and Verena Stefan's Häutungen
While Struck's Klassenliebe (1973) and Stefan's Häutungen (1975) are regularly cited as examples of the political interpretation of private experience characteristic of feminist literature of the 197Os, they have also been criticised for not anchoring personal experience adequately within a broader political context to allow it to acquire more than an essentially private significance. Such contradictoly reactions can be accounted for at least in …
No prominent works on this page.
The Politics of ‘Innerlichkeit’: Karin Struck's Klassenuebe and Verena Stefan's Häutungen
While Struck's Klassenliebe (1973) and Stefan's Häutungen (1975) are regularly cited as examples of the political interpretation of private experience characteristic of feminist literature of the 197Os, they have also been criticised for not anchoring personal experience adequately within a broader political context to allow it to acquire more than an essentially private significance. Such contradictoly reactions can be accounted for at least in …
The End of Fiction: Botho Strauß's Kongreß. Die Kette der Demütigungen and Fragmente der Undeutlichkeit
Journal synopsis: Founded in 1965, Seminar is one of the leading journals today for the study of Germanic literature, media and culture. It seeks to publish the highest-quality scholarship on a range of fields including philology, philosophy, aesthetics, media studies, visual culture, gender studies, and transnationalism in so far as they relate to German-language material or other languages in a German-cultural context
American Cinema and the Construction of Masculinity in Film in the Federal Republic after 1945
Since 1945, film in the Federal Republic has maintained an ambivalent relationship to American cinema and its embedded ideologies and nowhere is this more evident than in (West) German film's representations of masculinity. This article focuses on three historical moments when political and social shifts resulted in a problematising of male identities in the Federal Republic: the mid‐1950s, the early 1970s and the late 1990s. Cinema responded to …
German History and Society (3 works) · Aesthetics (2 works) · Art (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · German legal, social, and political studies (2 works) · History (2 works) · History (2 works) · Identity (music (2 works) · Law (2 works)