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Charlotte Ryland

Biographic Data

ID5778221
NAMECharlotte Ryland
GIVEN NAMESCharlotte
FAMILY NAMERyland
SIGNATURERYLAND C
AFFILIATIONSUniversity of Oxford
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS2
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2020
H-INDEX1
  • We actually created a good mood!’

    Clémentine Beauvais, Charlotte Ryland•ARTICLE•Language Culture and Curriculum•2020•Cited by: 2•References: 2

    This paper presents findings from observations of literary translation workshops with secondary-school MFL pupils, revolving around a literary translation from L2 to L1 which does not require pre-existing language skills in the L2. Our research questions were: what skills do pupils mobilise when they work in groups on a literary translation? What can we say of the pupils’ engagement and motivation? The data shows that pupils mobilise three catego…

  • Re‐Membering Adorno

    Open Access•Charlotte Ryland•ARTICLE•German Life and Letters•2009•References: 4

    This essay examines the reception of one of the most oft quoted and misquoted phrases in German literary history: ‘nach Auschwitz ein Gedicht zu schreiben, ist barbarisch’ (Theodor W. Adorno, ‘Kulturkritik und Gesellschaft’, 1951). It argues that interpretations of Adorno's words by German writers and intellectuals have invariably failed to engage with the dialectical detail of his essay, and that these responses consequently reveal more about ea…

  • We actually created a good mood!’

    Clémentine Beauvais, Charlotte Ryland•ARTICLE•Language Culture and Curriculum•2020•Cited by: 2•References: 2

    This paper presents findings from observations of literary translation workshops with secondary-school MFL pupils, revolving around a literary translation from L2 to L1 which does not require pre-existing language skills in the L2. Our research questions were: what skills do pupils mobilise when they work in groups on a literary translation? What can we say of the pupils’ engagement and motivation? The data shows that pupils mobilise three catego…

  • Re‐Membering Adorno

    Open Access•Charlotte Ryland•ARTICLE•German Life and Letters•2009•References: 4

    This essay examines the reception of one of the most oft quoted and misquoted phrases in German literary history: ‘nach Auschwitz ein Gedicht zu schreiben, ist barbarisch’ (Theodor W. Adorno, ‘Kulturkritik und Gesellschaft’, 1951). It argues that interpretations of Adorno's words by German writers and intellectuals have invariably failed to engage with the dialectical detail of his essay, and that these responses consequently reveal more about ea…

  • We actually created a good mood!’

    Clémentine Beauvais, Charlotte Ryland•ARTICLE•Language Culture and Curriculum•2020•Cited by: 2•References: 2

    This paper presents findings from observations of literary translation workshops with secondary-school MFL pupils, revolving around a literary translation from L2 to L1 which does not require pre-existing language skills in the L2. Our research questions were: what skills do pupils mobilise when they work in groups on a literary translation? What can we say of the pupils’ engagement and motivation? The data shows that pupils mobilise three catego…

Linguistics (2 works) · Aesthetics (1 work) · Art (1 work) · Dialectic (1 work) · Discourse Analysis in Language Studies (1 work) · Epistemology (1 work) · German (1 work) · German Literature and Culture Studies (1 work) · Law (1 work) · Law (1 work)

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