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Tamara S Evans

Biographic Data

ID5778451
NAMETamara S Evans
GIVEN NAMESTamara S
FAMILY NAMEEvans
SIGNATUREEVANS T S
AFFILIATIONSQueens College, CUNY
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2001
H-INDEX0
  • Selbstreflexivitat der Kunsttheorie in den Kunstlernovellen des Realismus

    Tamara S Evans, Christine Anton•ARTICLE•German Studies Review•2001

  • Invisible Cathedrals

    Tamara S Evans, Wilhelm Worringer et al.•ARTICLE•The German Quarterly•1997

  • Ein lachelndes Spiel

    Tamara S Evans, Andreas Gossling•ARTICLE•German Studies Review•1993

  • Edith Wharton and Poetic Realism

    Tamara S Evans•ARTICLE•The German Quarterly•1992

    While Edith Wharton may not have been particularly fond of Germans as a people, it was allegedly an altogether different matter when it came to German letters. Richard H. Lawson, for instance, believes it is image of the Gallicized Edith Wharton of post-World War I that is responsible for the almost complete absence of critical attention to her close relationship to German literature and philosophy, and that it is this image that 'has seemingly o…

  • Literaturzensur in der Schweiz Seit 1945

    Tamara S Evans•ARTICLE•The Germanic Review Literature…•1990

  • The Assault of the Present on the Rest of Time

    Alexander Kluge, Tamara Evans et al.•ARTICLE•New German Critique•1990

    We speak about the opera of the 19th century; it is considered the summit of dramatic art. In the film Die Macht der Gefiihle (The Power ofEmotion), opera was likened to a power plant of emotions. The film Carmen by Carlos Saura has shown that such older forms of dramatic art tap certain currents in spectators; this is something we did not know before. Bound up with our own century is another power plant of emotions the cinema. Presumably, in the…

  • Der deutsche Kriegsroman 1945-1960

    Tamara S Evans, Jochen Pfeifer et al.•ARTICLE•The German Quarterly•1984

No prominent works on this page.

  • Der deutsche Kriegsroman 1945-1960

    Tamara S Evans, Jochen Pfeifer et al.•ARTICLE•The German Quarterly•1984

  • Literaturzensur in der Schweiz Seit 1945

    Tamara S Evans•ARTICLE•The Germanic Review Literature…•1990

  • The Assault of the Present on the Rest of Time

    Alexander Kluge, Tamara Evans et al.•ARTICLE•New German Critique•1990

    We speak about the opera of the 19th century; it is considered the summit of dramatic art. In the film Die Macht der Gefiihle (The Power ofEmotion), opera was likened to a power plant of emotions. The film Carmen by Carlos Saura has shown that such older forms of dramatic art tap certain currents in spectators; this is something we did not know before. Bound up with our own century is another power plant of emotions the cinema. Presumably, in the…

  • Edith Wharton and Poetic Realism

    Tamara S Evans•ARTICLE•The German Quarterly•1992

    While Edith Wharton may not have been particularly fond of Germans as a people, it was allegedly an altogether different matter when it came to German letters. Richard H. Lawson, for instance, believes it is image of the Gallicized Edith Wharton of post-World War I that is responsible for the almost complete absence of critical attention to her close relationship to German literature and philosophy, and that it is this image that 'has seemingly o…

  • Ein lachelndes Spiel

    Tamara S Evans, Andreas Gossling•ARTICLE•German Studies Review•1993

  • Invisible Cathedrals

    Tamara S Evans, Wilhelm Worringer et al.•ARTICLE•The German Quarterly•1997

  • Selbstreflexivitat der Kunsttheorie in den Kunstlernovellen des Realismus

    Tamara S Evans, Christine Anton•ARTICLE•German Studies Review•2001

Philosophy (6 works) · Art (4 works) · German Literature and Culture Studies (4 works) · Philosophy (3 works) · Art history (2 works) · Aesthetics (1 works) · American and British Literature Analysis (1 works) · American Literature and Culture (1 works) · Architecture and Art History Studies (1 works) · Art History and Market Analysis (1 works)

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