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Harry Vredeveld

Biographic Data

ID5778586
NAMEHarry Vredeveld
GIVEN NAMESHarry
FAMILY NAMEVredeveld
SIGNATUREVREDEVELD H
AFFILIATIONSThe Ohio State University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS1
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2020
H-INDEX1
  • The Poetic Works of Helius Eobanus Hessus: Volume 5: A Veritable Proteus, 1524–1528

    Harry Vredeveld•BOOK•The Poetic Works of Helius…•2020

    As the University of Erfurt collapsed in the early 1520s, Hessus faced losing his livelihood. To cope, he imagined himself a shape-changing Proteus. Transforming first into a lawyer, then a physician, he finally became a teacher at the Nuremberg academy organized by Philip Melanchthon. Volume 5 traces this story via Hessus's poems of 1524-1528: "Some Rules for Preserving Good Health" (1524; 1531), with attached "Praise of Medicine" and two sets o…

  • Lateinisches Welfenland: Eine literaturgeschichtliche Kartographie zur lateinischen Gelegenheitsdichtung im Herzogtum Braunschweig-Lüneburg im 16. und 17. Jahrhundert

    Open Access•Harry Vredeveld•ARTICLE•Renaissance Quarterly•2016

    Lateinisches Welfenland: Eine literaturgeschichtliche Kartographie zur lateinischen Gelegenheitsdichtung im Herzogtum Braunschweig-Lüneburg im 16. und 17. Jahrhundert. Matthias Bollmeyer. Noctes Neolatinae: Neo-Latin Texts and Studies 20. Hildesheim: Georg Olms Verlag, 2014. 700 pp. €98. - Volume 69 Issue 2

  • Lend a Voice”: The Humanistic Portrait Epigraph in the Age of Erasmus and Dürer

    Open Access•Harry Vredeveld•ARTICLE•Renaissance Quarterly•2013•Cited by: 1•References: 2

    In the early 1500s, a genre of portraiture emerged in Northern Europe that combines bust portraits of humanistic intellectuals and patrons with elegant Latin and Greek epigraphs. While the likenesses have long had the benefit of expert attention, the same cannot always be said of the inscriptions. In consequence, many questions still go begging. It remains unknown, for example, who wrote these anonymous texts; whether the artists composed any of …

  • Poetic Works 1: Student Years at Erfurt, 1504-1509

    Helius Eobanus Hessus, Harry Vredeveld et al.•ARTICLE•Renaissance and Reformation•2004

  • Deaf as Ulysses to the Siren's Song: The Story of a Forgotten Topos

    Open Access•Harry Vredeveld•ARTICLE•Renaissance Quarterly•2001•References: 2

    Avaunt, Inchantress! - I am deaf as Adders;Deaf as Ulysses to the Sireni Song,Who strove in vain to lure him to Destruction.— Lewis TheobaldRichly suggestive on a variety of levels, Odysseus's encounter with the Sirens in Homer's Odyssey remains one of the best-known episodes in world literature. This article exhumes a once popular variant of that story and tells how wise Ulysses, contrary to the ancient myth, came to stop his own ears against al…

  • Humanistische Lyrik des 16. Jahrhunderts: Lateinisch und deutsch

    Harry Vredeveld, Wilhelm Kuhlmann et al.•ARTICLE•The German Quarterly•1999

  • The Ages of Erasmus and the Year of His Birth

    Open Access•Harry Vredeveld, Harry Vredeveid•ARTICLE•Renaissance Quarterly•1993•References: 3

    It is a Perennial Paradox of Erasmus studies that neither the wealth of autobiographical information that the Dutch humanist has left us nor the enormous mass of scholarly literature that has grown up around his life and works has ever given us a firm grip on the year of his birth and the chronology of his youth. We do not know with certainty, for example, how old Erasmus was when he entered Steyn monastery. If he were born in 1466, as he indicat…

  • That Familiar Proverb: Folly as the Elixir of Youth in Erasmus's Moraie Ecomium

    Open Access•Harry Vredeveld•ARTICLE•Renaissance Quarterly•1989•References: 2

    In order to make good her claim to be of all divinities the most important and generous, Folly in Erasmus's Moriae encomium begins her argument, according to rhetorical theory and practice, with the strongest proofs in her arsenal. First of all, she argues, it is she who has given us life, the greatest gift of all. Who among us would have been born without our parents’ folly? Second, it is the spice of folly that makes life enjoyable. For what is…

  • The Motto and Woodcut to Chapter 32 of Sebastian Brant's Narrenschiff

    Harry Vredeveld•ARTICLE•Modern Language Notes•1988

    Chapter 32 of Brant's Narrenschiff, entitled Von frowen huetten, mocks the proverbially fruitless task of guarding a woman's virtue; for if your wife is chaste she does not need guards to keep her out of mischief, and if she is not, your jealous guarding will only enf lame her the more. As Juvenal laments in a famous passage to which Brant alludes in lines 6-10: 'Pone seram, cohibe.' sed quis custodiet ipsos / Custodes? cauta est et ab illis inci…

  • Ludwig Tieck's Der Runenberg: An Archetypal Interpretation

    Harry Vredeveld•ARTICLE•The Germanic Review Literature…•1974

    (1974). Ludwig Tieck's Der Runenberg: an Archetypal Interpretation. The Germanic Review: Literature, Culture, Theory: Vol. 49, No. 3, pp. 200-214

  • Lend a Voice”: The Humanistic Portrait Epigraph in the Age of Erasmus and Dürer

    Open Access•Harry Vredeveld•ARTICLE•Renaissance Quarterly•2013•Cited by: 1•References: 2

    In the early 1500s, a genre of portraiture emerged in Northern Europe that combines bust portraits of humanistic intellectuals and patrons with elegant Latin and Greek epigraphs. While the likenesses have long had the benefit of expert attention, the same cannot always be said of the inscriptions. In consequence, many questions still go begging. It remains unknown, for example, who wrote these anonymous texts; whether the artists composed any of …

  • Ludwig Tieck's Der Runenberg: An Archetypal Interpretation

    Harry Vredeveld•ARTICLE•The Germanic Review Literature…•1974

    (1974). Ludwig Tieck's Der Runenberg: an Archetypal Interpretation. The Germanic Review: Literature, Culture, Theory: Vol. 49, No. 3, pp. 200-214

  • The Motto and Woodcut to Chapter 32 of Sebastian Brant's Narrenschiff

    Harry Vredeveld•ARTICLE•Modern Language Notes•1988

    Chapter 32 of Brant's Narrenschiff, entitled Von frowen huetten, mocks the proverbially fruitless task of guarding a woman's virtue; for if your wife is chaste she does not need guards to keep her out of mischief, and if she is not, your jealous guarding will only enf lame her the more. As Juvenal laments in a famous passage to which Brant alludes in lines 6-10: 'Pone seram, cohibe.' sed quis custodiet ipsos / Custodes? cauta est et ab illis inci…

  • That Familiar Proverb: Folly as the Elixir of Youth in Erasmus's Moraie Ecomium

    Open Access•Harry Vredeveld•ARTICLE•Renaissance Quarterly•1989•References: 2

    In order to make good her claim to be of all divinities the most important and generous, Folly in Erasmus's Moriae encomium begins her argument, according to rhetorical theory and practice, with the strongest proofs in her arsenal. First of all, she argues, it is she who has given us life, the greatest gift of all. Who among us would have been born without our parents’ folly? Second, it is the spice of folly that makes life enjoyable. For what is…

  • The Ages of Erasmus and the Year of His Birth

    Open Access•Harry Vredeveld, Harry Vredeveid•ARTICLE•Renaissance Quarterly•1993•References: 3

    It is a Perennial Paradox of Erasmus studies that neither the wealth of autobiographical information that the Dutch humanist has left us nor the enormous mass of scholarly literature that has grown up around his life and works has ever given us a firm grip on the year of his birth and the chronology of his youth. We do not know with certainty, for example, how old Erasmus was when he entered Steyn monastery. If he were born in 1466, as he indicat…

  • Humanistische Lyrik des 16. Jahrhunderts: Lateinisch und deutsch

    Harry Vredeveld, Wilhelm Kuhlmann et al.•ARTICLE•The German Quarterly•1999

  • Deaf as Ulysses to the Siren's Song: The Story of a Forgotten Topos

    Open Access•Harry Vredeveld•ARTICLE•Renaissance Quarterly•2001•References: 2

    Avaunt, Inchantress! - I am deaf as Adders;Deaf as Ulysses to the Sireni Song,Who strove in vain to lure him to Destruction.— Lewis TheobaldRichly suggestive on a variety of levels, Odysseus's encounter with the Sirens in Homer's Odyssey remains one of the best-known episodes in world literature. This article exhumes a once popular variant of that story and tells how wise Ulysses, contrary to the ancient myth, came to stop his own ears against al…

  • Poetic Works 1: Student Years at Erfurt, 1504-1509

    Helius Eobanus Hessus, Harry Vredeveld et al.•ARTICLE•Renaissance and Reformation•2004

  • Lend a Voice”: The Humanistic Portrait Epigraph in the Age of Erasmus and Dürer

    Open Access•Harry Vredeveld•ARTICLE•Renaissance Quarterly•2013•Cited by: 1•References: 2

    In the early 1500s, a genre of portraiture emerged in Northern Europe that combines bust portraits of humanistic intellectuals and patrons with elegant Latin and Greek epigraphs. While the likenesses have long had the benefit of expert attention, the same cannot always be said of the inscriptions. In consequence, many questions still go begging. It remains unknown, for example, who wrote these anonymous texts; whether the artists composed any of …

  • Lateinisches Welfenland: Eine literaturgeschichtliche Kartographie zur lateinischen Gelegenheitsdichtung im Herzogtum Braunschweig-Lüneburg im 16. und 17. Jahrhundert

    Open Access•Harry Vredeveld•ARTICLE•Renaissance Quarterly•2016

    Lateinisches Welfenland: Eine literaturgeschichtliche Kartographie zur lateinischen Gelegenheitsdichtung im Herzogtum Braunschweig-Lüneburg im 16. und 17. Jahrhundert. Matthias Bollmeyer. Noctes Neolatinae: Neo-Latin Texts and Studies 20. Hildesheim: Georg Olms Verlag, 2014. 700 pp. €98. - Volume 69 Issue 2

  • The Poetic Works of Helius Eobanus Hessus: Volume 5: A Veritable Proteus, 1524–1528

    Harry Vredeveld•BOOK•The Poetic Works of Helius…•2020

    As the University of Erfurt collapsed in the early 1520s, Hessus faced losing his livelihood. To cope, he imagined himself a shape-changing Proteus. Transforming first into a lawyer, then a physician, he finally became a teacher at the Nuremberg academy organized by Philip Melanchthon. Volume 5 traces this story via Hessus's poems of 1524-1528: "Some Rules for Preserving Good Health" (1524; 1531), with attached "Praise of Medicine" and two sets o…

Art (9 works) · Literature (6 works) · Philosophy (6 works) · Historical, Literary, and Cultural Studies (5 works) · Art history (4 works) · Philosophy (4 works) · Classics (3 works) · Classics (3 works) · Erasmus (3 works) · History (3 works)

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