Robert Von Dassanowsky
Biographic Data
| ID | 5778620 |
|---|---|
| NAME | Robert Von Dassanowsky |
| GIVEN NAMES | Robert |
| FAMILY NAME | Von Dassanowsky |
| SIGNATURE | VON DASSANOWSKY R |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 1 |
A Wave Over Boundaries
Catch Hannibal at Mr Ripley's Fight Club if you can
Preview this article: Catch Hannibal at Mr Ripley's Fight Club if you can: From Eurodecadent cinema to American nationalist allegory, Page 1 of 1 /docserver/preview/fulltext/fint/5/3/s3-1.gif
A Caper of One's Own
Appreciated today only for the style of the early- and mid-1960s Hollywood studio product, the crime comedy film featured strong female roles that paralleled the collapse of the traditional female roles in the era's spy films. Influenced by Hitchcock's sexualized women and Audrey Hepburn's independent 1950s gamines, the female "caper" character of the 1960s signals a dislocation of women's roles brought on by a world caught between hedonism and p…
Going Home Again? Ruzowitzky's Die Siebtelbauern and the New Austrian Heimatfilm
Wherever you may run, you cannot escape him”
A Caper of One's Own
Appreciated today only for the style of the early- and mid-1960s Hollywood studio product, the crime comedy film featured strong female roles that paralleled the collapse of the traditional female roles in the era's spy films. Influenced by Hitchcock's sexualized women and Audrey Hepburn's independent 1950s gamines, the female "caper" character of the 1960s signals a dislocation of women's roles brought on by a world caught between hedonism and p…
Wherever you may run, you cannot escape him”
Going Home Again? Ruzowitzky's Die Siebtelbauern and the New Austrian Heimatfilm
Catch Hannibal at Mr Ripley's Fight Club if you can
Preview this article: Catch Hannibal at Mr Ripley's Fight Club if you can: From Eurodecadent cinema to American nationalist allegory, Page 1 of 1 /docserver/preview/fulltext/fint/5/3/s3-1.gif
A Caper of One's Own
Appreciated today only for the style of the early- and mid-1960s Hollywood studio product, the crime comedy film featured strong female roles that paralleled the collapse of the traditional female roles in the era's spy films. Influenced by Hitchcock's sexualized women and Audrey Hepburn's independent 1950s gamines, the female "caper" character of the 1960s signals a dislocation of women's roles brought on by a world caught between hedonism and p…
A Wave Over Boundaries
Art (4 works) · Cinema and Media Studies (3 works) · Law (3 works) · Political science (3 works) · Art history (2 works) · European history and politics (2 works) · German History and Society (2 works) · Law (2 works) · Literature (2 works) · Visual arts (2 works)