Edson M Chick
Biographic Data
| ID | 5778646 |
|---|---|
| NAME | Edson M Chick |
| GIVEN NAMES | Edson M |
| FAMILY NAME | Chick |
| SIGNATURE | CHICK E M |
| AFFILIATIONS | Wesleyan University |
| VERIFIED | No |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1955 |
| LATEST PUBLICATION YEAR | 1998 |
| H-INDEX | 0 |
The Ironic Dissident
Comedy in the Weimar Republic
Frank Wedekind Yearbook 1991
The Dark Flutes of Fall
Frisch und Durrenmatt
Dances of Death
Analytisches Drama
Die Burgerkomodien Carl Sternheims
Gesamtwerk. Bd. 10/1
Hans Fallada
Horst Denkler, Drama des Expressionismus
Voices in Discord
Einfuhrung in die deutsche Literatur. Essays on Major German Authors from Lessing to Brecht
Der Blaue Boll and the Problem of Vision in Barlach
NotesI. W. Lucas, “‘Der blaue Boll’ and the New Man,” GLL, XVI (1963), 238–247.Ernst Barlach, Die Dramen (München, 1956), p. 455. This is the source of all citations from the plays and is referred to hereafter by page number.Boll senses this Mephistophelean element in the Herr’s speech: “Ich möchte Ihren Absichten förderlich und dienstlich sein,” and calls him “ein ausgelernter Satan” (454).Ernst Barlach, Leben und Werk in seinen Briefen, ed. Fri…
Wir sind Utopia
Diction in Barlach’s Sündflut
Ernst Wiechert’s Flight to the Circle Of Eternity
NotesThe year alone in parentheses following a title indicates the original date of publication. References which include place and date apply to editions quoted.One thinks here of the all-encompassing circle of the seven tones on Pan’s flute which embrace God and the Dark One, good and evil, reconciling them in the benevolent atmosphere of their primitive simplicity-Die Flöte des Pan (Zurich, 1944), Introduction. Also the poem “Die Drossel” in M…
No prominent works on this page.
Ernst Wiechert’s Flight to the Circle Of Eternity
NotesThe year alone in parentheses following a title indicates the original date of publication. References which include place and date apply to editions quoted.One thinks here of the all-encompassing circle of the seven tones on Pan’s flute which embrace God and the Dark One, good and evil, reconciling them in the benevolent atmosphere of their primitive simplicity-Die Flöte des Pan (Zurich, 1944), Introduction. Also the poem “Die Drossel” in M…
Diction in Barlach’s Sündflut
Wir sind Utopia
Einfuhrung in die deutsche Literatur. Essays on Major German Authors from Lessing to Brecht
Der Blaue Boll and the Problem of Vision in Barlach
NotesI. W. Lucas, “‘Der blaue Boll’ and the New Man,” GLL, XVI (1963), 238–247.Ernst Barlach, Die Dramen (München, 1956), p. 455. This is the source of all citations from the plays and is referred to hereafter by page number.Boll senses this Mephistophelean element in the Herr’s speech: “Ich möchte Ihren Absichten förderlich und dienstlich sein,” and calls him “ein ausgelernter Satan” (454).Ernst Barlach, Leben und Werk in seinen Briefen, ed. Fri…
Voices in Discord
Horst Denkler, Drama des Expressionismus
Hans Fallada
Gesamtwerk. Bd. 10/1
Die Burgerkomodien Carl Sternheims
Analytisches Drama
Dances of Death
Frisch und Durrenmatt
The Dark Flutes of Fall
Frank Wedekind Yearbook 1991
Comedy in the Weimar Republic
The Ironic Dissident
Art (17 works) · Philosophy (11 works) · German Literature and Culture Studies (10 works) · Literature (8 works) · Art history (6 works) · History (4 works) · European history and politics (3 works) · Humanities (3 works) · Linguistics (3 works) · Literature and Cultural Memory (3 works)