Adi Nester
Biographic Data
| ID | 5778660 |
|---|---|
| NAME | Adi Nester |
| GIVEN NAMES | Adi |
| FAMILY NAME | Nester |
| SIGNATURE | NESTER A |
| AFFILIATIONS | University of Colorado Boulder |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Beyond Representation: The Ethics of Music after Auschwitz in Adorno and Jankélévitch
This article explores the relevance of music to philosophical debates surrounding the issues of Holocaust representation and art after Auschwitz. It focuses on the work of two philosophers, Theodor W. Adorno and Vladimir Jankélévitch, who have both written extensively on music and on the aftermath of the Holocaust, yet whose music philosophies have yet to be linked directly to problems of Holocaust representation issuing from their respective wor…
The End of Abstraction and the Beginning of the People: On Law and Representation in Arnold Schoenberg's Moses und Aron
This essay links the crisis of representation in modernist art with the problem of political representation in Arnold Schoenberg's unfinished opera Moses und Aron . It reads the opera in light of Schoenberg's unpublished political drafts concerning the nature of democracy as well as against the writings of political theorists such as Schmitt, Hobbes, and Rousseau, and proposes an understanding of the opera‐fragment as Schoenberg's own attempt to …
Eine ungeheure Epopöe unseres eigenen”: Language and the Hebrew Bible in Rudolf Borchardt’s Das Buch Joram
This essay discusses Rudolf Borchardt's theory of language and translation as it is reflected through his early work, the pseudo-biblical poem Das Buch Joram (1905). It argues that the poem, together with Borchardt's writings on translation and his later polemic with Martin Buber on the translation of the Hebrew Bible, articulates a theoretical conception of language as an inherently written and silent entity that dismisses the addressee. It show…
Doppelt Vertrieben: Deutsch-jüdische Komponisten aus dem östlichen Europa in Palästina/Israel
Nemtsov's monograph Doppelt Vertrieben opens by quoting the musicologist Herbert Gerigk, who in the introduction to the 1940 Lexikon der Juden in der Musik (Lexicon of Jews in Music) declared in sa
No prominent works on this page.
Doppelt Vertrieben: Deutsch-jüdische Komponisten aus dem östlichen Europa in Palästina/Israel
Nemtsov's monograph Doppelt Vertrieben opens by quoting the musicologist Herbert Gerigk, who in the introduction to the 1940 Lexikon der Juden in der Musik (Lexicon of Jews in Music) declared in sa
Eine ungeheure Epopöe unseres eigenen”: Language and the Hebrew Bible in Rudolf Borchardt’s Das Buch Joram
This essay discusses Rudolf Borchardt's theory of language and translation as it is reflected through his early work, the pseudo-biblical poem Das Buch Joram (1905). It argues that the poem, together with Borchardt's writings on translation and his later polemic with Martin Buber on the translation of the Hebrew Bible, articulates a theoretical conception of language as an inherently written and silent entity that dismisses the addressee. It show…
The End of Abstraction and the Beginning of the People: On Law and Representation in Arnold Schoenberg's Moses und Aron
This essay links the crisis of representation in modernist art with the problem of political representation in Arnold Schoenberg's unfinished opera Moses und Aron . It reads the opera in light of Schoenberg's unpublished political drafts concerning the nature of democracy as well as against the writings of political theorists such as Schmitt, Hobbes, and Rousseau, and proposes an understanding of the opera‐fragment as Schoenberg's own attempt to …
Beyond Representation: The Ethics of Music after Auschwitz in Adorno and Jankélévitch
This article explores the relevance of music to philosophical debates surrounding the issues of Holocaust representation and art after Auschwitz. It focuses on the work of two philosophers, Theodor W. Adorno and Vladimir Jankélévitch, who have both written extensively on music and on the aftermath of the Holocaust, yet whose music philosophies have yet to be linked directly to problems of Holocaust representation issuing from their respective wor…
Philosophy (4 works) · Art (3 works) · Linguistics (3 works) · Literature (3 works) · Epistemology (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works) · Representation (politics) (2 works) · Abstraction (1 works)