Eva Revesz
Biographic Data
| ID | 5778780 |
|---|---|
| NAME | Eva Revesz |
| GIVEN NAMES | Eva |
| FAMILY NAME | Revesz |
| SIGNATURE | RÉVÉSZ E |
| AFFILIATIONS | Corvinus University of Budapest |
| ORCID | 0000-0001-5973-1009 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Social innovation and public service: A literature review of multi-actor collaborative approaches in five European countries
Islamophobia and Constructions of Otherness in Monika Maron’s Munin oder Chaos im Kopf
Presented against the backdrop of the New Right movement in Germany, this analysis of Monika Maron’s novel Munin oder Chaos im Kopf (2018) is aimed at uncovering the problematic Islamophobic aspects of the novel. By comparing Maron’s recent work with the platform of the extremist AfD party and the Pegida movement, I argue that her protagonist’s fear of a hostile Islamic takeover ultimately becomes irresponsible fearmongering. The novel participat…
A Gyulák és a magyarok korai kereszténysége
The Hungarian’s early Christianity began with Gyula’s baptism. Hierotheos monk-bishop came with him to evangelize. His workcenter was in Gyula’s territorium: before in Tiszántúl, after in Erdély and Ajtony’s territorium, finally his successors were Abot-Bishops of the eastern Christian Monasteries (Szávaszentdemeter, Oroszlámos). His successor, Ióannés had already became a Metropolita (Archbishop)
The Legend of Greta Garbo, or Woman as Thing: Hollywood Creations in Max Frisch's Stiller
In this paper, I argue that the silent film director Mauritz Stiller (1883–1928), renowned for having discovered Greta Garbo and for fashioning her into one of the most famous screen icons of all time, served as a model for the eponymous hero of Max Frisch's Stiller. The reputedly odd, symbiotic relationship between Garbo and her mentor, who were dubbed by friends “Pygmalion and Galatea,” parallels on a number of levels the obvious Pygmalion-Gala…
Viennese Noir: The Third Man in Ingeborg Bachmann’s Malina
The article takes issue with Sara Lennox’s reading of the significance of the famous film noir classic The Third Man in Bachmann’s 1971 novel Malina . While Lennox uses the film’s inscription into Malina to prove her overarching thesis that the novel must be understood—like the film—as historically specific to the Cold War era, I argue that it is a much broader, metahistorical level that Bachmann emphasizes by naming her much-discussed dream chap…
A piliny-leshegyi csüngő párhuzamai
Burials with brick and the orthodoxy
This paper examines the possibility of a correlation between orthodoxy and brick burials, also investigating burials with brick and stone. Among the peoples inhabiting the Carpathian Basin the custom of brick burials had no direct antecedent. Based on our research brick burials seem to have been taken over from the Balkan, while concerning burials with stone the former Upper Hungary played an important role as well. The tradition can be traced ba…
Murder, He Wrote: The Fate of The Woman in Max Frisch's Mein Name sei Gantenbein
Undine geht and Lola rennt: Symbolic Female Flights in the Work of Ingeborg Bachmann and Tom Tykwer
Using the structural similarity of the titles Undine geht and Lola rennt as a point of departure, the author argues that Tykwer's film pays homage to Bachmann's quasi-feminist manifesto through his radical revision of the classic cinematic figure of the siren; his Lola is akin to Bachmann's subversive, modernist revision of Undine, the well-known romantic siren figure. "In flight" from a female identity "defined by the masculine," both protagonis…
The Performance of Local Health Provision Networks: The Case of the Hungarian Managed Care Organizations
Public management literature, using network theories, is basically directed at examining and explaining how policy networks work. Much less attention is paid to analyze local service provision networks. In our paper we explore how a network management model can be used to describe local health provision networks, how the performance of local networks is influenced by network characteristics, and how these local networks can be connected to policy…
Undine geht and Lola rennt: Symbolic Female Flights in the Work of Ingeborg Bachmann and Tom Tykwer
Using the structural similarity of the titles Undine geht and Lola rennt as a point of departure, the author argues that Tykwer's film pays homage to Bachmann's quasi-feminist manifesto through his radical revision of the classic cinematic figure of the siren; his Lola is akin to Bachmann's subversive, modernist revision of Undine, the well-known romantic siren figure. "In flight" from a female identity "defined by the masculine," both protagonis…
The Performance of Local Health Provision Networks: The Case of the Hungarian Managed Care Organizations
Public management literature, using network theories, is basically directed at examining and explaining how policy networks work. Much less attention is paid to analyze local service provision networks. In our paper we explore how a network management model can be used to describe local health provision networks, how the performance of local networks is influenced by network characteristics, and how these local networks can be connected to policy…
Murder, He Wrote: The Fate of The Woman in Max Frisch's Mein Name sei Gantenbein
Undine geht and Lola rennt: Symbolic Female Flights in the Work of Ingeborg Bachmann and Tom Tykwer
Using the structural similarity of the titles Undine geht and Lola rennt as a point of departure, the author argues that Tykwer's film pays homage to Bachmann's quasi-feminist manifesto through his radical revision of the classic cinematic figure of the siren; his Lola is akin to Bachmann's subversive, modernist revision of Undine, the well-known romantic siren figure. "In flight" from a female identity "defined by the masculine," both protagonis…
A piliny-leshegyi csüngő párhuzamai
Burials with brick and the orthodoxy
This paper examines the possibility of a correlation between orthodoxy and brick burials, also investigating burials with brick and stone. Among the peoples inhabiting the Carpathian Basin the custom of brick burials had no direct antecedent. Based on our research brick burials seem to have been taken over from the Balkan, while concerning burials with stone the former Upper Hungary played an important role as well. The tradition can be traced ba…
Viennese Noir: The Third Man in Ingeborg Bachmann’s Malina
The article takes issue with Sara Lennox’s reading of the significance of the famous film noir classic The Third Man in Bachmann’s 1971 novel Malina . While Lennox uses the film’s inscription into Malina to prove her overarching thesis that the novel must be understood—like the film—as historically specific to the Cold War era, I argue that it is a much broader, metahistorical level that Bachmann emphasizes by naming her much-discussed dream chap…
The Legend of Greta Garbo, or Woman as Thing: Hollywood Creations in Max Frisch's Stiller
In this paper, I argue that the silent film director Mauritz Stiller (1883–1928), renowned for having discovered Greta Garbo and for fashioning her into one of the most famous screen icons of all time, served as a model for the eponymous hero of Max Frisch's Stiller. The reputedly odd, symbiotic relationship between Garbo and her mentor, who were dubbed by friends “Pygmalion and Galatea,” parallels on a number of levels the obvious Pygmalion-Gala…
A Gyulák és a magyarok korai kereszténysége
The Hungarian’s early Christianity began with Gyula’s baptism. Hierotheos monk-bishop came with him to evangelize. His workcenter was in Gyula’s territorium: before in Tiszántúl, after in Erdély and Ajtony’s territorium, finally his successors were Abot-Bishops of the eastern Christian Monasteries (Szávaszentdemeter, Oroszlámos). His successor, Ióannés had already became a Metropolita (Archbishop)
Social innovation and public service: A literature review of multi-actor collaborative approaches in five European countries
Islamophobia and Constructions of Otherness in Monika Maron’s Munin oder Chaos im Kopf
Presented against the backdrop of the New Right movement in Germany, this analysis of Monika Maron’s novel Munin oder Chaos im Kopf (2018) is aimed at uncovering the problematic Islamophobic aspects of the novel. By comparing Maron’s recent work with the platform of the extremist AfD party and the Pegida movement, I argue that her protagonist’s fear of a hostile Islamic takeover ultimately becomes irresponsible fearmongering. The novel participat…
Art (6 works) · Philosophy (5 works) · German Colonialism and Identity Studies (4 works) · German History and Society (3 works) · German Literature and Culture Studies (3 works) · Political science (3 works) · Sociology (3 works) · Theology (3 works) · Ancient and Medieval Archaeology Studies (2 works) · Ancient history (2 works)