Antonio Gómez López-Quiñones
Biographic Data
| ID | 5779895 |
|---|---|
| NAME | Antonio Gómez López-Quiñones |
| GIVEN NAMES | Antonio Gómez |
| FAMILY NAME | López-Quiñones |
| SIGNATURE | LÓPEZ-QUIÑONES A G |
| AFFILIATIONS | Dartmouth College |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
The Gramscian Moment of the Spanish Crisis
One of the surprising outcomes of the 2008 economic crisis in Spain has been the emergence of Antonio Gramsci as a fashionable figure. This “all-purpose Gramsci” forces us to regain some historical perspective on the Spanish reception of his ideas. In the 1970s, different clans within the camp opposing Franco's regime came up with their own self-serving—liberal, Leninist, autonomist, Eurocommunist—versions of Gramsci. The theoretical discussion a…
Nostalgia and/as loose causality in Belle Époque and La lengua de las mariposas
Belle Époque (Trueba, 1992) and La lengua de las mariposas (Cuerda, 1999) offer a nostalgic representation of a specific Spanish past, the Second Republic. This period is rendered as an ahistorical, quasi-bucolic and freer time when sexual and/or cognitive desire circulated with fewer restrictions. In addition, in these two films, nostalgia is not only a set of topics or an emotional tone, but also (and above all) a narrative structure based on a…
En torno ala censura franquista
La guerra persistente: Memoria, violencia y utopía: representaciones contemporáneas de la Guerra Civil española
Mapping the Fiction of Cristina Fernández Cubas
Traces of Contamination: Unearthing the Francoist Legacy in Contemporary Spanish Discourse
No prominent works on this page.
La guerra persistente: Memoria, violencia y utopía: representaciones contemporáneas de la Guerra Civil española
Mapping the Fiction of Cristina Fernández Cubas
Traces of Contamination: Unearthing the Francoist Legacy in Contemporary Spanish Discourse
En torno ala censura franquista
Nostalgia and/as loose causality in Belle Époque and La lengua de las mariposas
Belle Époque (Trueba, 1992) and La lengua de las mariposas (Cuerda, 1999) offer a nostalgic representation of a specific Spanish past, the Second Republic. This period is rendered as an ahistorical, quasi-bucolic and freer time when sexual and/or cognitive desire circulated with fewer restrictions. In addition, in these two films, nostalgia is not only a set of topics or an emotional tone, but also (and above all) a narrative structure based on a…
The Gramscian Moment of the Spanish Crisis
One of the surprising outcomes of the 2008 economic crisis in Spain has been the emergence of Antonio Gramsci as a fashionable figure. This “all-purpose Gramsci” forces us to regain some historical perspective on the Spanish reception of his ideas. In the 1970s, different clans within the camp opposing Franco's regime came up with their own self-serving—liberal, Leninist, autonomist, Eurocommunist—versions of Gramsci. The theoretical discussion a…
Art (3 works) · Spanish Culture and Identity (3 works) · Biology (2 works) · History (2 works) · Humanities (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Anthropology (1 works) · Botany (1 works)