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Cynthia Tompkins

Biographic Data

ID5780260
NAMECynthia Tompkins
GIVEN NAMESCynthia
FAMILY NAMETompkins
SIGNATURETOMPKINS C
AFFILIATIONSArizona State University
ORCID0009-0000-2334-7320
VERIFIEDYes
TOTAL WORKS17
TOTAL CITATIONS2
AUTHOR COUNT16
EDITOR COUNT1
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Re-reading the World

    Open Access•Cynthia Tompkins•ARTICLE•Theory in Action•2026

    This essay reviews a series of perspectives aimed at a different understanding of the environment and a call to action. The text introduces theoretical approaches ranging from Karen Barad’s agential realism to Eduardo Viveiros de Castro’s perspectivism and Eduardo Kohn’s semiotic reading of the Runa Puna cosmologies to offer different understandings of the world around us and the sentient beings that inhabit it. Then, it compares Donna Haraway’s …

  • Suspenso en el noticiero: Representación de la guerrilla en Canal 10, Córdoba, Argentina, 1970–1977

    Cynthia Tompkins•ARTICLE•Studies in Latin American Popular…•2022

    Drawing from archival footage housed at the Centro de Conservación y Documentación Audiovisual de la Universidad de Córdoba, Argentina, this article focuses on the deployment of suspense in the portrayal of the guerrilla within the global context of the Cold War, as it analyzes newscasts broadcast by Canal 10, a television station owned by the Universidad Nacional de Córdoba, during the tumultuous political period ranging from 1970 to 1977. The i…

  • Ideología, Afecto Y Memoria en M De Nicolás Prividera

    Open Access•Cynthia Tompkins•ARTICLE•Revista Iberoamericana•2021

  • Aporías resultantes de la remediación en Ejercicios de memoria (Paz Encina, 2016)

    Cynthia Tompkins•ARTICLE•Bulletin of Hispanic Studies•2020

    Este artículo analiza la aporía resultante de la manera en que la directora paraguaya de cine Paz Encina compone el documental Ejercicios de memoria (2016), ya que los paneos iniciales de la vivienda aparentan anclar geográficamente a la familia sugiriendo lentos flujos temporales, cuando en realidad se mudaba constantemente. Además, la aporía surge del deslizamiento entre el enfoque sobre el Dr. Goiburú –símbolo de la resistencia contra la dicta…

  • Confronting our Canons: Spanish and Latin American Studies in the 21st Century (review)

    Cynthia Tompkins•ARTICLE•Modern Language Notes•2012

    Reviewed by: Confronting our Canons: Spanish and Latin American Studies in the 21st Century Cynthia Tompkins Joan L. Brown. Confronting our Canons: Spanish and Latin American Studies in the 21st Century. Lewisburg: Bucknell UP, 2010. 247 pp. Joan Brown courageously broaches a controversial topic, namely: the need for a common canon in Spanish and Latin American Studies. Brown’s call for action is based on numerous arguments. Perhaps, the most pow…

  • Latin American Postmodernisms. Women Writers and Experimentation

    Ester Gimbernat González, Cynthia Tompkins et al.•ARTICLE•Hispania•2007

  • Bombón, el perro

    Open Access•Cynthia Tompkins, Carlos Sorín•ARTICLE•Chasqui•2006

  • Japón

    Open Access•Cynthia Tompkins, Carlos Reygadas•ARTICLE•Chasqui•2006

  • Como pasan las horas

    Open Access•Cynthia Tompkins, Inés de Oliveira Cézar•ARTICLE•Chasqui•2006

  • Teen Life in Latin America and the Caribbean

    Cynthia Tompkins, Kristen Sternberg•BOOK•Teen Life in Latin America and…•2004

    Teens in Latin America and the Caribbean generally face a difficult path to adulthood. Poverty and unemployment, violence, political instability, and emigration are frequently the norm in their native countries. Those from poorer families must often work as well as attend school, and opportunities for higher education and good jobs are limited. Wealthier teens, on the other hand, are sheltered from harshness and enjoy private schools, vacations a…

  • Marginalities: Diamela Eltit and the Subversion of Mainstream Literature in Chile

    Open Access•Cynthia Tompkins, Gisela Norat•ARTICLE•Chasqui•2003

  • A Single Numberless Death

    Open Access•Cynthia Tompkins, Nora Strejilevich•ARTICLE•Chasqui•2003

  • No Apocalypse, No Integration: Modernism and Postmodernism in Latin America

    Jon V Kofas, Martín Hopenhayn et al.•ARTICLE•Contemporary Sociology A Journal…•2003

    Winner of the Premio Iberoamericano Book Award in 1997 (Spanish Edition) What form does the crisis of modernity take in Latin America when societies are politically demobilized and there is no revolutionary agenda in sight? How does postmodern criticism reflect on enlightenment and utopia in a region marked by incomplete modernization, new waves of privatization, great masses of excluded peoples, and profound sociocultural heterogeneity? In No Ap…

  • "Pasos Bajo el Agua" y "Bosquejo de Alturas" de Alicia Kozameh: Tortura, Resistencia y Secuelas

    Open Access•Cynthia Tompkins, Cynthia Margarita Tompkins•ARTICLE•Chasqui•1998

  • The Writing of Elena Poniatowska: Engaging Dialogues

    Cynthia Tompkins, Beth E Jorgensen•ARTICLE•Hispania•1996

  • Territorios invadidos

    Cynthia Tompkins, Homero Carvalho Oliva•ARTICLE•World Literature Today•1995•Cited by: 2

  • Iphigenia: The Diary of a Young Lady Who Wrote because She Was Bored

    Cynthia Tompkins, Teresa de la Parra et al.•ARTICLE•Hispania•1995

    Introduction by Naomi Lindstrom * Translator's Note * Iphigenia * First Part: A Very Long Letter Wherein Things Are Told As They Are in Novels * Second Part: Juliet's Balcony * Chapter I: Having now sent the interminable letter to her friend Cristina, Maria Eugenia Alonso resolves to write her diary. As will be seen, in this first chapter, the genteel Mercedes Galindo appears at last. * Chapter II: Wherein Maria Eugenia Alonso describes the quiet…

  • Territorios invadidos

    Cynthia Tompkins, Homero Carvalho Oliva•ARTICLE•World Literature Today•1995•Cited by: 2

  • Territorios invadidos

    Cynthia Tompkins, Homero Carvalho Oliva•ARTICLE•World Literature Today•1995•Cited by: 2

  • Iphigenia: The Diary of a Young Lady Who Wrote because She Was Bored

    Cynthia Tompkins, Teresa de la Parra et al.•ARTICLE•Hispania•1995

    Introduction by Naomi Lindstrom * Translator's Note * Iphigenia * First Part: A Very Long Letter Wherein Things Are Told As They Are in Novels * Second Part: Juliet's Balcony * Chapter I: Having now sent the interminable letter to her friend Cristina, Maria Eugenia Alonso resolves to write her diary. As will be seen, in this first chapter, the genteel Mercedes Galindo appears at last. * Chapter II: Wherein Maria Eugenia Alonso describes the quiet…

  • The Writing of Elena Poniatowska: Engaging Dialogues

    Cynthia Tompkins, Beth E Jorgensen•ARTICLE•Hispania•1996

  • "Pasos Bajo el Agua" y "Bosquejo de Alturas" de Alicia Kozameh: Tortura, Resistencia y Secuelas

    Open Access•Cynthia Tompkins, Cynthia Margarita Tompkins•ARTICLE•Chasqui•1998

  • Marginalities: Diamela Eltit and the Subversion of Mainstream Literature in Chile

    Open Access•Cynthia Tompkins, Gisela Norat•ARTICLE•Chasqui•2003

  • A Single Numberless Death

    Open Access•Cynthia Tompkins, Nora Strejilevich•ARTICLE•Chasqui•2003

  • No Apocalypse, No Integration: Modernism and Postmodernism in Latin America

    Jon V Kofas, Martín Hopenhayn et al.•ARTICLE•Contemporary Sociology A Journal…•2003

    Winner of the Premio Iberoamericano Book Award in 1997 (Spanish Edition) What form does the crisis of modernity take in Latin America when societies are politically demobilized and there is no revolutionary agenda in sight? How does postmodern criticism reflect on enlightenment and utopia in a region marked by incomplete modernization, new waves of privatization, great masses of excluded peoples, and profound sociocultural heterogeneity? In No Ap…

  • Teen Life in Latin America and the Caribbean

    Cynthia Tompkins, Kristen Sternberg•BOOK•Teen Life in Latin America and…•2004

    Teens in Latin America and the Caribbean generally face a difficult path to adulthood. Poverty and unemployment, violence, political instability, and emigration are frequently the norm in their native countries. Those from poorer families must often work as well as attend school, and opportunities for higher education and good jobs are limited. Wealthier teens, on the other hand, are sheltered from harshness and enjoy private schools, vacations a…

  • Bombón, el perro

    Open Access•Cynthia Tompkins, Carlos Sorín•ARTICLE•Chasqui•2006

  • Japón

    Open Access•Cynthia Tompkins, Carlos Reygadas•ARTICLE•Chasqui•2006

  • Como pasan las horas

    Open Access•Cynthia Tompkins, Inés de Oliveira Cézar•ARTICLE•Chasqui•2006

  • Latin American Postmodernisms. Women Writers and Experimentation

    Ester Gimbernat González, Cynthia Tompkins et al.•ARTICLE•Hispania•2007

  • Confronting our Canons: Spanish and Latin American Studies in the 21st Century (review)

    Cynthia Tompkins•ARTICLE•Modern Language Notes•2012

    Reviewed by: Confronting our Canons: Spanish and Latin American Studies in the 21st Century Cynthia Tompkins Joan L. Brown. Confronting our Canons: Spanish and Latin American Studies in the 21st Century. Lewisburg: Bucknell UP, 2010. 247 pp. Joan Brown courageously broaches a controversial topic, namely: the need for a common canon in Spanish and Latin American Studies. Brown’s call for action is based on numerous arguments. Perhaps, the most pow…

  • Aporías resultantes de la remediación en Ejercicios de memoria (Paz Encina, 2016)

    Cynthia Tompkins•ARTICLE•Bulletin of Hispanic Studies•2020

    Este artículo analiza la aporía resultante de la manera en que la directora paraguaya de cine Paz Encina compone el documental Ejercicios de memoria (2016), ya que los paneos iniciales de la vivienda aparentan anclar geográficamente a la familia sugiriendo lentos flujos temporales, cuando en realidad se mudaba constantemente. Además, la aporía surge del deslizamiento entre el enfoque sobre el Dr. Goiburú –símbolo de la resistencia contra la dicta…

  • Ideología, Afecto Y Memoria en M De Nicolás Prividera

    Open Access•Cynthia Tompkins•ARTICLE•Revista Iberoamericana•2021

  • Suspenso en el noticiero: Representación de la guerrilla en Canal 10, Córdoba, Argentina, 1970–1977

    Cynthia Tompkins•ARTICLE•Studies in Latin American Popular…•2022

    Drawing from archival footage housed at the Centro de Conservación y Documentación Audiovisual de la Universidad de Córdoba, Argentina, this article focuses on the deployment of suspense in the portrayal of the guerrilla within the global context of the Cold War, as it analyzes newscasts broadcast by Canal 10, a television station owned by the Universidad Nacional de Córdoba, during the tumultuous political period ranging from 1970 to 1977. The i…

  • Re-reading the World

    Open Access•Cynthia Tompkins•ARTICLE•Theory in Action•2026

    This essay reviews a series of perspectives aimed at a different understanding of the environment and a call to action. The text introduces theoretical approaches ranging from Karen Barad’s agential realism to Eduardo Viveiros de Castro’s perspectivism and Eduardo Kohn’s semiotic reading of the Runa Puna cosmologies to offer different understandings of the world around us and the sentient beings that inhabit it. Then, it compares Donna Haraway’s …

Art (8 works) · History (6 works) · Humanities (6 works) · Law (6 works) · Political science (6 works) · Latin Americans (4 works) · Philosophy (4 works) · Politics (4 works) · Art history (3 works) · Geography (3 works)

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