Jacqueline Sheean
Biographic Data
| ID | 5783549 |
|---|---|
| NAME | Jacqueline Sheean |
| GIVEN NAMES | Jacqueline |
| FAMILY NAME | Sheean |
| SIGNATURE | SHEEAN J |
| AFFILIATIONS | University of Utah |
| ORCID | 0000-0003-3465-8911 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Noncorrespondence
.
Ruins of the democratic promise
This article examines two cinematic scenes of dystopia from the period of Spain's so-called democratic disenchantment in Abre los ojos (Amenábar Citation1997) and El día de la bestia (De la Iglesia Citation1995). As the euphoric scene for the movida madrileña, in the 1980s Spain's capital was largely depicted as a symbol of transition and progress, a center for the cultural production of the country's post-dictatorship cultural effervescence. How…
Introduction
Digital Rhetoric
This article explores perspectives from language pedagogy, writing and rhetoric, and media studies to analyze the implications and implementations of video essay assignments in intermediate and advanced Spanish language courses. The field of Hispanic Studies has largely accepted film as a useful pedagogical tool with broad student appeal. Yet while instructors often include film and other visual media in their courses, modes of critical analysis …
A (new) specter haunts Europe
This article analyzes the use of holograms in the 2015 public demonstrations by the collective “Holograms for Freedom” in Madrid in response to the “Ley Mordaza” or “Gag Law”. The protest calls into question the logic of the activist movements that precede it – movements in which political action was predicated on the physical occupation of space by dissenting bodies, a stipulation of both presence and present. Instead, the holograms unsettle tra…
A (new) specter haunts Europe
This article analyzes the use of holograms in the 2015 public demonstrations by the collective “Holograms for Freedom” in Madrid in response to the “Ley Mordaza” or “Gag Law”. The protest calls into question the logic of the activist movements that precede it – movements in which political action was predicated on the physical occupation of space by dissenting bodies, a stipulation of both presence and present. Instead, the holograms unsettle tra…
A (new) specter haunts Europe
This article analyzes the use of holograms in the 2015 public demonstrations by the collective “Holograms for Freedom” in Madrid in response to the “Ley Mordaza” or “Gag Law”. The protest calls into question the logic of the activist movements that precede it – movements in which political action was predicated on the physical occupation of space by dissenting bodies, a stipulation of both presence and present. Instead, the holograms unsettle tra…
Digital Rhetoric
This article explores perspectives from language pedagogy, writing and rhetoric, and media studies to analyze the implications and implementations of video essay assignments in intermediate and advanced Spanish language courses. The field of Hispanic Studies has largely accepted film as a useful pedagogical tool with broad student appeal. Yet while instructors often include film and other visual media in their courses, modes of critical analysis …
Noncorrespondence
.
Ruins of the democratic promise
This article examines two cinematic scenes of dystopia from the period of Spain's so-called democratic disenchantment in Abre los ojos (Amenábar Citation1997) and El día de la bestia (De la Iglesia Citation1995). As the euphoric scene for the movida madrileña, in the 1980s Spain's capital was largely depicted as a symbol of transition and progress, a center for the cultural production of the country's post-dictatorship cultural effervescence. How…
Introduction
Political science (4 works) · Aesthetics (3 works) · Art (3 works) · Law (3 works) · Law (3 works) · Sociology (3 works) · Spanish Culture and Identity (3 works) · Latin American Literature Studies (2 works) · Philosophy (2 works) · Politics (2 works)