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Jesús Rodríguez Viejo

Biographic Data

ID5785896
NAMEJesús Rodríguez Viejo
GIVEN NAMESJesús Rodríguez
FAMILY NAMEViejo
SIGNATUREVIEJO J R
AFFILIATIONSUniversity of Aberdeen
ORCID0000-0003-2744-0279
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Parading Staurothekes in Norman Sicily

    Open Access•Jesús Rodríguez Viejo•ARTICLE•Journal of Religious History•2021•References: 1

    This article explores the liturgical functions of cross‐shaped staurothekes, reliquaries of the True Cross, in twelfth‐century Sicily. These luxurious objects were once at the centre of the devotion of the growing Christian communities on an island undergoing dramatic social changes. This contribution examines the figuration of these crosses and the messages they conveyed to their audiences, focusing on documented processions as displays of publi…

  • A silver cross-reliquary and its patroness in twelfth-century rural Asturias

    Open Access•Jesús Rodríguez Viejo•ARTICLE•Hispania Sacra•2021•References: 21

    La cruz-relicario de San Salvador de Fuentes es un suntuoso crucifijo hecho principalmente de madera y plata creado a finales del siglo XII para esta importante parroquia del concejo de Villaviciosa, en Asturias. El objeto es propiedad del Metropolitan Museum of Art de Nueva York desde 1917. El objetivo del presente trabajo es el de analizar el simbolismo iconográfico y los usos litúrgicos del crucifijo para luego contextualizar el patronazgo de …

  • The Performative Manuscript

    Open Access•Jesús Rodríguez Viejo•ARTICLE•The Journal of Ecclesiastical…•2019•Cited by: 1•References: 1

    The German city of Mainz under Archbishop Willigis (975–1011) witnessed a major flourishing of the arts, particularly in the field of architecture. During this period, a benedictional, now in St Gall, was also commissioned. Its only figurative content is an image of Christ in Majesty on its first folio. Taken as a case study, analysis of this permits an approach to the barely-explored concept of performativity in early medieval illuminated manusc…

  • The Performative Manuscript

    Open Access•Jesús Rodríguez Viejo•ARTICLE•The Journal of Ecclesiastical…•2019•Cited by: 1•References: 1

    The German city of Mainz under Archbishop Willigis (975–1011) witnessed a major flourishing of the arts, particularly in the field of architecture. During this period, a benedictional, now in St Gall, was also commissioned. Its only figurative content is an image of Christ in Majesty on its first folio. Taken as a case study, analysis of this permits an approach to the barely-explored concept of performativity in early medieval illuminated manusc…

  • The Performative Manuscript

    Open Access•Jesús Rodríguez Viejo•ARTICLE•The Journal of Ecclesiastical…•2019•Cited by: 1•References: 1

    The German city of Mainz under Archbishop Willigis (975–1011) witnessed a major flourishing of the arts, particularly in the field of architecture. During this period, a benedictional, now in St Gall, was also commissioned. Its only figurative content is an image of Christ in Majesty on its first folio. Taken as a case study, analysis of this permits an approach to the barely-explored concept of performativity in early medieval illuminated manusc…

  • Parading Staurothekes in Norman Sicily

    Open Access•Jesús Rodríguez Viejo•ARTICLE•Journal of Religious History•2021•References: 1

    This article explores the liturgical functions of cross‐shaped staurothekes, reliquaries of the True Cross, in twelfth‐century Sicily. These luxurious objects were once at the centre of the devotion of the growing Christian communities on an island undergoing dramatic social changes. This contribution examines the figuration of these crosses and the messages they conveyed to their audiences, focusing on documented processions as displays of publi…

  • A silver cross-reliquary and its patroness in twelfth-century rural Asturias

    Open Access•Jesús Rodríguez Viejo•ARTICLE•Hispania Sacra•2021•References: 21

    La cruz-relicario de San Salvador de Fuentes es un suntuoso crucifijo hecho principalmente de madera y plata creado a finales del siglo XII para esta importante parroquia del concejo de Villaviciosa, en Asturias. El objeto es propiedad del Metropolitan Museum of Art de Nueva York desde 1917. El objetivo del presente trabajo es el de analizar el simbolismo iconográfico y los usos litúrgicos del crucifijo para luego contextualizar el patronazgo de …

Art (3 works) · History (3 works) · History (3 works) · Historical and Religious Studies of Rome (2 works) · The arts (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Agency (philosophy (1 work) · Ancient history (1 work) · Archaeology (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae