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ALANNA SKUSE

Biographic Data

ID5786240
NAMEALANNA SKUSE
GIVEN NAMESALANNA
FAMILY NAMESKUSE
SIGNATURESKUSE A
AFFILIATIONSUniversity of Reading
ORCID0000-0001-5034-9786
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS3
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Biting one’s tongue

    Open Access•ALANNA SKUSE•ARTICLE•Renaissance Studies•2022

    When the protagonist Hieronimo bites out his own tongue in Thomas Kyd's The Spanish Tragedy, his actions seem to make little sense. After all, he has already explained the very plot which he claims to be keeping a secret through his self‐injury. However this article argues that Hieronimo's tongue‐biting taps into rich discourses about self‐injury, personal agency, stoicism and madness. I argue that self‐injury was related to suicide in its assert…

  • Unfixable Forms

    Open Access•ALANNA SKUSE•ARTICLE•Renaissance Quarterly•2022

    An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button

  • Noelle Gallagher, Itch, Clap, Pox

    Open Access•ALANNA SKUSE•ARTICLE•Social History of Medicine•2020

    Noelle Gallagher, Itch, Clap, Pox: Venereal Disease in the Eighteenth-Century Imagination Noelle Gallagher, Itch, Clap, Pox: Venereal Disease in the Eighteenth-Century Imagination, New Haven; London: Yale University Press, 2018. Pp. x+267. $65. ISBN 978-0-300-21705-6. Alanna Skuse Alanna Skuse University of Reading [email protected] https://orcid.org/0000-0001-5034-9786 Search for other works by this author on: Oxford Academic PubMed Google…

  • One Stroak of His Razour’

    Open Access•ALANNA SKUSE•ARTICLE•Social History of Medicine•2018•Cited by: 2•References: 1

    This article examines stories of men who gelded themselves in early modern England. These events, it argues, were shaped and partly motivated by a culture in which castration was seen as both degrading and potentially empowering. Religious precedents such as that of Origen of Alexandria framed self-gelding as a foolhardy activity, but one which nevertheless indicated an impressive degree of mastery over the body and its urges. Meanwhile, judicial…

  • Shakespeare’s Medical Language

    Open Access•ALANNA SKUSE•ARTICLE•Renaissance Quarterly•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Wombs, Worms and Wolves

    ALANNA SKUSE•ARTICLE•Social History of Medicine•2014•Cited by: 1•References: 1

    This essay examines medical and popular attitudes to cancer in the early modern period, c .1580-1720. Cancer, it is argued, was understood as a cruel and usually incurable disease, diagnosable by a well-defined set of symptoms understood to correspond to its etymological root, karkinos (the crab). It was primarily understood as produced by an imbalance of the humours, with women being particularly vulnerable. However, such explanations proved ina…

  • One Stroak of His Razour’

    Open Access•ALANNA SKUSE•ARTICLE•Social History of Medicine•2018•Cited by: 2•References: 1

    This article examines stories of men who gelded themselves in early modern England. These events, it argues, were shaped and partly motivated by a culture in which castration was seen as both degrading and potentially empowering. Religious precedents such as that of Origen of Alexandria framed self-gelding as a foolhardy activity, but one which nevertheless indicated an impressive degree of mastery over the body and its urges. Meanwhile, judicial…

  • Wombs, Worms and Wolves

    ALANNA SKUSE•ARTICLE•Social History of Medicine•2014•Cited by: 1•References: 1

    This essay examines medical and popular attitudes to cancer in the early modern period, c .1580-1720. Cancer, it is argued, was understood as a cruel and usually incurable disease, diagnosable by a well-defined set of symptoms understood to correspond to its etymological root, karkinos (the crab). It was primarily understood as produced by an imbalance of the humours, with women being particularly vulnerable. However, such explanations proved ina…

  • Wombs, Worms and Wolves

    ALANNA SKUSE•ARTICLE•Social History of Medicine•2014•Cited by: 1•References: 1

    This essay examines medical and popular attitudes to cancer in the early modern period, c .1580-1720. Cancer, it is argued, was understood as a cruel and usually incurable disease, diagnosable by a well-defined set of symptoms understood to correspond to its etymological root, karkinos (the crab). It was primarily understood as produced by an imbalance of the humours, with women being particularly vulnerable. However, such explanations proved ina…

  • Shakespeare’s Medical Language

    Open Access•ALANNA SKUSE•ARTICLE•Renaissance Quarterly•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • One Stroak of His Razour’

    Open Access•ALANNA SKUSE•ARTICLE•Social History of Medicine•2018•Cited by: 2•References: 1

    This article examines stories of men who gelded themselves in early modern England. These events, it argues, were shaped and partly motivated by a culture in which castration was seen as both degrading and potentially empowering. Religious precedents such as that of Origen of Alexandria framed self-gelding as a foolhardy activity, but one which nevertheless indicated an impressive degree of mastery over the body and its urges. Meanwhile, judicial…

  • Noelle Gallagher, Itch, Clap, Pox

    Open Access•ALANNA SKUSE•ARTICLE•Social History of Medicine•2020

    Noelle Gallagher, Itch, Clap, Pox: Venereal Disease in the Eighteenth-Century Imagination Noelle Gallagher, Itch, Clap, Pox: Venereal Disease in the Eighteenth-Century Imagination, New Haven; London: Yale University Press, 2018. Pp. x+267. $65. ISBN 978-0-300-21705-6. Alanna Skuse Alanna Skuse University of Reading [email protected] https://orcid.org/0000-0001-5034-9786 Search for other works by this author on: Oxford Academic PubMed Google…

  • Biting one’s tongue

    Open Access•ALANNA SKUSE•ARTICLE•Renaissance Studies•2022

    When the protagonist Hieronimo bites out his own tongue in Thomas Kyd's The Spanish Tragedy, his actions seem to make little sense. After all, he has already explained the very plot which he claims to be keeping a secret through his self‐injury. However this article argues that Hieronimo's tongue‐biting taps into rich discourses about self‐injury, personal agency, stoicism and madness. I argue that self‐injury was related to suicide in its assert…

  • Unfixable Forms

    Open Access•ALANNA SKUSE•ARTICLE•Renaissance Quarterly•2022

    An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button

History (5 works) · Art (4 works) · Psychology (4 works) · Aesthetics (3 works) · Art history (2 works) · Historical Studies on Reproduction, Gender, Health, and Societal Changes (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Medicine (2 works)

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