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George Held

Biographic Data

ID5803029
NAMEGeorge Held
GIVEN NAMESGeorge
FAMILY NAMEHeld
SIGNATUREHELD G
AFFILIATIONSColumbia College - Missouri
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS3
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR1999
H-INDEX1
  • Aristotle's Teleological Theory of Tragedy and Epic

    Scott Goins, George F Held et al.•ARTICLE•The Classical World•1999

  • Weaving and triumphal shouting in Pindar, Pythian 12.6–12

    Open Access•George F Held, George Held•ARTICLE•The Classical Quarterly•1998•Cited by: 1•References: 1

    ‘Flute’, as Jenny Strauss Clay notes, is a mistranslation of αὐλ⋯ς since the ancient Greek aulos consisted of ‘two reed mouthpieces and two pipes, sometimes of different lengths, played simultaneously. Its dual structure permitted antiphonal execution; one pipe could produce the melody, the other, some sort of accompaniment or perhaps a drone.’ She believes (perhaps correctly) that the dual structure and dual sound of the aulos are implicit in th…

  • Phoinix, Agamemnon And Achilleus

    Open Access•George F Held, George Held•ARTICLE•The Classical Quarterly•1987•Cited by: 2•References: 14

    Achilleus′ speeches and action in Iliad 24 ‘complete a development of character-or better, enlargement of experience and comprehension-which stretches through the whole poem’. I largely agree with this statement, but since I also believe that an ‘enlargement of experience and comprehension’ necessarily entails ‘ a development of character’, I do not hesitate, as its author does, to assert that Achilleus′ character develops, i.e., changes for the …

  • Parallels between The Gilgamesh Epic and Plato's Symposium

    George F Held, George Held•ARTICLE•Journal of Near Eastern Studies•1983

  • Phoinix, Agamemnon And Achilleus

    Open Access•George F Held, George Held•ARTICLE•The Classical Quarterly•1987•Cited by: 2•References: 14

    Achilleus′ speeches and action in Iliad 24 ‘complete a development of character-or better, enlargement of experience and comprehension-which stretches through the whole poem’. I largely agree with this statement, but since I also believe that an ‘enlargement of experience and comprehension’ necessarily entails ‘ a development of character’, I do not hesitate, as its author does, to assert that Achilleus′ character develops, i.e., changes for the …

  • Weaving and triumphal shouting in Pindar, Pythian 12.6–12

    Open Access•George F Held, George Held•ARTICLE•The Classical Quarterly•1998•Cited by: 1•References: 1

    ‘Flute’, as Jenny Strauss Clay notes, is a mistranslation of αὐλ⋯ς since the ancient Greek aulos consisted of ‘two reed mouthpieces and two pipes, sometimes of different lengths, played simultaneously. Its dual structure permitted antiphonal execution; one pipe could produce the melody, the other, some sort of accompaniment or perhaps a drone.’ She believes (perhaps correctly) that the dual structure and dual sound of the aulos are implicit in th…

  • Parallels between The Gilgamesh Epic and Plato's Symposium

    George F Held, George Held•ARTICLE•Journal of Near Eastern Studies•1983

  • Phoinix, Agamemnon And Achilleus

    Open Access•George F Held, George Held•ARTICLE•The Classical Quarterly•1987•Cited by: 2•References: 14

    Achilleus′ speeches and action in Iliad 24 ‘complete a development of character-or better, enlargement of experience and comprehension-which stretches through the whole poem’. I largely agree with this statement, but since I also believe that an ‘enlargement of experience and comprehension’ necessarily entails ‘ a development of character’, I do not hesitate, as its author does, to assert that Achilleus′ character develops, i.e., changes for the …

  • Weaving and triumphal shouting in Pindar, Pythian 12.6–12

    Open Access•George F Held, George Held•ARTICLE•The Classical Quarterly•1998•Cited by: 1•References: 1

    ‘Flute’, as Jenny Strauss Clay notes, is a mistranslation of αὐλ⋯ς since the ancient Greek aulos consisted of ‘two reed mouthpieces and two pipes, sometimes of different lengths, played simultaneously. Its dual structure permitted antiphonal execution; one pipe could produce the melody, the other, some sort of accompaniment or perhaps a drone.’ She believes (perhaps correctly) that the dual structure and dual sound of the aulos are implicit in th…

  • Aristotle's Teleological Theory of Tragedy and Epic

    Scott Goins, George F Held et al.•ARTICLE•The Classical World•1999

Art (4 works) · Literature (4 works) · Classical Philosophy and Thought (3 works) · EPIC (3 works) · Philosophy (3 works) · Classical Antiquity Studies (2 works) · Computer Science (2 works) · Engineering (2 works) · Historical, Religious, and Philosophical Studies (2 works) · Action (physics (1 work)

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