Adam Bingham
Biographic Data
| ID | 5807348 |
|---|---|
| NAME | Adam Bingham |
| GIVEN NAMES | Adam |
| FAMILY NAME | Bingham |
| SIGNATURE | BINGHAM A |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Contemporary Japanese Cinema Since Hana-Bi
Updates the story of Japanese cinema for the 21st century. Contemporary Japanese Cinema Since Hana-Bi is the first study of the significant developments in Japanese genre filmmaking since the turn of the new millennium.This book explores the key films, filmmakers, themes and genres in post-1997 Japanese cinema, during fifteen years in which productivity in the Japanese film industry has reached a higher peak than at any time since the 1950s and a…
Directory of World Cinema: East Europe
Original Visions: Female Directors in Contemporary Japanese Cinema
In his landmark study of the Japanese nuberu bagu (nouvelle vague), David Desser quotes from an interview with actress Hidari Sachiko, who told Joan Mellen: 'if you want to say something about Japan, you have to focus on women,' (1) something Desser underlines with his own observation that: 'a focus on women can reveal most of Japan's inner tensions and contradictions.' (2) These are statements that would seem to have an inherent validity when on…
Distant Voices, Still Lives: Love, Loss, and Longing in the work of Makoto Shinkai
Within the hallowed ranks of Japanese anime, the label of “new Miyazaki” is something that is at once both too difficult and too easy to bestow on new directors: too difficult because the Studio Ghibli luminary is as distinctive a figure as is currently working in Japanese cinema; too easy as a great deal of our current Anglophone critical establishment seems only able to valorize promising new directors by relying on lazy comparisons to great fi…
No prominent works on this page.
Distant Voices, Still Lives: Love, Loss, and Longing in the work of Makoto Shinkai
Within the hallowed ranks of Japanese anime, the label of “new Miyazaki” is something that is at once both too difficult and too easy to bestow on new directors: too difficult because the Studio Ghibli luminary is as distinctive a figure as is currently working in Japanese cinema; too easy as a great deal of our current Anglophone critical establishment seems only able to valorize promising new directors by relying on lazy comparisons to great fi…
Original Visions: Female Directors in Contemporary Japanese Cinema
In his landmark study of the Japanese nuberu bagu (nouvelle vague), David Desser quotes from an interview with actress Hidari Sachiko, who told Joan Mellen: 'if you want to say something about Japan, you have to focus on women,' (1) something Desser underlines with his own observation that: 'a focus on women can reveal most of Japan's inner tensions and contradictions.' (2) These are statements that would seem to have an inherent validity when on…
Directory of World Cinema: East Europe
Contemporary Japanese Cinema Since Hana-Bi
Updates the story of Japanese cinema for the 21st century. Contemporary Japanese Cinema Since Hana-Bi is the first study of the significant developments in Japanese genre filmmaking since the turn of the new millennium.This book explores the key films, filmmakers, themes and genres in post-1997 Japanese cinema, during fifteen years in which productivity in the Japanese film industry has reached a higher peak than at any time since the 1950s and a…
Art history (4 works) · Movie theater (4 works) · Art (3 works) · Asian Culture and Media Studies (3 works) · History (3 works) · Japanese History and Culture (3 works) · Cinema and Media Studies (2 works) · History (2 works) · Hong Kong and Taiwan Politics (2 works) · Literature (2 works)