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Robert Wilcher

Biographic Data

ID5807764
NAMERobert Wilcher
GIVEN NAMESRobert
FAMILY NAMEWilcher
SIGNATUREWILCHER R
AFFILIATIONSUniversity of Birmingham
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS2
WORKS AS AUTHOR13
WORKS AS EDITOR3
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR2018
H-INDEX1
  • The Works of Henry Vaughan, Vol. 1

    Henry Vaughan, Donald R Dickson et al.•EDITOR•BOOK•The Works of Henry Vaughan, Vol.…•2018

  • The Works of Henry Vaughan, Vol. 2

    Henry Vaughan, Donald R Dickson et al.•EDITOR•BOOK•The Works of Henry Vaughan, Vol.…•2018

  • The Works of Henry Vaughan, Vol. 3

    Henry Vaughan, Donald R Dickson et al.•EDITOR•BOOK•The Works of Henry Vaughan, Vol.…•2018

  • Andrew Marvell, Orphan of the Hurricane

    Open Access•Robert Wilcher•ARTICLE•Renaissance Quarterly•2013

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Greening of Milton Criticism

    Open Access•Robert Wilcher•ARTICLE•Literature Compass•2010•References: 6

    Ecocriticism is an offshoot of the environmental movements that developed during the second half of the twentieth century and takes as its field of study literary treatments of the relationship between human beings and the physical environment. When it became established as a recognizable critical school during the 1990s, it was dominated by analyses of British Romantic poetry and literature of the American wilderness. In the present decade, its …

  • Andrew Marvell

    Robert Wilcher, Joseph Messina•ARTICLE•Renaissance and Reformation•2009

  • Royalism, Print and Censorship in Revolutionary England

    Robert Wilcher•ARTICLE•The English Historical Review•2009

    Jason McElligott's study is centred on the royalist newsbooks published between September 1647, when Mercurius Melancholicus and Mercurius Pragmaticus first appeared, and June 1650, when the last survivor—The Man in the Moon—was suppressed by the Commonwealth authorities. During this period, more than 530 issues of 51 separate titles, some very short lived, were produced clandestinely in London. These ephemeral items of cheap print have largely b…

  • Milton and the Rhetoric of Zeal ‐ by Thomas Kranidas

    Open Access•Robert Wilcher•ARTICLE•Renaissance Studies•2007

  • Adventurous song’ or ‘presumptuous folly’

    Robert Wilcher•ARTICLE•The Seventeenth Century•2006•Cited by: 2

    IThe five cantos that Lucy Hutchinson allowed into print in 1679 under the title Order and Disorder: or, the World Made and Undone invite comparison with John Milton's Paradise Lost, which had been published twelve years before. As its modern editor suggests, there is much to be gained by setting the longer, unfinished text of Hutchinson's verse redaction of Genesis 'in dialogue' with the more famous epic, but for present purposes there are reaso…

  • The Writing of Royalism, 1628-1660

    Robert Wilcher, Elizabeth Sauer•ARTICLE•Renaissance and Reformation•2000

    In The Writing of Royalism, Robert Wilcher charts the political and ideological development of 'royalism' between 1628 and 1660. His study of the literature and propaganda produced by those who adhered to the crown during the civil wars and their aftermath takes in many kinds of writing to provide a comprehensive account of the emergence of a partisan literature in support of the English monarchy and church. Wilcher situates a wide range of minor…

  • What Was the King's Book for?

    Robert Wilcher•ARTICLE•The Yearbook of English Studies•1991

    Robert Wilcher, What Was the King's Book for?: The Evolution of 'Eikon Basilike', The Yearbook of English Studies, Vol. 21, Politics, Patronage and Literature in England 1558-1658 Special Number (1991), pp. 218-228

  • Samson agonistes and the problem of history

    Robert Wilcher•ARTICLE•Renaissance and Modern Studies•1982•References: 6

    (1982). Samson agonistes and the problem of history. Renaissance and Modern Studies: Vol. 26, No. 1, pp. 108-133

  • Milton's masque

    Open Access•Robert Wilcher•ARTICLE•Critical Quarterly•1978

  • ‘What's it meant to mean?’

    Open Access•Robert Wilcher•ARTICLE•Critical Quarterly•1976

  • The Enclosed Garden

    Robert Wilcher, Stanley Stewart•ARTICLE•The Modern Language Review•1968

  • Andrew Marvell

    Andrew Marvell, Robert Wilcher et al.•BOOK•Andrew Marvell•1968

  • Adventurous song’ or ‘presumptuous folly’

    Robert Wilcher•ARTICLE•The Seventeenth Century•2006•Cited by: 2

    IThe five cantos that Lucy Hutchinson allowed into print in 1679 under the title Order and Disorder: or, the World Made and Undone invite comparison with John Milton's Paradise Lost, which had been published twelve years before. As its modern editor suggests, there is much to be gained by setting the longer, unfinished text of Hutchinson's verse redaction of Genesis 'in dialogue' with the more famous epic, but for present purposes there are reaso…

  • The Enclosed Garden

    Robert Wilcher, Stanley Stewart•ARTICLE•The Modern Language Review•1968

  • Andrew Marvell

    Andrew Marvell, Robert Wilcher et al.•BOOK•Andrew Marvell•1968

  • ‘What's it meant to mean?’

    Open Access•Robert Wilcher•ARTICLE•Critical Quarterly•1976

  • Milton's masque

    Open Access•Robert Wilcher•ARTICLE•Critical Quarterly•1978

  • Samson agonistes and the problem of history

    Robert Wilcher•ARTICLE•Renaissance and Modern Studies•1982•References: 6

    (1982). Samson agonistes and the problem of history. Renaissance and Modern Studies: Vol. 26, No. 1, pp. 108-133

  • What Was the King's Book for?

    Robert Wilcher•ARTICLE•The Yearbook of English Studies•1991

    Robert Wilcher, What Was the King's Book for?: The Evolution of 'Eikon Basilike', The Yearbook of English Studies, Vol. 21, Politics, Patronage and Literature in England 1558-1658 Special Number (1991), pp. 218-228

  • The Writing of Royalism, 1628-1660

    Robert Wilcher, Elizabeth Sauer•ARTICLE•Renaissance and Reformation•2000

    In The Writing of Royalism, Robert Wilcher charts the political and ideological development of 'royalism' between 1628 and 1660. His study of the literature and propaganda produced by those who adhered to the crown during the civil wars and their aftermath takes in many kinds of writing to provide a comprehensive account of the emergence of a partisan literature in support of the English monarchy and church. Wilcher situates a wide range of minor…

  • Adventurous song’ or ‘presumptuous folly’

    Robert Wilcher•ARTICLE•The Seventeenth Century•2006•Cited by: 2

    IThe five cantos that Lucy Hutchinson allowed into print in 1679 under the title Order and Disorder: or, the World Made and Undone invite comparison with John Milton's Paradise Lost, which had been published twelve years before. As its modern editor suggests, there is much to be gained by setting the longer, unfinished text of Hutchinson's verse redaction of Genesis 'in dialogue' with the more famous epic, but for present purposes there are reaso…

  • Milton and the Rhetoric of Zeal ‐ by Thomas Kranidas

    Open Access•Robert Wilcher•ARTICLE•Renaissance Studies•2007

  • Andrew Marvell

    Robert Wilcher, Joseph Messina•ARTICLE•Renaissance and Reformation•2009

  • Royalism, Print and Censorship in Revolutionary England

    Robert Wilcher•ARTICLE•The English Historical Review•2009

    Jason McElligott's study is centred on the royalist newsbooks published between September 1647, when Mercurius Melancholicus and Mercurius Pragmaticus first appeared, and June 1650, when the last survivor—The Man in the Moon—was suppressed by the Commonwealth authorities. During this period, more than 530 issues of 51 separate titles, some very short lived, were produced clandestinely in London. These ephemeral items of cheap print have largely b…

  • The Greening of Milton Criticism

    Open Access•Robert Wilcher•ARTICLE•Literature Compass•2010•References: 6

    Ecocriticism is an offshoot of the environmental movements that developed during the second half of the twentieth century and takes as its field of study literary treatments of the relationship between human beings and the physical environment. When it became established as a recognizable critical school during the 1990s, it was dominated by analyses of British Romantic poetry and literature of the American wilderness. In the present decade, its …

  • Andrew Marvell, Orphan of the Hurricane

    Open Access•Robert Wilcher•ARTICLE•Renaissance Quarterly•2013

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Works of Henry Vaughan, Vol. 1

    Henry Vaughan, Donald R Dickson et al.•EDITOR•BOOK•The Works of Henry Vaughan, Vol.…•2018

  • The Works of Henry Vaughan, Vol. 2

    Henry Vaughan, Donald R Dickson et al.•EDITOR•BOOK•The Works of Henry Vaughan, Vol.…•2018

  • The Works of Henry Vaughan, Vol. 3

    Henry Vaughan, Donald R Dickson et al.•EDITOR•BOOK•The Works of Henry Vaughan, Vol.…•2018

History (13 works) · Art (8 works) · History (7 works) · Computer Science (5 works) · Philosophy (5 works) · Art history (4 works) · Historical Art and Culture Studies (4 works) · Library science (4 works) · Literature (4 works) · Scottish History and National Identity (4 works)

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