Antonio Vitti
Biographic Data
| ID | 5808315 |
|---|---|
| NAME | Antonio Vitti |
| GIVEN NAMES | Antonio |
| FAMILY NAME | Vitti |
| SIGNATURE | VITTI A |
| AFFILIATIONS | Wake Forest University |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 15 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 0 |
The Evolution of Performance Theory and Practice in Postwar Italian Cinema
The essay defines the neorealist position in general and that of director Giuseppe De Santis in particular with regard to the use of actors. It examines the theories related to acting that most influenced postwar filmmakers. It also considers De Santis's campaign to renew Italian cinema during his collaboration with Cinema and how this practice was elaborated during the neorealist period, to ascertain whether a contradiction between theory and pr…
After Fellini
Incontri con il cinema italiano
In Search of Italia
The Divine Comic
Amerigo, andare è sempre tornare
Picone's Tragicomical Dual Life
Perche il lungo silenzio? Giuseppe De Santis and the Story of a Certain Neorealism
Giuseppe De Santis
Vitti draws on his extensive personal interviews with De Santis as well as on the latter's previously unpublished writings. This volume captures the intelligence, passion, aesthetic flair, and occasionally fiery temperament of this important filmmaker.
Albanitaliamerica
The Films of Roberto Rossellini
The Films of Roberto Rossellini traces the career of one of the most influential Italian filmmakers through close analysis of the seven films that mark important turning points in his evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948–52), Voyage in Italy (1953), General della Rovere (1959) and The Rise to Power of Louis XIV (1966). Beginning with Rossellini's work within the fascist cine…
Pier Paolo Pasolini and the Theatre of the Word
We All Loved Each Other So Much
We All Loved Each Other So Much
Il primo Pasolini e la sua narrativa
No prominent works on this page.
We All Loved Each Other So Much
We All Loved Each Other So Much
Il primo Pasolini e la sua narrativa
Pier Paolo Pasolini and the Theatre of the Word
The Films of Roberto Rossellini
The Films of Roberto Rossellini traces the career of one of the most influential Italian filmmakers through close analysis of the seven films that mark important turning points in his evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948–52), Voyage in Italy (1953), General della Rovere (1959) and The Rise to Power of Louis XIV (1966). Beginning with Rossellini's work within the fascist cine…
Giuseppe De Santis
Vitti draws on his extensive personal interviews with De Santis as well as on the latter's previously unpublished writings. This volume captures the intelligence, passion, aesthetic flair, and occasionally fiery temperament of this important filmmaker.
Albanitaliamerica
Perche il lungo silenzio? Giuseppe De Santis and the Story of a Certain Neorealism
Picone's Tragicomical Dual Life
Amerigo, andare è sempre tornare
The Divine Comic
After Fellini
Incontri con il cinema italiano
In Search of Italia
The Evolution of Performance Theory and Practice in Postwar Italian Cinema
The essay defines the neorealist position in general and that of director Giuseppe De Santis in particular with regard to the use of actors. It examines the theories related to acting that most influenced postwar filmmakers. It also considers De Santis's campaign to renew Italian cinema during his collaboration with Cinema and how this practice was elaborated during the neorealist period, to ascertain whether a contradiction between theory and pr…
Art (12 works) · Italian Fascism and Post-war Society (9 works) · Humanities (7 works) · Italian Literature and Culture (7 works) · Literature (6 works) · Art history (5 works) · Movie theater (5 works) · Philosophy (5 works) · History (4 works) · Aesthetics (3 works)