Richard J Johns
Biographic Data
| ID | 5808500 |
|---|---|
| NAME | Richard J Johns |
| GIVEN NAMES | Richard J |
| FAMILY NAME | Johns |
| SIGNATURE | JOHNS R J |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Estimated Healthcare Costs of Melanoma and Keratinocyte Skin Cancers in Australia and Aotearoa New Zealand in 2021
Australia and Aotearoa New Zealand have the highest incidence of melanoma and KC in the world. We undertook a cost-of-illness analysis using Markov decision-analytic models separately for melanoma and keratinocyte skin cancer (KC) for each country. Using clinical pathways, the probabilities and unit costs of each health service and medicine for skin cancer management were applied. We estimated mean costs and 95% uncertainty intervals (95% UI) usi…
Riley in Cairo
In the early 1980s, Bridget Riley produced a series of paintings distinguished by their use of the same group of colours, said to have been inspired by the vividly preserved painted tombs that she encountered during a visit to Egypt in the winter of 1979–80. Though clearly related to the black‐and‐white paintings that propelled Riley to international fame in the 1960s, these new works represented a notable change in the artist's methods, combinin…
The House of Saud
No prominent works on this page.
The House of Saud
Estimated Healthcare Costs of Melanoma and Keratinocyte Skin Cancers in Australia and Aotearoa New Zealand in 2021
Australia and Aotearoa New Zealand have the highest incidence of melanoma and KC in the world. We undertook a cost-of-illness analysis using Markov decision-analytic models separately for melanoma and keratinocyte skin cancer (KC) for each country. Using clinical pathways, the probabilities and unit costs of each health service and medicine for skin cancer management were applied. We estimated mean costs and 95% uncertainty intervals (95% UI) usi…
Riley in Cairo
In the early 1980s, Bridget Riley produced a series of paintings distinguished by their use of the same group of colours, said to have been inspired by the vividly preserved painted tombs that she encountered during a visit to Egypt in the winter of 1979–80. Though clearly related to the black‐and‐white paintings that propelled Riley to international fame in the 1960s, these new works represented a notable change in the artist's methods, combinin…
Political science (3 works) · Aesthetics (1 work) · Ancient Egypt and Archaeology (1 work) · Ancient history (1 work) · Aotearoa (1 work) · Archaeology (1 work) · Archaeology and Historical Studies (1 work) · Architecture and Cultural Influences (1 work) · Art (1 work) · Art history (1 work)