Sara Nair James
Biographic Data
| ID | 5808958 |
|---|---|
| NAME | Sara Nair James |
| GIVEN NAMES | Sara Nair |
| FAMILY NAME | James |
| SIGNATURE | JAMES S N |
| AFFILIATIONS | Mary Baldwin College |
| ORCID | 0009-0000-4083-5246 |
| VERIFIED | Yes |
| TOTAL WORKS | 47 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 47 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
The Shadow Drawing
Green Worlds in Early Modern Italy
Tintoretto
The Art, History and Architecture of Florentine Churches
The Collector of Lives
Painting in Britain 1500–1630
Becoming an Architect in Renaissance Italy
Michelangelo’s Christian Mysticism
Religious Poverty, Visual Riches
Pliny and the Artistic Culture of the Italian Renaissance
The Life and Art of Luca Signorelli
Rembrandt and the Face of Jesus
The Historian's Eye
Compass and Rule
Fra Angelico
Giotto's O
Tintoretto
The Renaissance Palace in Florence
Antonello da Messina
da Messina (ca. 1430-1479) was one of the most groundbreaking and influential painters of the quattrocento. No other Italian artist of the fifteenth-century responded in such a direct fashion to the great masters of Bruges and Brussels (including use of their oil technique), to the brilliant Provencal painters, and to the established giants of Italian art, such as Piero della Francesca and Mantegna. In so doing he created unique images with a har…
Images and Identity in Fifteenth-Century Florence
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The Marvel of Maps
Italian Paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art
Art and Culture at the Sistine Court
Eunice D. Howe. Art and Culture at the Sistine Court: Platina’s “Life of Sixtus IV” and the Frescoes of the Hospital of Santo Spirito. Studi e Testi 422. Vatican City: Biblioteca Apostolica Vaticana, 2005. 268 pp. index. append. illus. bibl. $45. ISBN: 88-210-0771-5. - Volume 59 Issue 3
Consuming Visions
By Suzanne K. Kaufman. Ithaca, Cornell University Press, 2005. viii+255 pp. Hb £20.50; $34.95. Consuming Visions offers a lucid and persuasive challenge to the Durkheimian view that the sacred and profane cannot successfully interact. It does so by demonstrating how Lourdes evolved as a modern capitalist shrine, from Bernadette's visions in 1858, through the establishment of the town as a thriving centre of religious tourism, to the controversies…
The Cambridge Companion to Giotto
1. Giotto past and present: an introduction Anne Derbes and Mark Sandona 2. In search of an artist Hayden B .J. Maginnis 3. Giotto and the St. Francis cycle at Assisi Bruno Zanardi 4. Giotto's figures William Tronzo 5. Giotto and architecture Gary M. Radke 6. Giotto and art for the friars: resolutions spiritual and artistic Joanna Cannon 7. Giotto and the figure of St. Francis William R. Cook 8. The Ognissanti Madonna and the Humiliati order in F…
Consuming Visions
By Suzanne K. Kaufman. Ithaca, Cornell University Press, 2005. viii+255 pp. Hb £20.50; $34.95. Consuming Visions offers a lucid and persuasive challenge to the Durkheimian view that the sacred and profane cannot successfully interact. It does so by demonstrating how Lourdes evolved as a modern capitalist shrine, from Bernadette's visions in 1858, through the establishment of the town as a thriving centre of religious tourism, to the controversies…
The Renaissance Antichrist
Benozzo Gozzoli
Story and Space in Renaissance Art
Italian Frescoes
Correggio
Masaccio's Trinity
Tuscan Marble Carving 1250-1350
Italian Frescoes
The Aesthetics of Italian Renaissance Art
Renaissance Florence
Revaluing Renaissance Art
Vermeer and the Delft School
Seventeenth-century Delft has traditionally been viewed as a quaint town whose artists painted scenes of domestic life. This important book revises that image, showing that the small but vibrant Dutch city produced fine examples of all the major arts, including luxury goods and sophisticated paintings for the court at The Hague and for patrician collectors in Delft itself. The book traces the history and culture of Delft from the 1200s through th…
Painting Music in the Sixteenth Century
Contents: Preface Introduction: Some thoughts on musical inscriptions 'Some possible likenesses of Francesco Canova da Milano (1497-1543)' The prodigal son at the whores' music, art, and drama A motet for Machiavelli's mistress and a chanson for a courtesan Mary Magdalene, musician and dancer Mary Magdalene, mondaine musicale Paintings of lady concerts and the transmission of 'Jouissance vous donneray' Musical inscriptions in paintings by Caravag…
Paolo Veronese
Patronage, Culture and Power
The Cecils were the dominant noble family in Elizabethan and Jacobean England. William, Lord Burghley rose to power and great wealth under Elizabeth I, then used his extensive patronage and exceptional breadth of interests to advance the Cecils' remarkable political and cultural pre-eminence. This wide-ranging collection of essays draws on architectural and art history, court studies, English literature, garden history, musicology, economic histo…
Masaccio
Virtue and Beauty
Lenders to the Exhibition 7 Forward by Earl A.
The Iconography and Iconology of George de La Tour's Religious Paintings 1624-1650
Hans Holbein
Henry VIII Revealed
How Fra Angelico and Signorelli Saw the End of the World
Creighton E. Gilbert. How Fra Angelico and Signorelli Saw the End of the World. University Park, PA: The Pennsylvania State University Press, 2003. xix + 200 pp. index. illus. tbls. bibl. $85. ISBN: 0-271-02140-3. - Volume 57 Issue 2
The Cambridge Companion to Giotto
1. Giotto past and present: an introduction Anne Derbes and Mark Sandona 2. In search of an artist Hayden B .J. Maginnis 3. Giotto and the St. Francis cycle at Assisi Bruno Zanardi 4. Giotto's figures William Tronzo 5. Giotto and architecture Gary M. Radke 6. Giotto and art for the friars: resolutions spiritual and artistic Joanna Cannon 7. Giotto and the figure of St. Francis William R. Cook 8. The Ognissanti Madonna and the Humiliati order in F…
The Northern Renaissance
The Marvel of Maps
Italian Paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art
Art (39 works) · Art history (36 works) · Renaissance and Early Modern Studies (20 works) · The Renaissance (15 works) · History (14 works) · History (14 works) · Computer Science (13 works) · Classics (12 works) · Classics (12 works) · Visual arts (12 works)