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Sara Nair James

Biographic Data

ID5808958
NAMESara Nair James
GIVEN NAMESSara Nair
FAMILY NAMEJames
SIGNATUREJAMES S N
AFFILIATIONSMary Baldwin College
ORCID0009-0000-4083-5246
VERIFIEDYes
TOTAL WORKS47
TOTAL CITATIONS1
WORKS AS AUTHOR47
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2022
H-INDEX1
  • The Shadow Drawing

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2022

  • Green Worlds in Early Modern Italy

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2021

  • Tintoretto

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2019

  • The Art, History and Architecture of Florentine Churches

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2018

  • The Collector of Lives

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2018

  • Painting in Britain 1500–1630

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2017

  • Becoming an Architect in Renaissance Italy

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2016

  • Michelangelo’s Christian Mysticism

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2015

  • Religious Poverty, Visual Riches

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2015

  • Pliny and the Artistic Culture of the Italian Renaissance

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2013

  • The Life and Art of Luca Signorelli

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2013

  • Rembrandt and the Face of Jesus

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2012

  • The Historian's Eye

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2011

  • Compass and Rule

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2011

  • Fra Angelico

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2010

  • Giotto's O

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2010

  • Tintoretto

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2009

  • The Renaissance Palace in Florence

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2009

  • Antonello da Messina

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2008

    da Messina (ca. 1430-1479) was one of the most groundbreaking and influential painters of the quattrocento. No other Italian artist of the fifteenth-century responded in such a direct fashion to the great masters of Bruges and Brussels (including use of their oil technique), to the brilliant Provencal painters, and to the established giants of Italian art, such as Piero della Francesca and Mantegna. In so doing he created unique images with a har…

  • Images and Identity in Fifteenth-Century Florence

    Open Access•Sara Nair James•ARTICLE•Renaissance Quarterly•2008

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Marvel of Maps

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2006

  • Italian Paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2006

  • Art and Culture at the Sistine Court

    Open Access•Sara Nair James•ARTICLE•Renaissance Quarterly•2006

    Eunice D. Howe. Art and Culture at the Sistine Court: Platina’s “Life of Sixtus IV” and the Frescoes of the Hospital of Santo Spirito. Studi e Testi 422. Vatican City: Biblioteca Apostolica Vaticana, 2005. 268 pp. index. append. illus. bibl. $45. ISBN: 88-210-0771-5. - Volume 59 Issue 3

  • Consuming Visions

    Sara James, Sara Nair James•ARTICLE•French Studies•2006•Cited by: 1

    By Suzanne K. Kaufman. Ithaca, Cornell University Press, 2005. viii+255 pp. Hb £20.50; $34.95. Consuming Visions offers a lucid and persuasive challenge to the Durkheimian view that the sacred and profane cannot successfully interact. It does so by demonstrating how Lourdes evolved as a modern capitalist shrine, from Bernadette's visions in 1858, through the establishment of the town as a thriving centre of religious tourism, to the controversies…

  • The Cambridge Companion to Giotto

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2005

    1. Giotto past and present: an introduction Anne Derbes and Mark Sandona 2. In search of an artist Hayden B .J. Maginnis 3. Giotto and the St. Francis cycle at Assisi Bruno Zanardi 4. Giotto's figures William Tronzo 5. Giotto and architecture Gary M. Radke 6. Giotto and art for the friars: resolutions spiritual and artistic Joanna Cannon 7. Giotto and the figure of St. Francis William R. Cook 8. The Ognissanti Madonna and the Humiliati order in F…

Next
  • Consuming Visions

    Sara James, Sara Nair James•ARTICLE•French Studies•2006•Cited by: 1

    By Suzanne K. Kaufman. Ithaca, Cornell University Press, 2005. viii+255 pp. Hb £20.50; $34.95. Consuming Visions offers a lucid and persuasive challenge to the Durkheimian view that the sacred and profane cannot successfully interact. It does so by demonstrating how Lourdes evolved as a modern capitalist shrine, from Bernadette's visions in 1858, through the establishment of the town as a thriving centre of religious tourism, to the controversies…

  • The Renaissance Antichrist

    Sara Nair James•ARTICLE•Sixteenth Century Journal•1996

  • Benozzo Gozzoli

    Sara Nair James•ARTICLE•Sixteenth Century Journal•1997

  • Story and Space in Renaissance Art

    Sara Nair James•ARTICLE•Sixteenth Century Journal•1997

  • Italian Frescoes

    Sara Nair James•ARTICLE•Sixteenth Century Journal•1998

  • Correggio

    Sara Nair James•ARTICLE•Sixteenth Century Journal•1998

  • Masaccio's Trinity

    Sara Nair James•ARTICLE•Sixteenth Century Journal•1999

  • Tuscan Marble Carving 1250-1350

    Sara Nair James•ARTICLE•Sixteenth Century Journal•1999

  • Italian Frescoes

    Sara Nair James•ARTICLE•Sixteenth Century Journal•1999

  • The Aesthetics of Italian Renaissance Art

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2001

  • Renaissance Florence

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2001

  • Revaluing Renaissance Art

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2002

  • Vermeer and the Delft School

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2002

    Seventeenth-century Delft has traditionally been viewed as a quaint town whose artists painted scenes of domestic life. This important book revises that image, showing that the small but vibrant Dutch city produced fine examples of all the major arts, including luxury goods and sophisticated paintings for the court at The Hague and for patrician collectors in Delft itself. The book traces the history and culture of Delft from the 1200s through th…

  • Painting Music in the Sixteenth Century

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2003

    Contents: Preface Introduction: Some thoughts on musical inscriptions 'Some possible likenesses of Francesco Canova da Milano (1497-1543)' The prodigal son at the whores' music, art, and drama A motet for Machiavelli's mistress and a chanson for a courtesan Mary Magdalene, musician and dancer Mary Magdalene, mondaine musicale Paintings of lady concerts and the transmission of 'Jouissance vous donneray' Musical inscriptions in paintings by Caravag…

  • Paolo Veronese

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2003

  • Patronage, Culture and Power

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2004

    The Cecils were the dominant noble family in Elizabethan and Jacobean England. William, Lord Burghley rose to power and great wealth under Elizabeth I, then used his extensive patronage and exceptional breadth of interests to advance the Cecils' remarkable political and cultural pre-eminence. This wide-ranging collection of essays draws on architectural and art history, court studies, English literature, garden history, musicology, economic histo…

  • Masaccio

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2004

  • Virtue and Beauty

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2004

    Lenders to the Exhibition 7 Forward by Earl A.

  • The Iconography and Iconology of George de La Tour's Religious Paintings 1624-1650

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2004

  • Hans Holbein

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2004

  • Henry VIII Revealed

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2004

  • How Fra Angelico and Signorelli Saw the End of the World

    Open Access•Sara Nair James•ARTICLE•Renaissance Quarterly•2004

    Creighton E. Gilbert. How Fra Angelico and Signorelli Saw the End of the World. University Park, PA: The Pennsylvania State University Press, 2003. xix + 200 pp. index. illus. tbls. bibl. $85. ISBN: 0-271-02140-3. - Volume 57 Issue 2

  • The Cambridge Companion to Giotto

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2005

    1. Giotto past and present: an introduction Anne Derbes and Mark Sandona 2. In search of an artist Hayden B .J. Maginnis 3. Giotto and the St. Francis cycle at Assisi Bruno Zanardi 4. Giotto's figures William Tronzo 5. Giotto and architecture Gary M. Radke 6. Giotto and art for the friars: resolutions spiritual and artistic Joanna Cannon 7. Giotto and the figure of St. Francis William R. Cook 8. The Ognissanti Madonna and the Humiliati order in F…

  • The Northern Renaissance

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2005

  • The Marvel of Maps

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2006

  • Italian Paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art

    Sara Nair James•ARTICLE•Sixteenth Century Journal•2006

Art (39 works) · Art history (36 works) · Renaissance and Early Modern Studies (20 works) · The Renaissance (15 works) · History (14 works) · History (14 works) · Computer Science (13 works) · Classics (12 works) · Classics (12 works) · Visual arts (12 works)

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