Geoffrey Burgess

Biographic Data

ID5811671
NAMEGeoffrey Burgess
GIVEN NAMESGeoffrey
FAMILY NAMEBurgess
SIGNATUREBURGESS G
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS2
AUTHOR COUNT8
EDITOR COUNT6
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2015
H-INDEX1

  • Bosworth and Hammer

    Geoffrey BurgessCHAPTERThe new Grove dictionary of music…2015

  • Bloom, Robert

    Geoffrey BurgessCHAPTERThe new Grove dictionary of music…2013

  • Enlightening Harmonies

    Geoffrey BurgessARTICLEJournal of the American…2012Cited by: 1References: 8

    In his late writings, Jean-Philippe Rameau attributed mystical, almost divine qualities to the corps sonore, a fundamental element in his theory of harmonic generation. This article traces the use that Rameau made of the corps sonore in his stage works as part of a tradition of the oracular pronouncements in the French opera. In addition to using it to symbolize enlightenment, starting from the late 1740s Rameau used it to accompany the spells of…

  • Triébert family

    Philip Bate, Geoffrey BurgessCHAPTERThe new Grove dictionary of music…2001

  • Triébert, (Georges-Louis-)Guillaume

    Philip Bate, Geoffrey BurgessCHAPTERThe new Grove dictionary of music…2001

  • Vogt, (Auguste-Georges-)Gustave

    Geoffrey BurgessCHAPTERThe new Grove dictionary of music…2001

  • Oboe

    Janet K Page, Geoffrey Burgess et al.CHAPTERThe new Grove dictionary of music…2001

  • Triébert, Charles-Louis

    Philip Bate, Geoffrey BurgessCHAPTERThe new Grove dictionary of music…2001

  • Triébert, Frédéric

    Philip Bate, Geoffrey BurgessCHAPTERThe new Grove dictionary of music…2001

  • Triébert, (Auguste-) Raoul

    Philip Bate, Geoffrey BurgessCHAPTERThe new Grove dictionary of music…2001

  • Stacy, Thomas

    Geoffrey BurgessCHAPTERThe new Grove dictionary of music…2001

  • Reed

    Philip Bate, Geoffrey BurgessCHAPTERThe new Grove dictionary of music…2001

  • Le théâtre ne change qu'à la troisième scène’

    Open AccessGeoffrey BurgessARTICLECambridge Opera Journal1998Cited by: 1

    In the original version of the libretto of Hippolyte et Aricie , the librettist Simon-Joseph Pellegrin prefaced Act V with the rubric ‘le théatre ne change qu'à la troisiéme scéne’ [‘the stage changes only at the third scene’]. This is one of the few acts in the entire repertoire of tragédies en musique where the conventional formula ‘le théatre représente ...’ [‘the stage represents ... ’], followed by a description of what the stage was intende…

  • The Failure of the Film of the Play. Draussen Vor Der Tür and Liebe 47

    Open AccessG J A Burgess, Geoffrey BurgessARTICLEGerman Life and Letters1985