Robert Dassanowsky
Biographic Data
| ID | 5811789 |
|---|---|
| NAME | Robert Dassanowsky |
| GIVEN NAMES | Robert |
| FAMILY NAME | Dassanowsky |
| SIGNATURE | DASSANOWSKY R |
| AFFILIATIONS | University of Colorado Colorado Springs |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Wolfgang Bauer
Reviewed by: Wolfgang Bauer: Werk, Leben, Nachlass, Wirkung by Thomas Antonic Robert Dassanowsky Thomas Antonic, Wolfgang Bauer: Werk, Leben, Nachlass, Wirkung. Klagenfurt: Ritter Verlag, 2018. 605 pp. Austria's experience of the 1960s is oft en indicated by a youth-based counterculture that never managed to take on what was a self-consciously traditionalist, identity-anxious nation. Moreover, the truly radical performance art of the Viennese Act…
Screening Transcendence
The Anschluss as Film Noir
Leo Perutz's Mainacht in Wien is a novel fragment of three chapters writt en in 1938; it was abandoned when the author and his family managed to secure exile in Palestine. The unfinished novel is perhaps the most intriguing att empt at fictionalizing the immediate atmosphere of Nazi Vienna. Despite the time of its origin, Mainacht in Wien avoids direct political commentary and instead conveys a disaster in its strikingly visual literary style tha…
Forum
Home/Sick
Although contemporary America is the setting for Billy Wilder’s Hollywood work, Berlin, the site of his first film and by his own accord the motivation for his cinematic art, became the setting for two postwar satires and overt representations. The expatriate Austrian devoted only a single imperial fantasy film to Vienna, The Emperor Waltz (1948), which is as much about the roots of Nazi eugenics as it is a parody of operetta, but overlooked cryp…
In Memoriam
Hugo von Hofmannsthal and the Austrian Idea
A Wave Over Boundaries
Catch Hannibal at Mr Ripley's Fight Club if you can
Preview this article: Catch Hannibal at Mr Ripley's Fight Club if you can: From Eurodecadent cinema to American nationalist allegory, Page 1 of 1 /docserver/preview/fulltext/fint/5/3/s3-1.gif
A Caper of One's Own
Appreciated today only for the style of the early- and mid-1960s Hollywood studio product, the crime comedy film featured strong female roles that paralleled the collapse of the traditional female roles in the era's spy films. Influenced by Hitchcock's sexualized women and Audrey Hepburn's independent 1950s gamines, the female "caper" character of the 1960s signals a dislocation of women's roles brought on by a world caught between hedonism and p…
Going Home Again? Ruzowitzky's Die Siebtelbauern and the New Austrian Heimatfilm
Wherever you may run, you cannot escape him”
A Caper of One's Own
Appreciated today only for the style of the early- and mid-1960s Hollywood studio product, the crime comedy film featured strong female roles that paralleled the collapse of the traditional female roles in the era's spy films. Influenced by Hitchcock's sexualized women and Audrey Hepburn's independent 1950s gamines, the female "caper" character of the 1960s signals a dislocation of women's roles brought on by a world caught between hedonism and p…
Wherever you may run, you cannot escape him”
Going Home Again? Ruzowitzky's Die Siebtelbauern and the New Austrian Heimatfilm
Catch Hannibal at Mr Ripley's Fight Club if you can
Preview this article: Catch Hannibal at Mr Ripley's Fight Club if you can: From Eurodecadent cinema to American nationalist allegory, Page 1 of 1 /docserver/preview/fulltext/fint/5/3/s3-1.gif
A Caper of One's Own
Appreciated today only for the style of the early- and mid-1960s Hollywood studio product, the crime comedy film featured strong female roles that paralleled the collapse of the traditional female roles in the era's spy films. Influenced by Hitchcock's sexualized women and Audrey Hepburn's independent 1950s gamines, the female "caper" character of the 1960s signals a dislocation of women's roles brought on by a world caught between hedonism and p…
A Wave Over Boundaries
Hugo von Hofmannsthal and the Austrian Idea
Home/Sick
Although contemporary America is the setting for Billy Wilder’s Hollywood work, Berlin, the site of his first film and by his own accord the motivation for his cinematic art, became the setting for two postwar satires and overt representations. The expatriate Austrian devoted only a single imperial fantasy film to Vienna, The Emperor Waltz (1948), which is as much about the roots of Nazi eugenics as it is a parody of operetta, but overlooked cryp…
In Memoriam
Forum
The Anschluss as Film Noir
Leo Perutz's Mainacht in Wien is a novel fragment of three chapters writt en in 1938; it was abandoned when the author and his family managed to secure exile in Palestine. The unfinished novel is perhaps the most intriguing att empt at fictionalizing the immediate atmosphere of Nazi Vienna. Despite the time of its origin, Mainacht in Wien avoids direct political commentary and instead conveys a disaster in its strikingly visual literary style tha…
Screening Transcendence
Wolfgang Bauer
Reviewed by: Wolfgang Bauer: Werk, Leben, Nachlass, Wirkung by Thomas Antonic Robert Dassanowsky Thomas Antonic, Wolfgang Bauer: Werk, Leben, Nachlass, Wirkung. Klagenfurt: Ritter Verlag, 2018. 605 pp. Austria's experience of the 1960s is oft en indicated by a youth-based counterculture that never managed to take on what was a self-consciously traditionalist, identity-anxious nation. Moreover, the truly radical performance art of the Viennese Act…
Art (9 works) · Art history (7 works) · Cinema and Media Studies (5 works) · European history and politics (5 works) · Law (5 works) · Literature (5 works) · History (4 works) · Philosophy (4 works) · German Literature and Culture Studies (3 works) · Nazism (3 works)