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Christina Avronidaki

Biographic Data

ID5811932
NAMEChristina Avronidaki
GIVEN NAMESChristina
FAMILY NAMEAvronidaki
SIGNATUREAVRONIDAKI C
AFFILIATIONSMusée d'Art et d'Histoire
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2018
H-INDEX1
  • La collection des figurines en terre cuite du Musée National d’Athènes

    Open Access•Christina Avronidaki, Evangelos Vivliodetis•ARTICLE•Les Carnets de l ACoSt•2018

    Cet article traite de la formation de la collection des figurines en terre cuite du Musée National Archéologique d’Athènes, vers la fin du 19ème siècle, et de l’enrichissement du fonds initial dès lors. De plus, il décrit les critères archéologiques et muséographiques utilisés pour l’exposition permanente, en 2009, d’environ 500 figurines en terre cuite, et la création d’un parcours non seulement chronologique et géographique, mais ponctuellement…

  • The Six's Technique in Boiotia

    Victoria Sabetai, Victoria Sabetai Victoria Sabetai et al.•ARTICLE•Hesperia The Journal of the…•2018•Cited by: 1

    Despite progress in the study of Boiotian black- and red-figure vase painting, research on special techniques of vase decoration for this region is lacking. This article attempts to examine a facet of Boiotian decorated pottery in which colors were added over the black glaze, a practice known as Six's technique. Our synthesis focuses on material that long languished unstudied, and we aim to understand the manifestations of this technique over tim…

  • Hidden Pictures on a Boiotian Calyx Krater in Zurich

    Christina Avronidaki Christina Avronidaki, Christina Avronidaki•ARTICLE•Hesperia The Journal of the…•2015•References: 5

    This article reexamines a Boiotian red-figure calyx krater in Zurich (Archäologische Sammlung der Universität 2544) that depicts the meeting of Menelaos and Helen after the sack of Troy on one side and a large palmette on the other. The uniqueness of this vase lies in its abundance of elements in added white, now mostly faded: on the front, a mirror, a kalathos, and a table—together with a cuirass and a quiver—situate Helen's recovery in a domest…

  • An Assortment of Bridal Images on a Boeotian Red-figure Pyxis from the Workshop of the Painter of the Great Athenian Kantharos

    Christina Avronidaki•CHAPTER•Regional Production of Red Figure…•2014

  • The Six's Technique in Boiotia

    Victoria Sabetai, Victoria Sabetai Victoria Sabetai et al.•ARTICLE•Hesperia The Journal of the…•2018•Cited by: 1

    Despite progress in the study of Boiotian black- and red-figure vase painting, research on special techniques of vase decoration for this region is lacking. This article attempts to examine a facet of Boiotian decorated pottery in which colors were added over the black glaze, a practice known as Six's technique. Our synthesis focuses on material that long languished unstudied, and we aim to understand the manifestations of this technique over tim…

  • An Assortment of Bridal Images on a Boeotian Red-figure Pyxis from the Workshop of the Painter of the Great Athenian Kantharos

    Christina Avronidaki•CHAPTER•Regional Production of Red Figure…•2014

  • Hidden Pictures on a Boiotian Calyx Krater in Zurich

    Christina Avronidaki Christina Avronidaki, Christina Avronidaki•ARTICLE•Hesperia The Journal of the…•2015•References: 5

    This article reexamines a Boiotian red-figure calyx krater in Zurich (Archäologische Sammlung der Universität 2544) that depicts the meeting of Menelaos and Helen after the sack of Troy on one side and a large palmette on the other. The uniqueness of this vase lies in its abundance of elements in added white, now mostly faded: on the front, a mirror, a kalathos, and a table—together with a cuirass and a quiver—situate Helen's recovery in a domest…

  • La collection des figurines en terre cuite du Musée National d’Athènes

    Open Access•Christina Avronidaki, Evangelos Vivliodetis•ARTICLE•Les Carnets de l ACoSt•2018

    Cet article traite de la formation de la collection des figurines en terre cuite du Musée National Archéologique d’Athènes, vers la fin du 19ème siècle, et de l’enrichissement du fonds initial dès lors. De plus, il décrit les critères archéologiques et muséographiques utilisés pour l’exposition permanente, en 2009, d’environ 500 figurines en terre cuite, et la création d’un parcours non seulement chronologique et géographique, mais ponctuellement…

  • The Six's Technique in Boiotia

    Victoria Sabetai, Victoria Sabetai Victoria Sabetai et al.•ARTICLE•Hesperia The Journal of the…•2018•Cited by: 1

    Despite progress in the study of Boiotian black- and red-figure vase painting, research on special techniques of vase decoration for this region is lacking. This article attempts to examine a facet of Boiotian decorated pottery in which colors were added over the black glaze, a practice known as Six's technique. Our synthesis focuses on material that long languished unstudied, and we aim to understand the manifestations of this technique over tim…

Art (4 works) · Ancient Mediterranean Archaeology and History (3 works) · Art history (3 works) · Classical Antiquity Studies (2 works) · Painting (2 works) · Visual arts (2 works) · Aesthetic Perception and Analysis (1 works) · Ancient Egypt and Archaeology (1 works) · Archaeological Research and Protection (1 works) · Archaeology (1 works)

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