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J Steyn

Biographic Data

ID5813754
NAMEJ Steyn
GIVEN NAMESJ
FAMILY NAMESteyn
SIGNATURESTEYN J
AFFILIATIONSCouncil for Scientific and Industrial Research
ORCID0000-0002-7573-6181
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS36
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2013
H-INDEX2
  • A proof of concept demonstration of the automated laser removal of rock from a fossil using 3D X-ray tomography data

    Open Access•Anél Du Plessis, J Steyn et al.•ARTICLE•Journal of Archaeological Science•2013•Cited by: 3•References: 1

  • Guantanamo Bay: The Legal Black Hole 1

    Open Access•J Steyn•ARTICLE•International and Comparative Law…•2004•Cited by: 33•References: 3

    The most powerful democracy is detaining hundreds of suspected foot soldiers of the Taliban in a legal black hole at the United States naval base at Guantanamo Bay, where they await trial on capital charges by military tribunals. This episode must be put in context. Democracies must defend themselves. Democracies are entitled to try officers and soldiers of enemy forces for war crimes. But it is a recurring theme in history that in times of war, …

  • Living in a Mausoleum

    J Steyn•ARTICLE•Oxford Art Journal•2000

    Journal Article Living in a Mausoleum Get access Ernst Van Alphen : Caught by History: Holocaust Effects in Contemporary Art, Literature, and Theory ( Stanford University Press : Stanford, California , 1997 ), 248 pp., hardback ISBN 0804729158 , £35.00. paperback 0804729166 , £12.95. Juliet Steyn Juliet Steyn Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 23, Issue 1, 2000, Pages 147–150, https…

  • Religion and our loneliness

    J Steyn•ARTICLE•Religion and Theology•1995

  • The Complexities of Assimilation in the 1906 Whitechapel Art Gallery Exhibition 'Jewish Art and Antiquities

    J Steyn•ARTICLE•Oxford Art Journal•1990

    Between 12 noon and 10 p.m. for the six weeks between November 7 and December 16, 1906 over 150,000 people visited the exhibition Jewish Art and Antiquities at the Whitechapel Art Gallery, London.) The Gallery, founded by Canon and Henrietta Barnett, was opened on 12 March 1901 by Lord Rosebery. It was the outcome of twenty years of exhibitions organised by the Barnetts in St Jude's Schools, Whitechapel where the attendance figures had risen from…

  • How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War

    J Steyn•ARTICLE•Oxford Art Journal•1984

    How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War Get access Serge Guilbaut , University of Chicago Press , 1983 , £22. JULIET STEYN JULIET STEYN Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 7, Issue 2, 1984, Pages 60–64, https://doi.org/10.1093/oxartj/7.2.60 Published: 01 December 1984

  • Guantanamo Bay: The Legal Black Hole 1

    Open Access•J Steyn•ARTICLE•International and Comparative Law…•2004•Cited by: 33•References: 3

    The most powerful democracy is detaining hundreds of suspected foot soldiers of the Taliban in a legal black hole at the United States naval base at Guantanamo Bay, where they await trial on capital charges by military tribunals. This episode must be put in context. Democracies must defend themselves. Democracies are entitled to try officers and soldiers of enemy forces for war crimes. But it is a recurring theme in history that in times of war, …

  • A proof of concept demonstration of the automated laser removal of rock from a fossil using 3D X-ray tomography data

    Open Access•Anél Du Plessis, J Steyn et al.•ARTICLE•Journal of Archaeological Science•2013•Cited by: 3•References: 1

  • How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War

    J Steyn•ARTICLE•Oxford Art Journal•1984

    How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War Get access Serge Guilbaut , University of Chicago Press , 1983 , £22. JULIET STEYN JULIET STEYN Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 7, Issue 2, 1984, Pages 60–64, https://doi.org/10.1093/oxartj/7.2.60 Published: 01 December 1984

  • The Complexities of Assimilation in the 1906 Whitechapel Art Gallery Exhibition 'Jewish Art and Antiquities

    J Steyn•ARTICLE•Oxford Art Journal•1990

    Between 12 noon and 10 p.m. for the six weeks between November 7 and December 16, 1906 over 150,000 people visited the exhibition Jewish Art and Antiquities at the Whitechapel Art Gallery, London.) The Gallery, founded by Canon and Henrietta Barnett, was opened on 12 March 1901 by Lord Rosebery. It was the outcome of twenty years of exhibitions organised by the Barnetts in St Jude's Schools, Whitechapel where the attendance figures had risen from…

  • Religion and our loneliness

    J Steyn•ARTICLE•Religion and Theology•1995

  • Living in a Mausoleum

    J Steyn•ARTICLE•Oxford Art Journal•2000

    Journal Article Living in a Mausoleum Get access Ernst Van Alphen : Caught by History: Holocaust Effects in Contemporary Art, Literature, and Theory ( Stanford University Press : Stanford, California , 1997 ), 248 pp., hardback ISBN 0804729158 , £35.00. paperback 0804729166 , £12.95. Juliet Steyn Juliet Steyn Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 23, Issue 1, 2000, Pages 147–150, https…

  • Guantanamo Bay: The Legal Black Hole 1

    Open Access•J Steyn•ARTICLE•International and Comparative Law…•2004•Cited by: 33•References: 3

    The most powerful democracy is detaining hundreds of suspected foot soldiers of the Taliban in a legal black hole at the United States naval base at Guantanamo Bay, where they await trial on capital charges by military tribunals. This episode must be put in context. Democracies must defend themselves. Democracies are entitled to try officers and soldiers of enemy forces for war crimes. But it is a recurring theme in history that in times of war, …

  • A proof of concept demonstration of the automated laser removal of rock from a fossil using 3D X-ray tomography data

    Open Access•Anél Du Plessis, J Steyn et al.•ARTICLE•Journal of Archaeological Science•2013•Cited by: 3•References: 1

Art (3 works) · Art history (3 works) · History (3 works) · Philosophy (3 works) · Political science (3 works) · Archaeology (2 works) · Law (2 works) · Sociology (2 works) · Acquittal (1 works) · Art History and Market Analysis (1 works)

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