Yassaman Khajehi
Biographic Data
| ID | 5824498 |
|---|---|
| NAME | Yassaman Khajehi |
| GIVEN NAMES | Yassaman |
| FAMILY NAME | Khajehi |
| SIGNATURE | KHAJEHI Y |
| AFFILIATIONS | Université Clermont Auvergne |
| ORCID | 0009-0008-8813-1924 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Hamlet , un spectacle plus que parfait pour l’Iran
La situation du théâtre contemporain en Iran
Le printemps et le corps en exil dans les pièces de Mohsen Yalfani
Iran en performance
Fragments of a Revolution
With the Iranian protest movement “Woman, Life, Freedom,” public spaces have become scenes of collective performance. As women openly defy the authoritarian and religious powers, theatre artists are faced with a question: What role can we imagine for theatre when citizens themselves perform their struggle to reclaim the public space and sphere of power
To Tell Anew
International audience
From ritual to performance
As a practice and experience, ta'zieh lies at the crossroads between ritual and performance, collective lament and recollection, literature, and folklore. Focusing on the experience of the spectator, this paper discusses ta'zieh 's liminal status and diverse functions in Iran today. This study is based on observations gathered during fieldwork in the fall of 2017 in Tehran (Grand Bazaar), Isfahan (Falāvarjān), and Kashan (Nushābād). By way of com…
Le genre marionnettique
From ritual to performance
As a practice and experience, ta'zieh lies at the crossroads between ritual and performance, collective lament and recollection, literature, and folklore. Focusing on the experience of the spectator, this paper discusses ta'zieh 's liminal status and diverse functions in Iran today. This study is based on observations gathered during fieldwork in the fall of 2017 in Tehran (Grand Bazaar), Isfahan (Falāvarjān), and Kashan (Nushābād). By way of com…
Le genre marionnettique
Le printemps et le corps en exil dans les pièces de Mohsen Yalfani
Iran en performance
Fragments of a Revolution
With the Iranian protest movement “Woman, Life, Freedom,” public spaces have become scenes of collective performance. As women openly defy the authoritarian and religious powers, theatre artists are faced with a question: What role can we imagine for theatre when citizens themselves perform their struggle to reclaim the public space and sphere of power
To Tell Anew
International audience
From ritual to performance
As a practice and experience, ta'zieh lies at the crossroads between ritual and performance, collective lament and recollection, literature, and folklore. Focusing on the experience of the spectator, this paper discusses ta'zieh 's liminal status and diverse functions in Iran today. This study is based on observations gathered during fieldwork in the fall of 2017 in Tehran (Grand Bazaar), Isfahan (Falāvarjān), and Kashan (Nushābād). By way of com…
Hamlet , un spectacle plus que parfait pour l’Iran
La situation du théâtre contemporain en Iran
Art (6 works) · Islamic Studies and History (5 works) · Political science (4 works) · Contemporary and Historical Greek Studies (3 works) · Linguistics (3 works) · Literature (3 works) · Philosophy (3 works) · Aesthetics (2 works) · History (2 works) · History (2 works)