Kara Abdolmaleki
Biographic Data
| ID | 5824531 |
|---|---|
| NAME | Kara Abdolmaleki |
| GIVEN NAMES | Kara |
| FAMILY NAME | Abdolmaleki |
| SIGNATURE | ABDOLMALEKI K |
| AFFILIATIONS | University of Alberta |
| ORCID | 0000-0002-8843-1352 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
Back at the ‘Foot of the Mountain’
The Female Gaze in The Blind Owl by Sadeq Hedayat and Lost Highway by David Lynch
In feminist theory, the “female gaze” is a reaction to the imbalance of power created by the “male gaze”. Yet, since the concept lacks sound grounding in theory, it solely poses “a simple (antagonistic) response” to male voyeurism. This article traces the manifestations of the female gaze in Lost Highway and The Blind Owl , a film noir and a novella. It is concluded that instead of offsetting the imbalance of power, the female gaze only reverses …
No prominent works on this page.
The Female Gaze in The Blind Owl by Sadeq Hedayat and Lost Highway by David Lynch
In feminist theory, the “female gaze” is a reaction to the imbalance of power created by the “male gaze”. Yet, since the concept lacks sound grounding in theory, it solely poses “a simple (antagonistic) response” to male voyeurism. This article traces the manifestations of the female gaze in Lost Highway and The Blind Owl , a film noir and a novella. It is concluded that instead of offsetting the imbalance of power, the female gaze only reverses …
Back at the ‘Foot of the Mountain’
Art (1 work) · Cinema and Media Studies (1 work) · Crime and Detective Fiction Studies (1 work) · Gaze (1 work) · Gender Studies (1 work) · Gender Studies (1 work) · Geographies of human-animal interactions (1 work) · Gothic Literature and Media Analysis (1 work) · Hegemony (1 work) · Interdisciplinary Cultural and Social Studies (1 work)