Farooq Hamid
Biographic Data
| ID | 5824591 |
|---|---|
| NAME | Farooq Hamid |
| GIVEN NAMES | Farooq |
| FAMILY NAME | Hamid |
| SIGNATURE | HAMID F |
| AFFILIATIONS | Pomona College |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2000 |
| H-INDEX | 1 |
The Hagiographic Process: The Case of Medieval Chishti Sufi Far?d al‐D?n Mas'ūd Ganj‐i Shakar (d. 664/1265)
Storytelling Techniques in the Masnavī‐yi Macnavī of Mowlana Jalal al‐Din Rumi: Wayward Narrative or Logical Progression
bacd az samāc gūyī k-ān shūr-hā kujā shud yā khud na-būd chizī yā būd va ān fanā shud Confounded, after the samāc you inquire, “What became of that tumult?” I say, “Either it wasn't anything or maybe it was and simply ceased to be.” This Paper Shall Deal with the Formal Aspects of the Storytelling technique employed by Mowlana Jalal al-Din Rumi (1207-73 C.E.) in his Ma navī-yi Macnavī (henceforth Ma navī). I shall begin with the assumption that t…
An Exile's Sense of Place: Three Poems by Nader Naderpur
Crucial to an exile's perception of his or her identity is a sense of place and the exile's relationship with it. This has been one of the most productive sources of imagery that has shaped by Nader Naderpur's poetry since he left Iran in 1981. In much of his poetry of exile, strong emotions stand out: rage at the powers in Iran that caused him to go into exile, grief at what happened to his country as well as to himself, half-acknowledged accept…
An Exile's Sense of Place: Three Poems by Nader Naderpur
Crucial to an exile's perception of his or her identity is a sense of place and the exile's relationship with it. This has been one of the most productive sources of imagery that has shaped by Nader Naderpur's poetry since he left Iran in 1981. In much of his poetry of exile, strong emotions stand out: rage at the powers in Iran that caused him to go into exile, grief at what happened to his country as well as to himself, half-acknowledged accept…
Storytelling Techniques in the Masnavī‐yi Macnavī of Mowlana Jalal al‐Din Rumi: Wayward Narrative or Logical Progression
bacd az samāc gūyī k-ān shūr-hā kujā shud yā khud na-būd chizī yā būd va ān fanā shud Confounded, after the samāc you inquire, “What became of that tumult?” I say, “Either it wasn't anything or maybe it was and simply ceased to be.” This Paper Shall Deal with the Formal Aspects of the Storytelling technique employed by Mowlana Jalal al-Din Rumi (1207-73 C.E.) in his Ma navī-yi Macnavī (henceforth Ma navī). I shall begin with the assumption that t…
The Hagiographic Process: The Case of Medieval Chishti Sufi Far?d al‐D?n Mas'ūd Ganj‐i Shakar (d. 664/1265)
Art (3 works) · Islamic Studies and History (3 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Aesthetics (1 works) · Archaeology and Historical Studies (1 works) · Casual (1 works)