Amr Taher Ahmed
Biographic Data
| ID | 5824625 |
|---|---|
| NAME | Amr Taher Ahmed |
| GIVEN NAMES | Amr Taher |
| FAMILY NAME | Ahmed |
| SIGNATURE | AHMED A T |
| AFFILIATIONS | Mondes Iranien et Indien |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Yaḥyā Dawlatābādī’s Contribution to Persian Poetic Modernity
In 1912, Yaḥyā Dawlatābādī composed two poems, the form of which diverged greatly from the canonical rules of tradition. Both poems were based on syllabic meters. Critics and historians of modern Persian literature have given these poems little consideration, and discussed them merely from the point of view of metrics. When compared to the great modernist endeavors in the poetry of the time, these pieces were judged severely, or altogether disavo…
A Theory of Reduplication
It is a known fact that classical Persian poets were partial to poetic meters composed of eight feet, known as muthamman . On this topic, however, two issues remain unsolved: How did the Persian poets devise these meters in the first place? Despite their flagrant predilection for eightfold meters, why did the Persians never use such meters as sarīʿ and qarīb in this form? This paper argues that the Persians, influenced by the structure of the Ara…
Le statut de la métrique populaire dans la poétique de Nimā Yu ij
Refonte de la metrique quantitative traditionnelle, l'oeuvre de Nima Yusij n'avait pas encore livre tous ses secrets. Nous pouvons desormais affirmer que le pere de la poesie persane moderne a un temps explore les structures de la poesie populaire. En effet, l'analyse des poemes « pour enfants » Bahar et Avaz-e qafas, sur lesquels achoppaient les critiques, s'eclaire a la lumiere de la metrique de la poesie populaire, dont la nature syllabo-accen…
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Le statut de la métrique populaire dans la poétique de Nimā Yu ij
Refonte de la metrique quantitative traditionnelle, l'oeuvre de Nima Yusij n'avait pas encore livre tous ses secrets. Nous pouvons desormais affirmer que le pere de la poesie persane moderne a un temps explore les structures de la poesie populaire. En effet, l'analyse des poemes « pour enfants » Bahar et Avaz-e qafas, sur lesquels achoppaient les critiques, s'eclaire a la lumiere de la metrique de la poesie populaire, dont la nature syllabo-accen…
A Theory of Reduplication
It is a known fact that classical Persian poets were partial to poetic meters composed of eight feet, known as muthamman . On this topic, however, two issues remain unsolved: How did the Persian poets devise these meters in the first place? Despite their flagrant predilection for eightfold meters, why did the Persians never use such meters as sarīʿ and qarīb in this form? This paper argues that the Persians, influenced by the structure of the Ara…
Yaḥyā Dawlatābādī’s Contribution to Persian Poetic Modernity
In 1912, Yaḥyā Dawlatābādī composed two poems, the form of which diverged greatly from the canonical rules of tradition. Both poems were based on syllabic meters. Critics and historians of modern Persian literature have given these poems little consideration, and discussed them merely from the point of view of metrics. When compared to the great modernist endeavors in the poetry of the time, these pieces were judged severely, or altogether disavo…
Art (3 works) · Islamic Studies and History (3 works) · Literature (3 works) · Poetry (3 works) · History (2 works) · History (2 works) · Linguistics (2 works) · Persian (2 works) · Philosophy (2 works) · Philosophy (2 works)