Reza Taher-Kermani
Biographic Data
| ID | 5824691 |
|---|---|
| NAME | Reza Taher-Kermani |
| GIVEN NAMES | Reza |
| FAMILY NAME | Taher-Kermani |
| SIGNATURE | TAHER-KERMANI R |
| AFFILIATIONS | English and Foreign Languages University |
| ORCID | 0000-0002-3018-2162 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
The Rubáiyát
This is an essay on the genesis of the Rubáiyát of Omar Khayyám. The contention is that the Rubáiyát ensued, at least, partly from the affection that Edward FitzGerald had for his friend and mentor in Persian, Edward Byles Cowell. FitzGerald used Omar Khayyám as an excuse to stay in touch with his dear friend Cowell, who left England after introducing him to Khayyám and his poetry. But FitzGerald soon fell in love with ‘Omar’, his new Persian men…
A Thin Disguise”
Ferishtah's Fancies was a work of Browning's old age, the first of the three volumes he published after he turned seventy, before his death in 1889. All these volumes, but especially the first two, Ferishtah's Fancies (1884) and Parleyings with Certain People of Importance in Their Day (1887), are reflective works, in which Browning revisits the major themes and imaginative locations of his life and work. But they are also characteristically rest…
The Persian Presence in Nineteenth-Century English Poetry
This study employs keyword searches of literary databases such as Literature Online (LION) in an attempt to map the image of “Persia” in nineteenth-century English poetry as it was molded by a proliferation of thoughts and ideas in a variety of contexts. Completeness is not possible, of course, but the article aims to identify and explore some of the major categories within which the image of Persia was formed and disseminated in the nineteenth-c…
The Persian Presence in Nineteenth-Century English Poetry
This study employs keyword searches of literary databases such as Literature Online (LION) in an attempt to map the image of “Persia” in nineteenth-century English poetry as it was molded by a proliferation of thoughts and ideas in a variety of contexts. Completeness is not possible, of course, but the article aims to identify and explore some of the major categories within which the image of Persia was formed and disseminated in the nineteenth-c…
The Persian Presence in Nineteenth-Century English Poetry
This study employs keyword searches of literary databases such as Literature Online (LION) in an attempt to map the image of “Persia” in nineteenth-century English poetry as it was molded by a proliferation of thoughts and ideas in a variety of contexts. Completeness is not possible, of course, but the article aims to identify and explore some of the major categories within which the image of Persia was formed and disseminated in the nineteenth-c…
A Thin Disguise”
Ferishtah's Fancies was a work of Browning's old age, the first of the three volumes he published after he turned seventy, before his death in 1889. All these volumes, but especially the first two, Ferishtah's Fancies (1884) and Parleyings with Certain People of Importance in Their Day (1887), are reflective works, in which Browning revisits the major themes and imaginative locations of his life and work. But they are also characteristically rest…
The Rubáiyát
This is an essay on the genesis of the Rubáiyát of Omar Khayyám. The contention is that the Rubáiyát ensued, at least, partly from the affection that Edward FitzGerald had for his friend and mentor in Persian, Edward Byles Cowell. FitzGerald used Omar Khayyám as an excuse to stay in touch with his dear friend Cowell, who left England after introducing him to Khayyám and his poetry. But FitzGerald soon fell in love with ‘Omar’, his new Persian men…
Art (3 works) · Literature (3 works) · Poetry (3 works) · History (2 works) · History (2 works) · Philosophy (2 works) · Philosophy (2 works) · Affection (1 work) · American Constitutional Law and Politics (1 work) · Art history (1 work)