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Evelin Grassi

Biographic Data

ID5824708
NAMEEvelin Grassi
GIVEN NAMESEvelin
FAMILY NAMEGrassi
SIGNATUREGRASSI E
AFFILIATIONS1 Université Sorbonne nouvelle-Paris 3 / UMR 7528 “Mondes iranien et indien”
ORCID0000-0001-5013-7134
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2017
H-INDEX1
  • From Bukhara to Dushanbe

    Open Access•Evelin Grassi•ARTICLE•Iranian Studies•2017•Cited by: 2

    This article offers an overview of Soviet Tajik Fiction under Stalinism (1920s–1950s) and during de-Stalinization (1950s–1970s) by contemplating the move from Bukhara to Dushanbe as a setting for Tajik stories and novels. In particular, it details the two main literary genres of the period, namely historical and psychological fiction. It argues that when tracing the main stages of evolution of Soviet Tajik fiction from the point of view of the se…

  • Memorie Sadriddin Ajnī (Italian translation by Evelin Grassi)

    Evelin Grassi•ARTICLE•Oriente Moderno•2013

    This is the first Italian translation of some selections from the Ëddoštho * “Reminiscences” of Sadriddin Ajnī (Bukhara 1878—Dushanbe 1954), the author commonly regarded as the leading representative of modern Tajik literature. Ajnī’s Reminiscences , divided into four parts and published between 1948 and 1954, are a collection of lively short-stories where the author described his childhood spent in two villages near Bukhara, as well as his youth…

  • Alcune Considerazioni sul Racconto Margi Sudkhūr “la Morte dell’Usuraio” Dello Scrittore Tagico Sadriddin Ajnī

    Evelin Grassi•ARTICLE•Oriente Moderno•2009•Cited by: 1

  • From Bukhara to Dushanbe

    Open Access•Evelin Grassi•ARTICLE•Iranian Studies•2017•Cited by: 2

    This article offers an overview of Soviet Tajik Fiction under Stalinism (1920s–1950s) and during de-Stalinization (1950s–1970s) by contemplating the move from Bukhara to Dushanbe as a setting for Tajik stories and novels. In particular, it details the two main literary genres of the period, namely historical and psychological fiction. It argues that when tracing the main stages of evolution of Soviet Tajik fiction from the point of view of the se…

  • Alcune Considerazioni sul Racconto Margi Sudkhūr “la Morte dell’Usuraio” Dello Scrittore Tagico Sadriddin Ajnī

    Evelin Grassi•ARTICLE•Oriente Moderno•2009•Cited by: 1

  • Alcune Considerazioni sul Racconto Margi Sudkhūr “la Morte dell’Usuraio” Dello Scrittore Tagico Sadriddin Ajnī

    Evelin Grassi•ARTICLE•Oriente Moderno•2009•Cited by: 1

  • Memorie Sadriddin Ajnī (Italian translation by Evelin Grassi)

    Evelin Grassi•ARTICLE•Oriente Moderno•2013

    This is the first Italian translation of some selections from the Ëddoštho * “Reminiscences” of Sadriddin Ajnī (Bukhara 1878—Dushanbe 1954), the author commonly regarded as the leading representative of modern Tajik literature. Ajnī’s Reminiscences , divided into four parts and published between 1948 and 1954, are a collection of lively short-stories where the author described his childhood spent in two villages near Bukhara, as well as his youth…

  • From Bukhara to Dushanbe

    Open Access•Evelin Grassi•ARTICLE•Iranian Studies•2017•Cited by: 2

    This article offers an overview of Soviet Tajik Fiction under Stalinism (1920s–1950s) and during de-Stalinization (1950s–1970s) by contemplating the move from Bukhara to Dushanbe as a setting for Tajik stories and novels. In particular, it details the two main literary genres of the period, namely historical and psychological fiction. It argues that when tracing the main stages of evolution of Soviet Tajik fiction from the point of view of the se…

Ancient history (2 works) · Art (2 works) · History (2 works) · History (2 works) · Linguistics and Cultural Studies (2 works) · Soviet and Russian History (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Classics (1 work) · Classics (1 work)

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